Gabourey Sidibe brilliantly embodies the understandably bitter Precious, who shares her heartbreaking despair through extensive narration.
Precious: Based on the Novel PUSH by Sapphire (2009)
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Reviews Counted:146
Fresh:133
Rotten:13
Average Rating:7.9/10
Consensus: Precious is a grim yet ultimately triumphant film about abuse and inner-city life, largely bolstered by exceptional performances from its cast.
Rated: R [See Full Rating] for child abuse including sexual assault, and pervasive language
Runtime: 1 hr 49 mins
Genre: Dramas
Theatrical Release:Nov 6, 2009 Limited
Box Office: $38,282,489
Synopsis:
Lee Daniels’s PRECIOUS: BASED ON THE NOVEL “PUSH” BY SAPPHIRE is a vibrant, honest and resoundingly hopeful film about the human capacity to grow and overcome.
Set in Harlem in 1987, it is...
Lee Daniels’s PRECIOUS: BASED ON THE NOVEL “PUSH” BY SAPPHIRE is a vibrant, honest and resoundingly hopeful film about the human capacity to grow and overcome.
Set in Harlem in 1987, it is the story of Claireece “Precious” Jones (Gabourey Sidibe), a sixteen-year-old African-American girl born into a life no one would want. She’s pregnant for the second time by her absent father; at home, she must wait hand and foot on her mother (Mo’Nique), a poisonously angry woman who abuses her emotionally and physically. School is a place of chaos, and Precious has reached the ninth grade with good marks and an awful secret: she can neither read nor write.
Precious may sometimes be down, but she is never out. Beneath her impassive expression is a watchful, curious young woman with an inchoate but unshakeable sense that other possibilities exist for her. Threatened with expulsion, Precious is offered the chance to transfer to an alternative school, Each One/Teach One. Precious doesn’t know the meaning of “alternative,” but her instincts tell her this is the chance she has been waiting for. In the literacy workshop taught by the patient yet firm Ms. Rain (Paula Patton), Precious begins a journey that will lead her from darkness, pain and powerlessness to light, love and self-determination.
In Official Selection at the 2009 Cannes Film Festival - Un Certain Regard, and winner of three awards at the 2009 Sundance Film Festival including the Grand Jury Prize and Audience Award in the U.S. Dramatic Competition, PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE stars Mo’Nique, Paula Patton, Mariah Carey, Sherri Shepherd, Lenny Kravitz and introducing Gabourey Sidibe.
Lionsgate in association with Oprah Winfrey and Tyler Perry present A Lee Daniels Entertainment / Smokewood Entertainment Group Production of PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE, directed by Lee Daniels from a screenplay by Geoffrey Fletcher based on the novel Push by Sapphire. --© Lionsgate
Starring: Gabourey "Gabbie" Sidibe, Mo'Nique, Paula Patton, Lenny Kravitz
Starring: Gabourey "Gabbie" Sidibe, Mo'Nique, Paula Patton, Lenny Kravitz, Mariah Carey, Sherri Shepherd
Director: Lee Daniels
Director: Lee Daniels
Screenwriter: Damien Paul
Producer: Lee Daniels, Sarah Siegel-Magness, Gary Magness
Composer: Mario Grigorov
Studio: Lions Gate Films
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Reviews for Precious: Based on the Novel PUSH by Sapphire
The picture painted by director Lee Daniels is almost unbearably bleak, but it feels completely honest. It's indeed relentless, but also transfixing and ultimately transformative.
The likes of Dante Aligheri, Hieronymus Bosch, Goya and James Joyce have tried to represent Hell in their works, but I’m not sure that any has conveyed the reality of damnation more fully than this brave little film.
Despite the film's clear social conscience and sympathy for the community it portrays, Precious never panders for compassion.
A gut-wrenching, heartbreaking and awe-inspiring pull-no-punches tale with pitch-perfect performances...
It's a small miracle that a story as filled with tragedy and heartbreak as Precious... would also be as hopeful and life-affirming as it is.
No, Precious is not an easy sit, and isn't meant to be. But it's a film of remarkable strength and poignancy, filled with vivid performances that stay with you long after you've left the theater.
Precious: Based on the Novel Push by Sapphire is concerned with lasting effects of poverty -- on individuals and especially, on communities.
You can feel Daniels struggling to trust his mighty goddesses to carry the film. (He wedges in shots of boiling pigs feet to make sure we're queasy.)
Precious stacks the deck so high against its protagonist that in almost any other movie, she would come off as a helpless victim.
It’s a shame that Daniels is so unconvincing in his execution, because the performances mostly go for broke and there does seem to be a nugget of courage to Fletcher’s screenplay.
The film comes close to collapsing into exploitation or self-parody. Thank Sidibe's extraordinary performance that it doesn't.
...is well acted and Lee Daniels has directed it with some wit and experimental flair, but the actual story...is a horror movie turned fairy tale, "Cinderella" on steroids
Director Lee Daniels takes us on a journey -- letting us look down our noses at this misshapen lump of a girl with contempt and pity. But Sidibe plays shadings of strength underneath that eventually win our grudging respect.
[H]arrowing, painful, heartbreaking, explicit... but nothing that we see here is unbelievable, unless one wants to deny the hell that some women go through...
The real star of this show is director Lee Daniels. He's the one who conjures the film's eerie mix of kitchen-sink realism and gothic symbolism, its deft back-and-forth between the horrific and the sublime.
[I]f Precious has a crucial flaw, it is that it is at once too bleak and too hopeful in its closing scenes: too bleak in the history it unearths, and too hopeful that the mere fact of the unearthing will make that history go away.
Every once in a while, a movie is so heartbreaking even a tough guy like Chuck Norris or Simon Cowell will break out into tears.
Harrowing and sometimes hard to watch, Precious is a tale of unrelenting misery that suggests just enough of a silver lining to keep audiences from spiraling into total depression.
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