Bizarre, macabre fantasy that's intoxicating but repellent.
Perfume: The Story of a Murderer (2006)
Tomatometer
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Reviews Counted:121
Fresh:69
Rotten:52
Average Rating:6.2/10
Consensus: Perfume is what you'd expect from a Tom Twyker-directed movie glamorizing a serial killer: a kinetic visual feast, with a dark antihero that's impossible to feel sympathy for.
Rated: R [See Full Rating] for aberrant behavior involving nudity, violence, sexuality, and disturbing images.
Runtime: 2 hrs 27 mins
Genre: Dramas
Theatrical Release:Dec 27, 2006 Limited
Box Office: $2,101,584
Synopsis: Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this... Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this production helmed by Tom Tykwer (RUN LOLA RUN). The film stays remarkably faithful to the author's vision, perfectly summoning up the brooding ominousness of small-town life in 18th-century France, and getting the casting of its central character, Jean-Baptiste Grenouille (Ben Whishaw), exactly right. Grenouille is an orphan whose sense of smell is extraordinarily acute. He impresses master perfumer Baldini (Dustin Hoffman) enough to work for him, and this sets Grenouille off on an epic quest to find the perfect scent. When he discovers that killing young women and bottling their essence is the only way he can achieve his dream, Grenouille is soon a wanted man with multiple murders to his name. However, when it comes to making one last kill--namely the attractive redhead Laura (Rachel Hurd-Wood)--the young perfumer may have met his match in her overprotective father, Richis (Alan Rickman). Tykwer's film is an impressive achievement, not least because the subject of scent and the cinematic medium were always going to make uneasy bedfellows. Couple that with the weight of expectation caused by the millions of readers who have delighted in Suskind's words, and it needed a brave director to take on such a project. Whishaw is a revelation in his first major screen appearance, and Tykwer made a wise choice in bringing in some older heads (Rickman, Hoffman) to support the younger actor. Visually, the film is stunning, and cinematographer Frank Griebe clearly worked hard to bring Suskind and Tykwer's visions to life. But ultimately this is an ensemble piece, with cast and crew all pulling together to create a film that simmers with a hushed menace throughout. [More]
Starring: Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood
Starring: Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood
Director: Tom Tykwer
Producer: Bernd Eichinger
Composer: Reinhold Heil, Johnny Klimek
Director: Tom Tykwer
Studio: DreamWorks Distribution LLC
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Reviews for Perfume: The Story of a Murderer
It ventures so fearlessly down one limited, terrifying, seductive dead end, and finds there a solution both sublime and horrifying. It took imagination to tell it, courage to film it, thought to act it, and from the audience it requires a brave curiosity.
Starts off on the wrong foot with the wrong tone, then keeps stumbling and bumbling its way to a climax half the people who buy tickets will never see because they will walk out in frustration or disbelief.
The climax of the film -- quite literally -- is so silly and preposterous that we're likely to leave the theater either laughing at it or grumbling about how such a good idea for a movie could have been so diluted: not perfume, but cheap cologne.
Cinematically, the [novel's] concept comes off as laughably ludicrous. And the unconvincing period trappings and performances in this adaptation certainly don't help.
The film is downright repulsive in places, and otherwise pushes the envelope for an art film, but it's a dazzling piece of filmmaking that wins us over with its boldness and artistry.
No movie has ever engaged me quite the way Perfume did, casting a spell during that first half-hour that lasted until I left the theater.
As the body count of sexualized corpses increases Perfume starts to resemble an olfactory Peeping Tom minus the intellectual chops necessary to back up its atrocities.
There's a vacuum at the heart of this gothic melodrama. The intent is frustratingly cloudy, and the visuals are more resonant than the performances.
A film can reek equally of fine craftsmanship and piping-hot dung, and the proof's in Perfume: The Story of a Murderer.
Jack the Ripper meets Scent of a Woman in Perfume: The Story of a Murderer, an example of why certain books are deemed unfilmable, no matter how talented those involved are.
It's rare to encounter a movie as aggressive in its ridiculousness as Perfume: The Story of a Murderer. So, credit where credit is due: This is an extremely ambitious terrible film.
A noble experiment in pushing the limits of cinema, but one too many sequences of ruffling silks and dreamy flower bouquets evoke little more than the ad-agency clichés of an elongated Chanel No. 5 commercial.
Whishaws murderer is presented as neither monster nor lunatic, but as a guy who just needs to kill women. After a while, the viewer is likely to start planning his own escape.
This is a thoroughly enjoyable, brilliantly directed thriller with a great script and a terrific central performance from Ben Whishaw. One of the best films of the year. Unmissable.
Perfume misses some of the subtler base notes of Süskind's creepier, more self-aware original, but Whishaw and Tykwer blend the movie into something quite heady in its own bottle.
It is Tykwer's particular cinematic gift that he can recreate the inner universe that his characters inhabit to such an extent that said subjective universe seems, if not normal, somehow perversely seductive
A whole new take on the concept, The Scent of a Woman. But, really, all this perfumer-extraordinaire wants to do is bottle it.
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