Your basic Jaws of the Jungle sort of film.
Primeval (2007)
Tomatometer
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Reviews Counted:49
Fresh:8
Rotten:41
Average Rating:3.5/10
Consensus: Primeval is a low-quality horror film, which due to the inane political messages does not even qualify as campy fun.
Rated: R [See Full Rating] for strong graphic violence, brutality, terror and language.
Runtime: 1 hr 35 mins
Genre: Horror/Suspense
Theatrical Release:Jan 12, 2007 Wide
Box Office: $10,393,442
Synopsis: PRIMEVAL is the story of an American news crew sent to Burundi, Africa, by its network chief to hunt and capture the legendary crocodile Gustave, who stalks a local river in search of human prey.... PRIMEVAL is the story of an American news crew sent to Burundi, Africa, by its network chief to hunt and capture the legendary crocodile Gustave, who stalks a local river in search of human prey. The small crew consisting of embattled producer Tim Manfrey (Dominic Purcell), reporter Aviva Masters (Brooke Langton), and their cameraman Steven Johnson (Orlando Jones) are joined by two animal experts: one a Steve Irwin-style croc hunter, the other a local named JoJo. Gustave's screen time provides some genuine action-packed thrills, thanks to decent CGI work and the creature's absurd size. The movie's violence factor is taken to disturbing new levels, however, when the crew's cameraman films the execution of a tribal shaman and his family at the hands of a local warlord named Little Gustave. From there the movie divides its time between being a gruesome "don't-go-in-the-water"-style horror movie, and an unsettling pop-political treatise on violence and suffering in post-millennial Africa. It is the death of a white aid worker that initially sparks the news channel's interest in Gustave, despite his killing of hundreds of Burundians, and there are disputes throughout the film as to the West's role in the continent's turmoil. It's debatable whether a horror movie about a killer crocodile has any business discussing the complex political state of the war-torn areas of Africa, but the metaphor is more than clear. As much as Gustave may wreak havoc on the people of Burundi--swallowing little children whole and tearing humble fisherman limb from limb--he is nothing compared to the violent warlords who stalk the region and the global apathy that continues to unwittingly aide their presence. [More]
Starring: Dominic Purcell, Brooke Langton, Gideon Emery, Orlando Jones
Starring: Dominic Purcell, Brooke Langton, Gideon Emery, Orlando Jones
Director: Michael Katleman
Director: Michael Katleman
Screenwriter: Michael Ferris, John Brancato
Composer: John Frizzell
Studio: Buena Vista Pictures
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Reviews for Primeval
Less than the sum of its parts. There are too many small errors and lost opportunities, and it's just not scary. Even a B movie can't succeed when that's the case.
The sub-sub-Anaconda bottom-feeder Primeval makes the mistake of taking itself far too seriously; with its exploitative images of civil war and genocide, it's the Blood Diamond of 25-foot-killer-crocodile movies.
Laced with pseudoserious undertones, the movie makes "Anaconda" look like a modern-day classic.
Veteran TV director Michael Katleman has crafted a perfectly serviceable -- and scary -- B-movie.
The possibility of commentary is raised but it ultimately is glossed over with cliches and very little substance.
A few more months in the computer workshop (and okay, the editing booth) could have done wonders for this wacky little movie.
As if the point wasn't already enforced in Turistas, when you step off American soil you'll have to deal with other ethnicities trying to kill you.
Owing more to Jaws and Orca than Anaconda ... still suffers from the predictable formula issues that comes with its creature feature roots.
It's difficult to think of a worse horror movie than Primeval, partly because it's barely a horror movie at all.
Better than expected, if not quite good enough to recommend outside of maybe a late-night cable airing or a spin on DVD.
The subplot turns what might have been a fascinating true-life adventure into a lurid, stereotypical melodrama.
As it tries to be two things at once -- a gory monster movie and a dramatic social commentary -- what it mostly succeeds at is being dull and repetitive.
Primeval is a slick-looking movie that lacks the gritty goodness of old-fashioned exploitation and is too silly to take seriously as a mainstream thriller.
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