The film, though admirably ambitious, is resolutely earthbound, mired in ick and slime and never more wooden than in the delirious climax.
Perfume: The Story of a Murderer (2006)
Tomatometer
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Reviews Counted:121
Fresh:69
Rotten:52
Average Rating:6.2/10
Consensus: Perfume is what you'd expect from a Tom Twyker-directed movie glamorizing a serial killer: a kinetic visual feast, with a dark antihero that's impossible to feel sympathy for.
Rated: R [See Full Rating] for aberrant behavior involving nudity, violence, sexuality, and disturbing images.
Runtime: 2 hrs 27 mins
Genre: Dramas
Theatrical Release:Dec 27, 2006 Limited
Box Office: $2,101,584
Synopsis: Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this... Author Patrick Suskind enjoys a career shrouded in Salinger-esque mystery. Suskind's best-selling novel PERFUME was coveted by Hollywood for many years, and finally makes it to the screen in this production helmed by Tom Tykwer (RUN LOLA RUN). The film stays remarkably faithful to the author's vision, perfectly summoning up the brooding ominousness of small-town life in 18th-century France, and getting the casting of its central character, Jean-Baptiste Grenouille (Ben Whishaw), exactly right. Grenouille is an orphan whose sense of smell is extraordinarily acute. He impresses master perfumer Baldini (Dustin Hoffman) enough to work for him, and this sets Grenouille off on an epic quest to find the perfect scent. When he discovers that killing young women and bottling their essence is the only way he can achieve his dream, Grenouille is soon a wanted man with multiple murders to his name. However, when it comes to making one last kill--namely the attractive redhead Laura (Rachel Hurd-Wood)--the young perfumer may have met his match in her overprotective father, Richis (Alan Rickman). Tykwer's film is an impressive achievement, not least because the subject of scent and the cinematic medium were always going to make uneasy bedfellows. Couple that with the weight of expectation caused by the millions of readers who have delighted in Suskind's words, and it needed a brave director to take on such a project. Whishaw is a revelation in his first major screen appearance, and Tykwer made a wise choice in bringing in some older heads (Rickman, Hoffman) to support the younger actor. Visually, the film is stunning, and cinematographer Frank Griebe clearly worked hard to bring Suskind and Tykwer's visions to life. But ultimately this is an ensemble piece, with cast and crew all pulling together to create a film that simmers with a hushed menace throughout. [More]
Starring: Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood
Starring: Ben Whishaw, Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood
Director: Tom Tykwer
Producer: Bernd Eichinger
Composer: Reinhold Heil, Johnny Klimek
Director: Tom Tykwer
Studio: DreamWorks Distribution LLC
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Reviews for Perfume: The Story of a Murderer
Try as it might to be refined and provocative, Tom Tykwer's Perfume never rises above the pedestrian creepiness of its conceit.
The movie does tease and torment the olfactory nerve in ways Estée Lauder never dreamed of.
This unusual film holds interest for 2 1/2 hours and is so visually vivid you can practically smell many of the scenes.
Perfume may be one of the most sumptuous serial-killer movies of all time. Between those tumultuous opening passages and a stunner of a climax, however, it's also a bit of a drag.
I fully expect a lot of folks to dismiss this film as violent and misogynistic, and looking at it just on the surface, it would be tempting to do so -- and it would also be completely missing the point.
You could be stuffing quantities of chocolate, oysters and arugula while watching the playmate of the month down carrots and bananas and you're still unlikely to be fooled by the supposed power of this Perfume.
The movie version feels forced, even though it doesn't seem to know what it means.
Though it may come across more than a little precious and pretentious, its memory will linger in your mind long after those of other films have faded.
In adapting the 1985 Patrick Süskind novel, Tykwer has achieved one of those rarities - a film that reads better on screen than on the page.
A bleakly comic fable, drenched in obsession and the vicious observation of human limitations.
Beware of asking for love: this perverse tale shows delightfully with adept magic realism how love can do you in.
The lavender fields of Provence, captured in full bloom, leave more of an impression than any actor in the movie except Whishaw.
The first Tykwer flick since Run Lola Run that really feels like it delivers on the promise he showed us back then.
The odd conclusion renders it somewhat oblique, but Perfume is a feast for the senses. Smell it with your eyes...
Visually compelling but emotionally detached due to the modernist ironic perspective.
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