What if David Lynch had directed The Abominable Dr. Phibes? The result might well have been something along the lines of this Quay Brothers horror art film.
The Piano Tuner of Earthquakes (2006)
Tomatometer
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Reviews Counted:40
Fresh:17
Rotten:23
Average Rating:5.6/10
Consensus: Though visually stunning and brilliantly original, the film fails to resonate emotionally.
Theatrical Release:Nov 17, 2006 Limited
Synopsis: THE PIANO TUNER OF EARTHQUAKES is a dark and twisted fairytale filled with bizarrely beautiful imagery. The story concerns a doctor who kidnaps a stunning opera singer with desires of keeping her... THE PIANO TUNER OF EARTHQUAKES is a dark and twisted fairytale filled with bizarrely beautiful imagery. The story concerns a doctor who kidnaps a stunning opera singer with desires of keeping her in a cage. [More]
Starring: Gottfried John, Assumpta Serna, Amira Casar
Starring: Gottfried John, Assumpta Serna, Amira Casar
Director: Timothy Quay, Stephen Quay
Director: Timothy Quay, Stephen Quay
Studio: Zeitgeist Films
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Reviews for The Piano Tuner of Earthquakes
Like a dream, this film is wispy and ethereal; like a nightmare, it lodges in your hindbrain and gnaws away with gleeful abandon.
[Piano Tuner of Earthquakes is] one of those rare examples of a completely original environment created for the screen. Then people start talking, and the snoozing soon commences.
The whole movie feels filmed through the wrong end of a stereopticon: stiff, fascinating, riddled with secrets it doesn't care to divulge.
While The Piano Tuner of Earthquakes is a handsomely mounted production and not an unintelligent one, it’s also emotionally cold and too familiar by half.
As in most of the Quays' fantasias, the narrative is oblique and slow moving but the florid visuals are rife with sexual and psychological overtones.
This opaque tale offers meticulously crafted atmosphere, but rather less passion or drama.
Characters slowly whisper their dialogue to one another in scenes that would put the dead to sleep.
The story proves to be elusive, and the robotic performances of the cast make it hard to care about any of the characters -- or to try to figure out what's supposed to be going on.
What the movie lacks in acting and coherence, it more than makes up for through imagery.
The second feature from Quay Brothers, an uneasy, often intriguing foray into live-action from a tesm known for their animated shorts, is a risk-taking experimental film, but despite startling visuals, it's difficult to follow the unclear narrative
Ingenious use of colour and light, but dramatic inertia makes this an infuriating experience.
blends live action and animation to create a surreal hermetic vision that is as beautifully seductive as it is chillingly inaccessible.
The music is gorgeously classical and some of the images are memorable and haunting, but experiencing the film is near-torture.
The film's poetry, playfulness and pictorial contrivances would perhaps work better in a short film, or sequence of short films. Conventional feature length somehow robs [the Quay brothers] of their lightness and digestibility.
Latest News for The Piano Tuner of Earthquakes
November 16, 2006:
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