One need not be a fan of the audacious style of Jack Pollock to admire Ed Harris’ journeyman effort to bring the tortured life of one of America’s true originals to the screen
Pollock (2000)
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Reviews Counted:105
Fresh:86
Rotten:19
Average Rating:7/10
Consensus: Though Pollock does not really allow audiences a glimpse of the painter as a person, it does powerfully depict the creative process. Harris throws himself into the role and turns in a compelling performance.
Theatrical Release:Dec 15, 2000 Limited
Box Office: $7,280,174
Synopsis: Ed Harris's POLLOCK is a moving portrait of artist Jackson Pollock, a leader of abstract expressionist painting whose work had major influence on the modern art movement. A serious alcoholic who... Ed Harris's POLLOCK is a moving portrait of artist Jackson Pollock, a leader of abstract expressionist painting whose work had major influence on the modern art movement. A serious alcoholic who was married to Lee Krasner, another prominent painter, the film illustrates Pollock's rise to art world fame in the last 15 years of his life, and his subsequent surrender to the bottle which brought his death in 1956. In its best moments, POLLOCK shows Krasner (a strong, dynamic, and fascinating Marcia Gay Harden) and Pollock (a stern Harris) conversing about the progression of the modern movement while criticizing each other's work from their adjoining studios in a tiny apartment in Manhattan's East Village. Other highlights of the film include a handful of high energy painting sequences that demonstrate Pollock's technique--the fluid straight-from-tube strokes of his earlier work and the more radical throwing, drizzling, and splattering of paint from the brush to the canvas in his later works; along with amusing depictions of the New York and Long Island art worlds with Peggy Guggenheim (Amy Madigan), Clement Greenberg (Jeffrey Tambor), Willem de Kooning (Val Kilmer), and Howard Putzel (Bud Cort) in the major roles. Based on the biography JACKSON POLLOCK: AN AMERICAN SAGA by Steven Naifeh and Gregory White Smith, the film has an uplifting musical score and a soundtrack that includes some of Pollock's favorite jazz-blues tunes, both of which are welcome counterpoints to the movie's darker moments. [More]
Starring: Ed Harris, Marcia Gay Harden, Tom Bower, Jennifer Connelly
Starring: Ed Harris, Marcia Gay Harden, Tom Bower, Jennifer Connelly, Bud Cort, John Heard, Val Kilmer, Robert Knott, Amy Madigan, Jeffrey Tambor, Matthew Sussman, Norbert Weisser, Sada Thompson
Director: Ed Harris
Director: Ed Harris
Screenwriter: Susan Emshwiller, Barbara Turner
Composer: Jeff Beal
Studio: Sony Pictures Classics
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Reviews for Pollock
It's the same movie we get every time Hollywood tackles tortured geniuses.
A difficult and demanding movie, one that rewards the persevering moviegoer just as Pollock's difficult and demanding paintings ultimately reward the steadfast.
Harris, Harden, and Madigan are all outstanding, and the film, while flawed, is engrossing and impressive.
Harris ... gives perhaps the performance of his screen career, making the most of his physical resemblance to Pollock while bringing a scary, single-minded intensity to the part.
You can believe that Ed Harris was born to play artist Jackson Pollock. You can almost believe that Pollock died so that some day he would be acted by Harris.
Ed Harris gives a commanding, potent performance in Pollock that is a torrential mix of the artist's chaotic talent and his more chaotic psyche.
This may not be exactly the movie Pollock deserves, but it's the one he got; and, reservations aside, it's pretty darn good.
Harris' Oscar-nominated performance is quite moving, making Pollock a better movie than the predictability of its story arc would indicate.
Ed Harris' filmmaking deserves praise despite the story's glitches, and Marcia Gay Harden stands out in a star turn as the artist's wife.
Like its subject, Pollock is a messy creation, but one whose depth of commitment and high attack keeps it on track.
Repeats the same old stereotypes of 'artistic greatness,' and ends up feeling a little bit worn out.
Harris delivers an intense and credible performance that effectively portrays Pollock’s anti-social nature, his intensity and his seemingly desperate drive.
Flat and uninvolving, flash cards from a life but with no life itself.
A series of flashy scenes that work on their own histrionic terms but add up to nothing you can't predict in the first five minutes.
A precise, deliberate movie, so carefully calibrated in its tone and structure that, as a whole, it ends up reading like a completely well-intentioned lack of guts.
Harris is always a good actor but here seems possessed, as if he had a leap of empathy for Pollock.
Latest News for Pollock
February 15, 2005:
Roll Over, "Beethoven": Harris to Play Composer
More...
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
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| Tomatometer Percentage | Movie |
|---|---|
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