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Movies / On DVD / Andrew Lloyd Webber's The Phantom of the Opera
Andrew Lloyd Webber's The Phantom of the Opera

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Andrew Lloyd Webber's The Phantom of the Opera (2004)

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Reviews Counted:36

Fresh:10

Rotten:26

Average Rating:4.7/10

Consensus: The music of the night has hit something of a sour note: Critics are calling the screen adaptation of Andrew Lloyd Webber’s popular musical histrionic, boring, and lacking in both romance and danger. Still, some have praised the film for its sheer spectacle.

Rated: PG-13 [See Full Rating] for brief violent images

Runtime: 2 hrs 23 mins

Genre: Musical & Performing Arts

Theatrical Release:Dec 22, 2004 Limited

Box Office: $51,193,556

Synopsis: Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd... Those who thought that smoke machines and cobwebbed candelabras were the stuff of Halloween parties and dance clubs need to think again. In Joel Schumacher's film adaptation of Andrew Lloyd Webber's Broadway musical THE PHANTOM OF THE OPERA, these moody set devices--and countless others--make every scene an atmospheric vision of souped-up 19th-century Gothic bliss. Christine Daee (a luminescent Emmy Rossum) is a tortured young star who is haunted by the voice of the phantom (Gerard Butler--who also played the lead in DRACULA 2000), a musician who hides in the shadows to hide a facial disfigurement, yet sings to her obsessively. Dwelling in the dark, damp chambers beneath the Paris opera house, the phantom lords over the cast and management with artistic autocracy--he writes the shows, casts them, and threatens all who disobey his plans with dramatically violent outbursts. But when his young student Christine falls for the rich and dapper Raoul (Patrick Wilson), the phantom descends into madness. Webber's memorable songs are performed with aplomb by Rossum, whose background includes singing with the Metropolitan Opera, and Wilson and Butler provide ample accompaniment. One of the treats of the proceedings is Minnie Driver's deeply exaggerated portrayal of the jealous diva, giving this PHANTOM a very appropriate dose of comic relief. [More]

Starring: Gerard Butler, Emmy Rossum, Minnie Driver, Patrick Wilson

Starring: Gerard Butler, Emmy Rossum, Minnie Driver, Patrick Wilson, Miranda Richardson

Director: Joel Schumacher

Director: Joel Schumacher
Screenwriter: Andrew Lloyd Webber, Joel Schumacher
Producer: Andrew Lloyd Webber
Composer: Andrew Lloyd Webber
Studio: Warner Bros.

[See More Credits]

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Release:

Oct 31, 2006

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Reviews for Andrew Lloyd Webber's The Phantom of the Opera

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1 - 20 (sorted by date)
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N/R

Click to read the article

Full Review Source: Newsweek | comment Comment
11/01/07
David Ansen
David Ansen
Newsweek
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N/R

Click to read the article

Full Review Source: Washington Post | comment Comment
07/30/05
Desson Thomson
Desson Thomson
Washington Post
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My own reaction to the current version fashioned by Mr. Schumacher is one of pure stupefaction.

Full Review Source: New York Observer | comment Comment
01/27/05
Andrew Sarris
Andrew Sarris
New York Observer
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The plot is impressively free of anything that does not smell of unpasteurized melodrama.

Full Review Source: New Yorker | comment Comment
01/15/05
Anthony Lane
Anthony Lane
New Yorker
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Takes everything that's wrong with Broadway and puts it on the big screen in a gaudy splat.

Full Review Source: Salon.com | comment Comment
12/27/04
Stephanie Zacharek
Stephanie Zacharek
Salon.com
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This guy’s not the Phantom of the Opera, he’s the Fashionably Scarred Stud of the Opera and that just doesn’t work.

Full Review Source: Ebert & Roeper | comment Comment
12/27/04
Richard Roeper
Richard Roeper
Ebert & Roeper
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Joel Schumacher's film adaptation of Lloyd Webber's The Phantom of the Opera combines fingernails-on- blackboard audio agony with bamboo- under- fingernails physical torture.

Full Review Source: Philadelphia Inquirer | comment Comment
12/23/04
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
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The movie version of Lloyd Webber's swooning 1986 horror operetta has been directed, by Joel Schumacher, as if Schumacher were the world's hardest-working upholstery salesman.

Full Review Source: Entertainment Weekly | comment Comment
12/23/04
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
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The movie version of Lloyd Webber's smash hit does to the music what the music did to the words and story: It distracts the mind and cajoles the eyes to the point that one doesn't really care that everything the ears are hearing is pure nonsense.

Full Review Source: Washington Post | comment Comment
12/22/04
Philip Kennicott
Philip Kennicott
Washington Post
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For those whose primary experience with musicals is on the screen, this melodramatic tale with the familiar soundtrack should hold substantial appeal.

Full Review Source: USA Today | comment Comment
12/22/04
Claudia Puig
Claudia Puig
USA Today
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The film overflows with overkill, from the amped-up orchestra that constantly threatens to submerge the singers to the ornate silliness of each and every scene involving the Phantom.

Full Review Source: Toronto Star | comment Comment
12/22/04
Peter Howell
Peter Howell
Toronto Star
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The movie misfires as often as it connects.

Full Review Source: San Francisco Chronicle | comment Comment
12/22/04
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
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If you want something more from musicals than a single syrupy hit, though -- and have fond memories of the Phantom as our most romantic of monsters -- then seek out the old Lon Chaney silent instead, and put on your own darn music.

Full Review Source: Newark Star-Ledger | comment Comment
12/22/04
Stephen Whitty
Stephen Whitty
Newark Star-Ledger
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The falling chandelier, the signature moment of Phantom, has been moved from the end of the first act to the climax of the movie -- by which point non-devotees may need to be roused from their sleep by their companions.

Full Review Source: New York Post | comment Comment
12/22/04
Lou Lumenick
Lou Lumenick
New York Post
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Andrew Lloyd Webber's kitschy theatrical spectacle is now a kitschy theatrical movie, a mix of melodrama, horror, romance, mystery and melody heaped together into a cinematic smorgasbord, one heavy in starch.

Full Review Source: Chicago Tribune | comment Comment
12/22/04
Sid Smith
Sid Smith
Chicago Tribune
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Where's Homeland Security when you need it?

Full Review Source: New York Daily News | comment Comment
12/22/04
Jack Mathews
Jack Mathews
New York Daily News
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Schumacher has bravely taken aboard this dreck and made of it a movie I am pleased to have seen.

Full Review Source: Chicago Sun-Times | comment 2 Comments
12/22/04
Roger Ebert
Roger Ebert
Chicago Sun-Times
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It's a slow-moving orgy of lowbrow grandiosity that's as tedious as it is overblown and pretentious. Songs, scenes, dance numbers, lyrics and set pieces all blend together into an indistinct, ludicrously self-serious mush.

Full Review Source: Los Angeles Times | comment Comment
12/22/04
Carina Chocano
Carina Chocano
Los Angeles Times
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Christine is a dipstick, a trait that the vapid, but pretty-voiced Emmy Rossum brings across with effortless, blank-eyed aplomb in this similarly idiotic film.

Full Review Source: Globe and Mail | comment Comment
12/22/04
Leah McLaren
Leah McLaren
Globe and Mail
Top Critic Icon Top Critic

With its stately pace and theatrical roots showing at all times, Phantom may work as a reproduction for the faithful, but it never really connects as a film.

Full Review Source: Detroit News | comment Comment
12/22/04
Tom Long
Tom Long
Detroit News
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