Synopsis: PERSONA opens with a sequence of disassociated and disturbing images--a nail is driven into someone's hand, an animal is slaughtered, a boy is seated in front of the gigantic projection of a woman's face. As the story begins in flashback, Elisabeth Vogler (Liv Ullmann), an acclaimed stage... PERSONA opens with a sequence of disassociated and disturbing images--a nail is driven into someone's hand, an animal is slaughtered, a boy is seated in front of the gigantic projection of a woman's face. As the story begins in flashback, Elisabeth Vogler (Liv Ullmann), an acclaimed stage actress, suddenly freezes up in the middle of a performance. She has suffered a breakdown and is now either unable or unwilling to speak. Elisabeth's doctor decides to send her to a seaside cottage on a retreat and asks Alma (Bibi Andersson), a dedicated young nurse, to accompany the patient. As the days go by, in order to elicit a response from her ward, Alma finds herself discussing her most intimate secrets, which Elisabeth seems to silently absorb. Eventually, Alma begins voicing the other woman's thoughts, and to her horror, she realizes that their minds and personalities are merging. In addition to its narrative properties, PERSONA is highly innovative on a formal level, and often seems a comment on the medium of cinema itself. Bergman considered this movie and CRIES AND WHISPERS to be his two most groundbreaking cinematic achievements. [More]