"A Prairie Home Companion" is an incredibly well-made and graceful film, with an unbelievably gifted cast dancing to the Midwestern poetry of Garrison Keillor's script and Robert Altman's direction.
A Prairie Home Companion (2006)
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Reviews Counted:186
Fresh:151
Rotten:35
Average Rating:7.1/10
Consensus: The final film by the great Robert Altman, A Prairie Home Companion, the big screen adaptation of Garrison Keillor's radio broadcast, showcases plenty of the director's strengths: it's got a gigantic cast and plenty of quirky acting and dialogue. Much like the radio show, Companion features clever jokes, rousing tunes, and endearing characters. With strong work from Lindsay Lohan, Meryl Streep, Kevin Kline, and Tommy Lee Jones, it's a worthy swan song from one of the cinema's best.
Theatrical Release:Jun 9, 2006 Wide
Box Office: $20,172,050
Synopsis: Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has... Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has managed to survive in the age of television. Meryl Streep and Lily Tomlin star as the Johnson Sisters, Yolanda and Rhonda, a country duet act that has survived the county-fair circuit, and Lindsey Lohan plays Meryl's daughter, Lola, who gets her big chance to sing on the show and then forgets the words. Kevin Kline is Guy Noir, a private eye down on his luck who works as a backstage doorkeeper, and Woody Harrelson and John C. Reilly are Dusty and Lefty, the Old Trailhands, a singing cowboy act. Add Virginia Madsen as an angel and Tommy Lee Jones as the Axeman and Maya Rudolph as a pregnant stagehand and Keillor in the role of a hangdog emcee, and you have a playful story set on a rainy Saturday night in St. Paul, Minnesota, where fans file into the Fitzgerald Theater to see "A Prairie Home Companion," a staple of radio station WLT, not knowing that WLT has been sold to a Texas conglomerate and that tonight's show will be the last. Shot entirely in the Fitzgerald, except for the opening and closing scenes which take place in a nearby diner, the picture combines Altman's cinematic style and intelligence and love of improvisation and Keillor's songs and storytelling to create a fictional counterpart to the "A Prairie Home Companion" radio show. The film uses the musicians and crew and stage setting of the actual radio show, heard on public radio stations coast to coast for the past quarter-century (and which, in real life, continues to broadcast). The result is a compact tale with a series of extraordinary acting turns, especially Kevin Kline's elegant Keaton-esque detective and Lily Tomlin and Meryl Streep's singing ("Goodbye to My Mama") and their beautiful portrayal of two sisters who talk simultaneously. And Virginia Madsen's serene angel. And Lindsay Lohan's version of "Frankie and Johnny". --© Picturehouse [More]
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor, Kevin Kline, Virginia Madsen, Maya Rudolph, Meryl Streep, Robin Williams, Lily Tomlin, Lindsay Lohan
Director: Robert Altman
Director: Robert Altman
Screenwriter: Garrison Keillor
Producer: Wren Arthur, Robert Altman, George Sheanshang, Tony Judge, Joshua Astrachan, William Pohlad, John Penotti, Fisher Stevens
Composer: Richard Dworsky
Studio: Picturehouse
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Reviews for A Prairie Home Companion
I can't necessarily say that I'd be more inclined to listen to the show [on the radio], but I was surprised by how much I enjoyed it on the big screen.
The movie is a lot like everything Keillor does, reliable and pleasant, but nothing very exciting or even remarkable. It is the cinematic equivalent of a dish of vanilla ice cream.
This is the kind of entertainment that will get the over-50 crowd out of their Lazy Boys and into the theater
A radio writer earlier in life, 81-year-old Altman is obviously still in love with the art form, and "A Prairie Home Companion" is a passionate ode to a skill that has lost its romanticism.
I wonder if anyone will consider Keillor for a Best Supporting Actor Oscar next year. He manages to steal Companion from his entire cast of superstars.
Long musical numbers make it difficult to loyally follow through with.
The gentle satire of Garrison Keillor's beloved radio variety show gets an extra kick of self-reflective snark in Robert Altman's pleasantly meandering tribute/reimagining.
Fans of Keillor’s radio show may love it, but it’s just not engaging enough to satisfy the rest of us.
A perplexingly kooky comedy about death, [it] manages to do what Altman has almost never done before: allow a different artist their own voice.
Keillor and Altman's eccentric duet is closer to Hollywood than St. Paul -- and more dirge than celebration.
It sparkles with a magic all its own as an engagingly performed piece of Midwestern whimsy and stoicism. Mr. Altman’s flair for ensemble spectacle and seamless improvisation in the midst of utter chaos is as apparent as ever.
What a lovely film this is, so gentle and whimsical, so simple and profound.
Aficionados of the radio show, and those who remember the days of programs like it, should be thrilled with this heartfelt tribute to the era of radio gone by.
Keillor has handed Altman the script of a lifetime, and Altman has given him the perfect film of it -- while summing up so much of himself and his films in the bargain.
Its main draws are comfortable, skilled ensemble playing, a few chuckles, and an admirable humorist/satirist's unique world turned to the dark side.
No American filmmaker other than Robert Altman could have been a better choice for Garrison Keillor's relentlessly quirky corner of an Americana that doesn't exist anymore.
Nothing can be something when your characters are actually characters, and they hem and haw about life's simple pleasures and problems in attitudes ranging from blasé to charmingly quixotic.
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