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Princesas (2006)
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Reviews Counted:31
Fresh:23
Rotten:8
Average Rating:6.5/10
Theatrical Release:Aug 23, 2006 Limited
Synopsis: Princesas is a film that will truly detach itself from your expectations. Caye comes from a middle-class family unaware of her life as a prostitute. She and the other "Spanish" whores hang out in a... Princesas is a film that will truly detach itself from your expectations. Caye comes from a middle-class family unaware of her life as a prostitute. She and the other "Spanish" whores hang out in a hair salon, complaining about cheaper immigrant putas stealing their business. One of them is Zuleman, a striking woman from the Dominican Republic, who works the streets to support a son back home. When Zule is badly beaten, Caye takes her to a hospital. Both are isolated from their families–Zule by distance, Caye by shame. Both pin their dreams on money or idealized relationships. And both begin to see each other as the only thing solid enough to hold onto. Caye and Zule are tough, complicated women who share in a discovery of self-determination. While it contains director Fernando León de Aranoa's signature concern with the forces that constrain working-class people, Princesas is social realism infused with a wonderful, figurative touch. His ability to turn grim realities into glimpses of humanity, absent of sentimentality or cliché, stems from his sensitivity, vitality, and humor -- not to mention two exceptionally talented actors. León de Aranoa uses stories to discover people (and he greets these women with open arms). Their desires are ours -- happiness, love, dignity. Daily, they walk a tightrope, which in itself is an act of grace...whether you're a princess or a whore. -- © Sundance Film Festival [More]
Starring: Candela Peña
Starring: Candela Peña
Director: Fernando León de Aranoa
Director: Fernando León de Aranoa
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Reviews for Princesas
Princesas rehearses 'hooker with a heart of gold' tropes and indulges Almodóvarian clichés of Spanish spunk and solidarity.
With not a pimp in sight, no mention of people-trafficking, and a single token drug-addict, this Spanish prostitution drama is serenely old-fashioned.
While Princesas offers sensitive and beautifully wrought performances by its two leads (Candela Pena and Micaela Nevarez, who each won Goya Awards), the film offers little new in way of substance or theme.
The way that Aranoa so clearly venerates his lively women feels Almodóvar-esque, but the movie aims most of all to suggest that hookerdom is hell -- and it's neither realistic nor unsentimental enough to pull that off.
In Princesas, [writer-director Fernando León de Aranoa] leaves too many loose ends hanging about, but his sentiments are noble.
It's well-acted and strikingly shot, but it never quite reconciles its high-drama situations with its low-key approach.
This maudlin melodrama about prostitutes in Madrid is not, alas, the new film by Pedro Almódovar, but a dilution of his manner by the writer-director Fernando León de Aranoa.
Princesas starts as a serious examination of the two women's lives, but it descends into a mushy melodrama complete with schmaltzy music and dewy cinematography.
One of the very best films ever made about that most enduring of professions, prostitution.
Even though a somewhat lesser work than his 'Mondays in the Sun,' Fernando León de Aranoa's 'Princesas' should impress a wider audience.
Una película entrañable y conmovedora sobre la amistad y la solidaridad entre dos mujeres, con dos estupendas actrices.
Two prostitutes in Madrid struggle to survive and keep their dreams of a better life alive.
Leon shows us that hookers are neither bimbos nor machines, but human beings with needs like those in more respectable-- but less important-professions.
Princesas is heartwarming and sporadically surprising, bolstered by beautifully measured performances.
Latest News for Princesas
August 24, 2006:
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