Gillies MacKinnon directed this charming Irish romance, taking place in a small Irish village in 1957, just before the first television set makes an appearance in this conservative hamlet. There is a scandal in the village concerning the beautiful and independent Tara Maguire (Robin Wright) -- Tara is pregnant and refuses to identify the father. She goes into labor during Sunday Mass, which raises the ire of the parish priest (Alan Devlin), who thinks God will bring bad times down on the village
for Tara's effrontery. The priest feels Tara should marry the local town constable, Sgt. Hagerty (Albert Finney), a dyspeptic reformed alcoholic who is in love with Tara. But she doesn't love Hagerty. This becomes particularly clear when a traveling band of actors known as the Playboys come into town. One of the players in the troupe, Tom Casey (Aidan Quinn), is caught by Tara stealing one of her chickens. But it is love at first sight, although it takes a while for their attraction to take root beyond some electric glances. Hagerty sees where the relationship is going and he is determined to undermine the burgeoning affair. Tara is wary and doesn't want to be dependent upon any man, even to the point of smuggling supplies to the Irish Republican Army. When Hagerty hears someone in the village is colluding with the IRA, he suspects Tom and throws him in jail. But Hagerty is a walking time bomb and finally his rage erupts with violent force. ~ Paul Brenner, Rovi
This familiar pattern of headstrong girl and passions brimming beneath the surface is well directed by first time Scottish helmer Gillies MacKinnon, though the pace slows in middle reels as plot gives way to the troupe's enjoyable stage performances.
Mr. Finney, looking puffy and ravaged in the role of a man who has lost much of himself to drink (and whose obsessive interest in Tara somehow offers him the chance of redemption), brings a furious, buried intensity to Hegarty's longing.
The film is set in 1957, before TV and cars became popular, thus explaining the centrality of two institutions in the Irish village: the church and the theater.
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