A worthy entry into a very difficult genre.
The Prime Gig (2001)
Tomatometer
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Reviews Counted:9
Fresh:4
Rotten:5
Average Rating:5.6/10
Theatrical Release:2002
Synopsis: Given a telephone, small-time scam artist Pendleton Wise, also known as Penny (Vince Vaughn), can talk people into almost anything. But as he whiles away his time in a small office, selling fake... Given a telephone, small-time scam artist Pendleton Wise, also known as Penny (Vince Vaughn), can talk people into almost anything. But as he whiles away his time in a small office, selling fake travel packages to the unsuspecting public, Penny dreams of something bigger, of the prime gig. His ship finally comes in, in the form of a sexy young woman named Caitlin (Julia Ormond), who spots Penny's talent and invites him to join a project led by the legendary con man Kelly Grant (Ed Harris). Fresh out of prison, Grant is operating in top secrecy. He claims to have found a mine which contains $30 million in gold; if his telemarketers can just raise two and a half million to mine it, the payoff will be huge for everyone. Penny enthusiastically signs on; he's playing with the big boys now, and as they've promised, the dough is soon rolling in. Within just a couple of weeks, his bank account contains almost a hundred thousand dollars. But trouble ensues after he and Grant become rivals for Caitlin's affections, and Penny loses sight of rule #1: never trust another con. The feature debut of Tony-award winning theater director Gregory Mosher, the film is a moody and sensitively acted thriller. [More]
Starring: Vince Vaughn, Julia Ormond, Ed Harris, Rory Cochrane
Starring: Vince Vaughn, Julia Ormond, Ed Harris, Rory Cochrane, Wallace Shawn, George Wendt
Director: Gregory Mosher
Director: Gregory Mosher
Screenwriter: William Wheeler
Producer: Cary Woods, Gina Mingacci, Elliot Rosenblatt
Composer: David Robbins
Studio: Fine Line Features
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Reviews for The Prime Gig
A well paced and satisfying little drama that deserved better than a ‘direct-to-video’ release.
...a mishmash of so many clichés that are standard to this genre which makes it impossible to become involved in the film.
The film didn't move me one way or the other, but it was an honest effort and if you want to see a flick about telemarketers this one will due.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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