The beautiful, elegant swordfights are filmed clearly and poetically, and even the down-time between battles doesn't drag too badly.
The Princess Blade (2003)
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Reviews Counted:26
Fresh:15
Rotten:11
Average Rating:6/10
Consensus: The action is fast and tightly choreographed, but The Princess Blade never draws its disparate elements into a compelling movie.
Theatrical Release:Aug 8, 2003 Limited
Synopsis: Model and rising pop star Yumiko Shaku stars as Princess Yuki in this thrilling Japanese martial arts actioner based on comic-book characters created by Kazuo Koike and Kazuo Kamimura. Yuki is the... Model and rising pop star Yumiko Shaku stars as Princess Yuki in this thrilling Japanese martial arts actioner based on comic-book characters created by Kazuo Koike and Kazuo Kamimura. Yuki is the last surviving royal of the House of Takemikazuchi, who arrive in a futuristic post-apocalyptic isolationist world where they use their skills as former Mikado guards to become hired assassins. Essayist and actor Hideaki Ito plays Takashi, leader of the rebel movement, who offers Yuki a chance at revenge--and perhaps love. Theater veteran Yoichi Humata is excellent in the key role of the wise old sage Kuka, who gives Yuki information that changes her life--and her destiny. And Kyusaku Shimada is appropriately villainous as Byakurai, who has a dangerous connection to Yuki. With THE PRINCESS BLADE, Shinsuke Sato has crafted an impressive feature-film directorial debut, with able assistance from action director Donnie Chen and special effects master Shinji Higuchi. The settings of many of the fight scenes are cast in gloomy grayness and foggy shadows. Taro Kawazu's cinematography beautifully matches the mood of this classic tale of good versus evil. [More]
Starring: Yumiko Shaku, Hideaki Ito, Shiro Sano, Yoichi Numata
Starring: Yumiko Shaku, Hideaki Ito, Shiro Sano, Yoichi Numata, Kyusaka Shimada, Yoko Maki
Director: Shinsuke Sato
Director: Shinsuke Sato
Screenwriter: Kei Kunii, Shinsuke Sato
Producer: Sato Shiho, Taka Ichise
Composer: Kenji Kawai
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Reviews for The Princess Blade
Sato seems to be trying to make several different movies at once, and none of them comes through strongly enough to carry the film.
It has stylish fighting, but the story doesn't live up to the talent of the fight choreographer.
[Yumiko Shaku] doesn't project the confidence or menace that the role requires. Trying to pass her off as a stone-cold assassin is like casting Britney Spears as Marie Curie -- it just doesn't jibe.
Engrossing during its frequent action scenes, but stodgy and uninspired the rest of the time.
Despite its origins, nearly every visual and storytelling idea in this green-and-black-tinted martial-arts fantasy seems to derive from Mad Max, The Matrix and/or The Lord of the Rings.
The fight choreography of Donnie Yen is truly a pulse pounding ballet of whirling swordplay.
Original and thrilling martial-arts choreography, a lean, hard-driving story and solemn atmosphere make The Princess Blade -- a futuristic tale -- stand way above the pack.
Not quite good enough to jump out of the pack of Asian swordplay movies but is too well crafted to sink into utter anonymity.
The Princess Blade boasts some of the most dazzling fight choreography in recent memory.
A stylish Japanese effort adapted from a popular manga that blends the thematic substance of a Toho Samurai epic with the quicksilver visceral assault of a Shaw Brothers Wuxia swordsman saga.
Adventurous viewers will find this unusual genre hybrid an intriguing experience.
the film's opening action sequence is the first of several that are likely to have you thumbing the backscan button because they look so damn cool (and are so damn fast).
A brooding atmosphere -- which is critic-speak for 'everybody wears black, and the whole thing was lighted with a single 40-watt bulb' -- permeates this dystopian thriller.
Its corny streak brings the movie too close to cut-rate Chinese Opera epics than should be allowed.
The Princess Blade would have been better off forgetting the love story and concentrating on the kick-ass action.
Yuki's streamlined revenge story (the furious, elegant choreography is by HK maestro Donnie Yen) has in its modest dimensions a surprising grace.
Has many things going for it, but coherence and pacing are not among them.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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