Despite a folksy, low-key appeal, this movie is likely to primarily interest fans of Garrison Keillor's popular radio program.
A Prairie Home Companion (2006)
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Reviews Counted:186
Fresh:151
Rotten:35
Average Rating:7.1/10
Consensus: The final film by the great Robert Altman, A Prairie Home Companion, the big screen adaptation of Garrison Keillor's radio broadcast, showcases plenty of the director's strengths: it's got a gigantic cast and plenty of quirky acting and dialogue. Much like the radio show, Companion features clever jokes, rousing tunes, and endearing characters. With strong work from Lindsay Lohan, Meryl Streep, Kevin Kline, and Tommy Lee Jones, it's a worthy swan song from one of the cinema's best.
Theatrical Release:Jun 9, 2006 Wide
Box Office: $20,172,050
Synopsis: Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has... Director Robert Altman and writer Garrison Keillor join forces with an all-star cast to create a comic backstage fable, A PRAIRIE HOME COMPANION, about a fictitious radio variety show that has managed to survive in the age of television. Meryl Streep and Lily Tomlin star as the Johnson Sisters, Yolanda and Rhonda, a country duet act that has survived the county-fair circuit, and Lindsey Lohan plays Meryl's daughter, Lola, who gets her big chance to sing on the show and then forgets the words. Kevin Kline is Guy Noir, a private eye down on his luck who works as a backstage doorkeeper, and Woody Harrelson and John C. Reilly are Dusty and Lefty, the Old Trailhands, a singing cowboy act. Add Virginia Madsen as an angel and Tommy Lee Jones as the Axeman and Maya Rudolph as a pregnant stagehand and Keillor in the role of a hangdog emcee, and you have a playful story set on a rainy Saturday night in St. Paul, Minnesota, where fans file into the Fitzgerald Theater to see "A Prairie Home Companion," a staple of radio station WLT, not knowing that WLT has been sold to a Texas conglomerate and that tonight's show will be the last. Shot entirely in the Fitzgerald, except for the opening and closing scenes which take place in a nearby diner, the picture combines Altman's cinematic style and intelligence and love of improvisation and Keillor's songs and storytelling to create a fictional counterpart to the "A Prairie Home Companion" radio show. The film uses the musicians and crew and stage setting of the actual radio show, heard on public radio stations coast to coast for the past quarter-century (and which, in real life, continues to broadcast). The result is a compact tale with a series of extraordinary acting turns, especially Kevin Kline's elegant Keaton-esque detective and Lily Tomlin and Meryl Streep's singing ("Goodbye to My Mama") and their beautiful portrayal of two sisters who talk simultaneously. And Virginia Madsen's serene angel. And Lindsay Lohan's version of "Frankie and Johnny". --© Picturehouse [More]
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor
Starring: Woody Harrelson, John C. Reilly, Tommy Lee Jones, Garrison Keillor, Kevin Kline, Virginia Madsen, Maya Rudolph, Meryl Streep, Robin Williams, Lily Tomlin, Lindsay Lohan
Director: Robert Altman
Director: Robert Altman
Screenwriter: Garrison Keillor
Producer: Wren Arthur, Robert Altman, George Sheanshang, Tony Judge, Joshua Astrachan, William Pohlad, John Penotti, Fisher Stevens
Composer: Richard Dworsky
Studio: Picturehouse
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Reviews for A Prairie Home Companion
I didn't laugh once, but I tapped my feet a lot to the rhythm of the captivating music.
A great way to discover what so many diehard fans have known for years.
What sustains the film is the performers' belief in their shaggy-dog selves, which is more than just talent -- it's faith.
A Prairie Home Companion is about as charming as waking up with a dead animal in your bed.
The film ... contains some wonderful moments but added together they don't coalesce into something special. This isn't Altman at his best ... nor is it Altman at his worst. Still, middling Altman is far superior to a lot of the dreck playing in movie thea
The world's tallest shy comedian floats out of the radio with a power cast that even Altman is challenged to harness.
Altman's best film since the one-two punch of The Player and Short Cuts back in the early 1990s.
A small movie about big things, A Prairie Home Companion is a freewheeling grab-bag of moments both comic and tragic, tied together by Altman's stubborn, unyielding assertion that all good things --including life itself-- must soon come to an end.
I never learned enough about any of the characters or their snippets of stories to care about anything they said or did.
Keillor's modest subservience to Altman's group dynamic feels downright gallant, and in the context of the veteran director's most humanistic movie by a wide margin, it certainly has its rewards.
A nutty, fictional ode-elegy to a show that's still going strong, A Prairie Home Companion offers a unique hybrid of a folksy American showman and an improvisatory impresario.
Pleasant, almost calming, a reverie of mood and character I could easily enter more than once.
A thin, ephemeral conceit...a bit like a ballet dancer wearing cement shoes.
An amusing, evocative, endearing, nostalgic glimpse of down-home Americana.
A fine and funny entertainment that also gives us a keen sense of the impermanence of all creative endeavors and the fleeting nature of reality.
Altman enjoys the company of the characters and their swirl of sweet-and-sour chemistry but has little luck creating any drama from the situation...
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