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Plus Tard (One Day You'll Understand) (Later) (2008)

TOMATOMETER

Average Rating: 6.6/10
Reviews Counted: 23
Fresh: 15
Rotten: 8

Critics Consensus: No consensus yet.

Average Rating: 7.1/10
Reviews Counted: 14
Fresh: 12
Rotten: 2

Critics Consensus: No consensus yet.

AUDIENCE SCORE

Average Rating: 3.1/5
User Ratings: 219

Trailer


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Movie Info

A middle-aged man studying the Mur des Noms in modern-day France recalls the time 20 years prior when he and his mother were viewing the trial of Klaus Barbie with rapt attention in this introspective drama from director Amos Gitai. The year was 1987, and Rivka lived with her son, Victor, in a disheveled apartment littered with antiques and memorabilia. The opening session in the trial against the so-called "butcher of Lyon" is being televised, and Rivka is struggling to keep her emotions under … More

Rating:
Unrated
Genre:
Art House & International , Drama
Directed By:
Written By:
Marie-Jose Sanselme , Dan Franck , Jérôme Clément
In Theaters:
On DVD:
Aug 11, 2009
Runtime:
Kino International - Official Site


Cast


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Critic Reviews for Plus Tard (One Day You'll Understand) (Later)

All Critics (23) | Top Critics (14) | Fresh (15) | Rotten (8)

[Director] Gitai works here from Jérôme Clément's 2005 book about his mother. He whips something rich and delicate out of the story's dramatic spareness.

Full Review… | July 23, 2009
Boston Globe
Top Critic

The intelligence and commitment of One Day You'll Understand can't be doubted, but as drama, the film barely registers.

Full Review… | February 27, 2009
San Francisco Chronicle
Top Critic

The chance to watch the grand Jeanne Moreau is this flat memoir's saving grace.

Full Review… | December 5, 2008
Los Angeles Times
Top Critic

One Day You'll Understand is not exclusively a picture about the Holocaust. It is about a contradiction: human discomfort with some truths and human hunger for them.

Full Review… | November 20, 2008
The New Republic
Top Critic

This is not a movie of big, dramatic revelations; in fact, the notionally elusive truth is pretty obvious from the movie's outset, which makes Victor's quest less about facts and more about principles.

Full Review… | November 13, 2008
Chicago Tribune
Top Critic

Nonetheless, this mesmerizing, flawed, almost Proustian meditation has more to do with the present than the past.

Full Review… | November 7, 2008
Salon.com
Top Critic

Israeli director Amos Gitai can be one of the world's most graceful and effective filmmakers, but he's equally susceptible to ham-fisted episodes, and his new film is one of them.

Full Review… | November 6, 2008
Combustible Celluloid

Despite the back and forth between awkward and moving, unsubtle and touching, Gitai does make a strong case for personal reexaminations of the past.

Full Review… | October 31, 2008
Film-Forward.com

Accurate in imaging the mystery of man's not fully knowable past, 'One Day You'll Understand' leaves too much distant, unsolved and confused.

Full Review… | October 30, 2008
ReelTalk Movie Reviews

Drama about a French Jewish family's suffering, secrets, and denials regarding Nazi persecution during the French Occupation is an often disorienting collage of memory shards. But the legendary Jeanne Moreau and other excellent cast help hold interest.

Full Review… | October 30, 2008
Film Journal International

In under 20 minutes of screen time, Jeanne Moreau supplies One Day You'll Understand with an otherwise absent emotional weight of reconciliation to the anguished history of WWII France.

Full Review… | October 26, 2008
Slant Magazine

Inert performances, an irritating soundtrack, and the lack of resonance of the 'big secret' combine to make viewing a burden.

Full Review… | October 14, 2008
Compuserve

...Gitai's penchant for going off on head-scratching tangents is certainly in full force here.

Full Review… | September 8, 2008
Reel Film Reviews

Audience Reviews for Plus Tard (One Day You'll Understand) (Later)

[font=Century Gothic]Directed by Amos Gitai, "One Day You'll Understand" is an intelligent, intriguing but not entirely successful movie set in 1987 around the time of the Klaus Barbie trial. Victor Bastien(Hippolyte Girardot) has a personal stake in the proceedings as his maternal grandparents died in the Holocaust while their daughter Rivka(Jeanne Moreau) survived.(It is strange that with a movie like Victor that is so obsessed with personal details, that her survival is never quite explained.) While focusing on beautiful moments and camera movements, there is very little story to speak of. Using the trial as a focus is not a bad idea to explore France's role in the Holocaust, but it was 17 years after the making of the very thorough "The Sorrow and the Pity." It is a shame considering what the movie has to say about identity in the wake of Rivka, of Russian Jewish heritage, marrying into a Catholic family and the effect this eventually has on her children. And like "The Sweet Hereafter," the movie brings up the notion that those who are obsessed with history were never there in the first place, while those who lived through it do not have to be constantly reminded of the fact. For example, Rivka seems particularly comfortable with the antiques she owns. In the end, the past may be a nice place to visit but it is the present where it is best to stay.[/font]

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Harlequin68
Walter M.

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