As lovely to watch as it is painful to contemplate.
Primo Amore (2005)
Tomatometer
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Reviews Counted: 19
Fresh: 10
Rotten:9
Average Rating: 5.8/10
Theatrical Release:Apr 6, 2005 Limited
Synopsis: Italian director Matteo Garrone (THE EMBALMER) returns with PRIMO AMORE, a harrowing psychological drama about a truly dysfunctional man. Vittorio (a striking Vitaliano Trevisan) is a goldsmith who... Italian director Matteo Garrone (THE EMBALMER) returns with PRIMO AMORE, a harrowing psychological drama about a truly dysfunctional man. Vittorio (a striking Vitaliano Trevisan) is a goldsmith who has issues when it comes to finding a partner. A perfectionist at heart, Vittorio can't seem to find a woman that fits his ideal in body and mind. However, when he meets Sonia (Michela Cescon), he thinks he's found his dream girl. The only problem is that, according to Vittorio, the already thin Sonia could afford to lose a little more weight. What begins as a mutually loving relationship quickly descends into a nightmarish depiction of male cruelty, with Vittorio tormenting, bullying, and forcing Sonia into an anorexic state. Known more for his writing than his acting, co-writer Trevisan is devastating as the terrifying but charming Vittorio, which adds another layer of depth to the already murky proceedings. As the tortured, innocent Sonia, Cescon delivers a brave, heartbreaking performance. In the tradition of THE PIANO TEACHER and IN MY SKIN, PRIMO AMORE is a horror film in the guise of a psychological drama, featuring stellar cinematography from Marco Onorato and a haunting score from Italian musicians Banda Osiris. [More]
Starring: Vitaliano Trevisan, Michela Cescon
Starring: Vitaliano Trevisan, Michela Cescon
Director: Matteo Garrone
Director: Matteo Garrone
Screenwriter: Matteo Garrone, Massimo Gaudioso, Vitaliano Trevisan
Producer: Domenico Procacci
Composer: Banda Osiris
Studio: Strand Releasing
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Reviews for Primo Amore
Perhaps it's appropriate that a tale about the avoidance of food should be so unappetizing, but that doesn't make it any more enjoyable to watch.
This is not a great date movie, unless you know your partner will let you have popcorn AND candy and not make you suffer for it later.
Primo Amore tunnels deeply enough into its characters' psyches to reach classic tragedy levels.
...never gets enough beneath the surface to justify [Vittorio's] eventual transformation into something out of a horror movie.
Could do with a bit more plot: It doesn't resolve so much as collapse in utter desolation.
It feels like a sketch for a larger work that would go beyond the well-worn insights of diet literature.
Connecting the tenuous expository scenes are hard-hitting moments as Sonia continues to starve herself, and Vittorio offers rewards and punishments.
While engaging, pic eventually betrays itself as having a trivial attitude to its chosen subject.
The scenario is ludicrous, yet it's filmed and performed in such a way that it creates unbearable tension.
Set in northern Italy and in the darkest recesses of a woman's heart, Primo Amore is a horror movie about desire and the toxic pursuit of perfection.
The atmosphere is once again black, creepy and unsettlingly elegant, lending this twisted tale of psychological dominance and submission a patina of anxiety and dread.
Probing the trust-based power games of a sadomasochistic dynamic, the movie is a reasonably thoughtful study of obsessive love.
An engrossing Italian psychodrama about a driven man's obsession with a warped vision of beauty and a woman's sad subservience to his efforts to make her over.
Primo Amore is as moody as Matteo Garrone's previous feature, The Embalmer, from which it seems to have pilfered much of its metaphoric import.
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