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Andrew Lloyd Webber's The Phantom of the Opera (2004)
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Reviews Counted:36
Fresh:10
Rotten:26
Average Rating:4.7/10
Consensus: The music of the night has hit something of a sour note: Critics are calling the screen adaptation of Andrew Lloyd Webber’s popular musical histrionic, boring, and lacking in both romance and danger. Still, some have praised the film for its sheer spectacle.
Rated: PG-13 [See Full Rating] for brief violent images
Runtime: 2 hrs 23 mins
Genre: Musical & Performing Arts
Theatrical Release:Dec 22, 2004 Limited
Box Office: $51,193,556
Synopsis: Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd... Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd Webber's Broadway musical THE PHANTOM OF THE OPERA, these moody set devices--and countless others--make every scene an atmospheric vision of souped-up 19th-century Gothic bliss. Christine Daee (a luminescent Emmy Rossum) is a tortured young star who is haunted by the voice of the phantom (Gerard Butler--who also played the lead in DRACULA 2000), a musician who hides in the shadows to hide a facial disfigurement, yet sings to her obsessively. Dwelling in the dark, damp chambers beneath the Paris opera house, the phantom lords over the cast and management with artistic autocracy--he writes the shows, casts them, and threatens all who disobey his plans with dramatically violent outbursts. But when his young student Christine falls for the rich and dapper Raoul (Patrick Wilson), the phantom descends into madness. Webber's memorable songs are performed with aplomb by Rossum, whose background includes singing with the Metropolitan Opera, and Wilson and Butler provide ample accompaniment. One of the treats of the proceedings is Minnie Driver's deeply exaggerated portrayal of the jealous diva, giving this PHANTOM a very appropriate dose of comic relief. [More]
Starring: Gerard Butler, Emmy Rossum, Minnie Driver, Patrick Wilson
Starring: Gerard Butler, Emmy Rossum, Minnie Driver, Patrick Wilson, Miranda Richardson
Director: Joel Schumacher
Director: Joel Schumacher
Screenwriter: Andrew Lloyd Webber, Joel Schumacher
Producer: Andrew Lloyd Webber
Composer: Andrew Lloyd Webber
Studio: Warner Bros.
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Reviews for Andrew Lloyd Webber's The Phantom of the Opera
My own reaction to the current version fashioned by Mr. Schumacher is one of pure stupefaction.
The plot is impressively free of anything that does not smell of unpasteurized melodrama.
Takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.
This guy’s not the Phantom of the Opera, he’s the Fashionably Scarred Stud of the Opera and that just doesn’t work.
Joel Schumacher's film adaptation of Lloyd Webber's The Phantom of the Opera combines fingernails-on- blackboard audio agony with bamboo- under- fingernails physical torture.
The movie version of Lloyd Webber's swooning 1986 horror operetta has been directed, by Joel Schumacher, as if Schumacher were the world's hardest-working upholstery salesman.
The movie version of Lloyd Webber's smash hit does to the music what the music did to the words and story: It distracts the mind and cajoles the eyes to the point that one doesn't really care that everything the ears are hearing is pure nonsense.
For those whose primary experience with musicals is on the screen, this melodramatic tale with the familiar soundtrack should hold substantial appeal.
The film overflows with overkill, from the amped-up orchestra that constantly threatens to submerge the singers to the ornate silliness of each and every scene involving the Phantom.
If you want something more from musicals than a single syrupy hit, though -- and have fond memories of the Phantom as our most romantic of monsters -- then seek out the old Lon Chaney silent instead, and put on your own darn music.
The falling chandelier, the signature moment of Phantom, has been moved from the end of the first act to the climax of the movie -- by which point non-devotees may need to be roused from their sleep by their companions.
Andrew Lloyd Webber's kitschy theatrical spectacle is now a kitschy theatrical movie, a mix of melodrama, horror, romance, mystery and melody heaped together into a cinematic smorgasbord, one heavy in starch.
Schumacher has bravely taken aboard this dreck and made of it a movie I am pleased to have seen.
It's a slow-moving orgy of lowbrow grandiosity that's as tedious as it is overblown and pretentious. Songs, scenes, dance numbers, lyrics and set pieces all blend together into an indistinct, ludicrously self-serious mush.
Christine is a dipstick, a trait that the vapid, but pretty-voiced Emmy Rossum brings across with effortless, blank-eyed aplomb in this similarly idiotic film.
With its stately pace and theatrical roots showing at all times, Phantom may work as a reproduction for the faithful, but it never really connects as a film.
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