Made in 1965, this film, with its ravishing colors and beautiful 'Scope camerawork by Raoul Coutard, still looks as iconoclastic and fresh as it did when it belatedly opened in the U.S.
Pierrot Le Fou (1965)
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Reviews Counted:34
Fresh:28
Rotten:6
Average Rating:7.7/10
Runtime: 1 hr 50 mins
Genre: Foreign Films
Synopsis: French auteur Jean-Luc Godard continues his fascination with the crime genre--after BREATHLESS and BAND OF OUTSIDERS--with PIERROT LE FOU. After escaping his stale, bourgeois marriage, Ferdinand... French auteur Jean-Luc Godard continues his fascination with the crime genre--after BREATHLESS and BAND OF OUTSIDERS--with PIERROT LE FOU. After escaping his stale, bourgeois marriage, Ferdinand Griffon (Jean-Paul Belmondo), a man on the run, encounters a captivating woman, Marianne (Godard's then-wife, Anna Karina). Striking up an immediate connection, the two begin a freewheeling affair that leads them to the Mediterranean Sea. There's one slight problem, though. Marianne is being pursued by a group of bloodthirsty mobsters who have chased her out of Algeria. Making matters worse for Ferdinand is the unfortunate fact that she turns out to be as much of a headache as his wife was, constantly referring to him as "Pierrot," much to his disdain. As their relationship reaches its boiling point, the hit men arrive, threatening to terminate both their relationship and their lives. Based on Lionel White's OBSESSION, PIERROT LE FOU is an example of a filmmaker's lack of preparation actually working to his benefit. Godard has said that he had no script on which to proceed, forcing him to make up the film as he went along. It is this seemingly improvised, brisk pacing--in addition to the performances of Belmondo and Karina--that makes the film such a fresh and original twist on an oft-mimicked genre. [More]
Starring: Jean-Paul Belmondo, Anna Karina, Jean-Pierre Léaud
Starring: Jean-Paul Belmondo, Anna Karina, Jean-Pierre Léaud
Director: Jean-Luc Godard
Director: Jean-Luc Godard
Screenwriter: Jean-Luc Godard
Composer: Antoine Duhamel
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Reviews for Pierrot Le Fou
More surprising is how lushly romantic the film seems now -- even the frostiest qualities of the director's volatile aesthetic are warmed by the Riviera sunlight and the presence of Karina at her most beguiling.
The result is repetitive and precious rather than inventive and fresh.
...ultimately nothing more than an infuriatingly vague and utterly pointless piece of work...
Arguably one of the few Godard pictures to have the desired balance of romance, adventure, violence, and humor on one side, and philosophy, literary and cinematic allusion, and Brechtian distancing on the other.
I once wrote of it as "Godard's most virtuoso display of his mastery of Hollywood genres," I now see it more as the story of silly characters who have seen too many Hollywood movies.
It works well enough on that level alone -- a simple crime thriller -- but it also functions as an allegorical view of the Vietnam War.
Totally bizarre and ultimately without much point -- Godard's message about commercialism is drowned in a sea of oddity.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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