With any luck, it will develop the cult it deserves because while its urgency makes it an easy target, Pontypool’s new ideas are commendably gripping.
Pontypool (2009)
Tomatometer
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Reviews Counted:71
Fresh:58
Rotten:13
Average Rating:6.6/10
Consensus: Witty and restrained but still taut and funny, this Pontypool is a different breed of low-budget zombie film.
Theatrical Release:May 29, 2009 Limited
Synopsis: It’s not just the snow storm that’s chilling in this Canadian zombie movie from director Bruce McDonald (THE TRACEY FRAGMENTS). Stephen McHattie (WATCHMEN) stars as controversy-courting radio DJ... It’s not just the snow storm that’s chilling in this Canadian zombie movie from director Bruce McDonald (THE TRACEY FRAGMENTS). Stephen McHattie (WATCHMEN) stars as controversy-courting radio DJ Grant Mazzy, who can only find work in Pontypool, Ontario, where he broadcasts his show from the church basement. The monotony of relaying the small-town news of a blizzard is broken when Grant begins to report strange stories of violence to his listeners. It is soon revealed that there’s a virus infecting the whole town, and Grant and his coworkers barricade themselves in the office. But the virus doesn’t use the standard methods of blood or air for its transmission; instead, language is responsible for the disease, which leaves Grant wondering whether it is better to spread the news or keep quiet. [More]
Starring: Stephen McHattie, Lisa Houle, Hrant Alianak, Georgina Reilly
Starring: Stephen McHattie, Lisa Houle, Hrant Alianak, Georgina Reilly
Director: Bruce McDonald
Director: Bruce McDonald
Screenwriter: Tony Burgess
Producer: Jeffrey Coghlan, Ambrose Roche
Studio: IFC Films
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Reviews for Pontypool
I have to give kudos to McDonald and Burgess for refreshing the zombie genre in ways I never thought possible.
For a film about the perils of too much talk, there's quite a lot of babbling presented as profundity.
Bruce McDonald directs a tiptop cast. Tony Burgess, scripting from his own novel, clearly saw the grand guignol potential in the computer virus, in the way great plagues can be planted in tiny units of understanding.
The latest evidence that you don't need a lot of money to make an effectively chilling horror movie.
This unsettlingly quirky account of semiological breakdown and small-town apocalypse plays like My Winnipeg for fans of intellectual horror. Pontypool is as astonishing as it is original, and amply repays multiple viewings.
throws up so many Freudian slips, mixed metaphors and free-associative leaps that in the end the main characters' (and our own) grip on reality comes unstuck, and the unfolding apocalypse takes on a positively Saussurean aspect.
...poses some interesting ethical issues on the responsibility of the media, but like many a Stephen King novel ("Insomnia" comes to mind), solid characters and a great build are undone by a silly underlying premise.
This is one of those little films that proves that you don't need a blockbuster budget to make a high-concept movie. McDonald and Burgess create a mass-chaos apocalyptic thriller with essentially just three characters in a windowless room.
Pontypool is ultimately a testament to its frequently besieged director's audacity and vision.
A masterclass in building horror atmosphere. Finally, it's a zombie film with the one thing zombies have been crying out for all these years: BRRAAAIIINNNSS.
Riddled with nail-biting tension and scenes that are quite simply scary as hell, Pontypool as of now is on my best of list for 2009.
Ignore the shaky tongue-tied opening fifteen minutes; when Pontypool gets its words in order it reminds you how much creepy fun can be had in keeping the horror tantalisingly offscreen.
It's perfectly modulated horror of the imagination, à la Orson Welles' adaptation of The War of the Worlds, with potent ideas about what corrupts, inspires, subverts, and engages us.
Sometimes gets bogged down in its own weirdness, but a genuinely unique piece of horror filmmaking.
This low-budget picture is a little too claustrophobic, and it grows tedious. The ominous, overbearing musical score tries but fails to jack up the tension.
Latest News for Pontypool
May 28, 2009:
Critics Consensus: Up And Drag Me to Hell Are Certified Fresh
This week at the movies, we've got a high-flying house (Up, with voice work by Ed Asner and Christopher Plummer) and a demonic curse (Drag Me to Hell, starring Alison Lohman and... More...
May 10, 2009:
Trailer & Poster review ![]()
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