Despite all its angst and bitterness, Prey doesn't convey the pure appreciation of rock 'n' roll that goofy Jack Black embodies in School.
Prey for Rock & Roll (2003)
Tomatometer
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Reviews Counted:46
Fresh:26
Rotten:20
Average Rating:5.8/10
Consensus: Gershon is a fierce rocker, but the plot is a cliche-filled melodrama.
Rated: R [See Full Rating] for language, sexual content, drug use and brief violence
Runtime: 1 hr 44 mins
Genre: Dramas
Theatrical Release:Oct 3, 2003 Limited
Synopsis: Two days before her 40th birthday, Los Angeles rock musician/tattoo artist Jacki (Gina Gershon) is considering throwing in the towel on her her dreams of stardom. As frontwoman for the all-female... Two days before her 40th birthday, Los Angeles rock musician/tattoo artist Jacki (Gina Gershon) is considering throwing in the towel on her her dreams of stardom. As frontwoman for the all-female band Clam Dandy, she gets the band booked in plenty of local clubs, but the big break she keeps hoping for never seems to materialize. To add to her frustration, her band resembles a dysfunctional family: drummer Sally (Shelly Cole), the band's youngest member, is the live-in lover of guitarist Faith (Lori Petty), and bassist Tracy (Drea De Matteo), is an addict whose habits are funded by her wealthy father. Jacki's luck seems to be on the upswing when a record company rep begins coming to the band's shows and she gains a budding romantic interest in Sally's ex-con brother, Animal (Marc Blucas)--but she can rest assured that all obstacles are not behind her. Based on Cheri Lovedog's autobiographical rock musical of the same name, PREY FOR ROCK AND ROLL offers an electric, true-to-life portrait of the struggles of a working rock band. Gina Gershon, in a formidably strong and sexy performance, sings all her own vocals in a series of fierce, punky songs also written by Lovedog. Petty, De Matteo, and Cole, who learned their respective instruments for the film, also turn in excellent work in this gritty look at the elusiveness of the rock-and-roll dream. [More]
Starring: Gina Gershon, Drea de Matteo, Marc Blucas, Lori Petty
Starring: Gina Gershon, Drea de Matteo, Marc Blucas, Lori Petty, Shelly Cole, Ivan Martin
Director: Alex Steyermark
Director: Alex Steyermark
Producer: Donovan Mannato, Gina Resnick, Gina Gershon
Screenwriter: Cheri Lovedog, Robin Whitehouse
Composer: Cheri Lovedog
Studio: Mac Releasing
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Reviews for Prey for Rock & Roll
...a fairly enjoyable look at the trials and tribulations of an all-girl punk band.
It's a raw and raucous rock story that, for once, gets the big picture and the small details right.
What we want to see is these women onstage, strutting and posturing and kicking out the jams. Instead, we become waylaid in dramatic sidelines that serve little purpose.
There's enough melodrama here to top a movie-of- the-week marathon on Lifetime.
More bad things happen to these four women than one independent film can possibly carry.
Though it becomes almost laughably melodramatic and wields just about every rock-movie cliche in the book, Gershon's latest holds interest, thanks to her fiercely committed and sexy performance.
Gershon's self-aware shtick is either titillating or irritating, depending on your taste, but the rest of the actors are uniformly excellent.
Ms. Gershon's hot-wired performance infuses Prey for Rock and Roll with a bracing charge of authenticity.
Fearlessly inviting the camera into her deepening wrinkles and hollering corn-nut tunes like an avenging angel, Gershon transcends the script's 'quest for record contract' goofiness.
Either very cynical or quite naive, and that title suggests the former.
A satisfying and believable portrait of a rock and roll band's struggles to succeed.
Nothing drives the film, the dialogue is awful, and dramatic tensions are completely missed.
The musical numbers are the only real drag on this otherwise odd and appealing picture.
So far this year we've had the wussiest rock movie ever made, Garage Days, and now Prey for Rock 'n' Roll is the most depressing -- but in a bad way.
Take an amateur playwright with an ax to grind, a novice director without the slightest idea of what he is doing and an actress who confuses sleaze with grittiness, and you have the makings of a first-rate flop.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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