A comic masterpiece that never goes out of style
Planes, Trains and Automobiles (1987)
Tomatometer
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Reviews Counted:42
Fresh:40
Rotten:2
Average Rating:7.8/10
Runtime: 1 hr 33 mins
Genre: Comedies
Synopsis: All Neal Page (Steve Martin) wants to do is make it home from a business trip in New York City and spend Thanksgiving with his family in Chicago. Instead, he finds himself rerouted from New York's... All Neal Page (Steve Martin) wants to do is make it home from a business trip in New York City and spend Thanksgiving with his family in Chicago. Instead, he finds himself rerouted from New York's La Guardia Airport to Wichita, Kansas. With no other options, Neal decides to share a room in a fleabag hotel with Del Griffith (John Candy), a shower-curtain-ring salesman and fellow stranded traveler. Although Neal finds Del to be a buffoon, he just can't seem to get away from him. To make matters worse, all their efforts to get back to Chicago fail as trains break down and rental cars catch on fire. Along the way they encounter crazy cabbies, redneck truck drivers, and oversexed bus passengers. John Hughes's (SIXTEEN CANDLES, THE BREAKFAST CLUB) first film to feature adults after his success with teen films features fine performances from Martin and Candy. Kevin Bacon, who appeared in Hughes's next film, SHE'S HAVING A BABY, makes a small but humorous appearance, as does Edie McClurg, known for her role as the high school secretary in FERRIS BUELLER'S DAY OFF. [More]
Starring: Steve Martin, John Candy, Kevin Bacon, Michael McKean
Starring: Steve Martin, John Candy, Kevin Bacon, Michael McKean, William Windom
Director: John Hughes
Director: John Hughes
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Reviews for Planes, Trains and Automobiles
Hughes has written and directed (he also produced) a perfectly balanced comedy that squeezes every last laugh out of a concept so simple you wouldn't think it could possibly succeed.
A screwball comedy with a heart, and after the laughter is over the film has generated a lot of good feeling.
The movies that last, the ones we return to, don't always have lofty themes or Byzantine complexities. Sometimes they last because they are arrows straight to the heart.
What distinguishes this film from others in the genre is the undercurrent of melancholy between the laughs.
This slapstick comedy -- with Steve Martin playing the fussy straight man -- should never have worked, but it does, and well enough to earn a place as a holiday classic.
What’s amazing, especially after repeated viewings, is that both actors are playing such extremes, yet you’re never annoyed by them.
It's the pathos under the boisterous, noisy comedy that helps fuel its continuing popularity today.
There's plenty of big laughs in this odd-couple comedy, but the main characters are also given a number of human moments, which leads to an ending that's downright poignant.
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