David Caesar, in his fifth feature, captures something real about the lives of these people. It has a nice brittle quality, a sort of sad and melancholy truth.
Prime Mover deals in the everyday lives of recognisably Australian characters in a way that makes their journey matter to us. And it does it in unique style
Big dreams, harsh reality and a quirky fantasy make up the engine of David Caesar's likeable new film, in which a prime mover is the prime motivation of his pie-in-the-sky protagonist
Were it not for Thomas's convoluted personal story, and a rather unlikable performance from Dorman who struggles to channel the idealistic, hard-as-steel spirit of his character, I might have liked it more.
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