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Movies / On DVD / Private Fears in Public Places
Private Fears in Public Places

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Private Fears in Public Places (2007)

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Reviews Counted:63

Fresh:50

Rotten:13

Average Rating:7/10

Consensus: The premise isn't anything new, but director Alain Resnais' attention to detail and smooth camerawork gives this movie a delicate edge.

Rated: Not Rated

Runtime: 2 hrs 1 min

Genre: Foreign Films

Theatrical Release:Apr 13, 2007 Limited

Synopsis: Nominated for eight César awards in its native France, PRIVATE FEARS IN PUBLIC PLACES is an intelligent, adult look at loneliness in the twenty-first century. Directed by French master Alain... Nominated for eight César awards in its native France, PRIVATE FEARS IN PUBLIC PLACES is an intelligent, adult look at loneliness in the twenty-first century. Directed by French master Alain Resnais (LAST YEAR AT MARIENBAD, HIROSHIMA, MON AMOUR), the film examines the interrelated lives of six main characters who are trying desperately but failing at making real, long-lasting connections. Charlotte (a bewitching Sabine Azéma) is a Bible-reading real estate agent who takes care of Lionel's (Pierre Arditi) vile, ailing father at night. Thierry (André Dussollier), a coworker of Charlotte's, is showing apartments to Nicole (Laura Morante) and Dan (Lambert Wilson), an engaged couple who can't agree on anything. And Gaëlle (Isabelle Carré), who lives with Thierry, her older brother, is looking for love through the personal ads but instead keeps coming home alone. Based on the play by Alan Ayckbourn, PRIVATE FEARS IN PUBLIC PLACES is beautifully shot by Eric Gautier, particularly the scenes in the colorful bar where Lionel works and Dan drinks away his frustrations. Scenes are linked together by falling snow, adding a chilling cold to the pervasive loneliness. The acting is uniformly excellent, with especially good turns from Azéma, Arditi, and Morante, who won the Francesco Pasinetti Best Actress award at the 2006 Venice Film Festival, which also awarded octogenarian Resnais the Silver Lion as Best Director. Resnais eschews modern technology in this carefully stylized world; the characters don't spend their time endlessly on computers and cell phones, and Charlotte even gives Thierry a videotape to watch, one that has been taped over many times yet still retains some of its previous recordings, as if parts of the past can never be erased. [More]

Starring: Sabine Azema, Lambert Wilson, André Dussollier, Pierre Arditi

Starring: Sabine Azema, Lambert Wilson, André Dussollier, Pierre Arditi, Laura Morante, Isabelle Carré, Claude Rich

Director: Alain Resnais

Director: Alain Resnais
Screenwriter: Jean-Michel Ribes
Producer: Bruno Pesery
Composer: Mark Snow
Studio: IFC Films

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Release:

May 22, 2007

[DVD Details]
 
 

DVD Features:

  • Region [unknown]
 
 
 
 

Reviews for Private Fears in Public Places

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1 - 20 (sorted by comments)
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Quiet desperation is an emotion you’ll probably feel as you wait for the movie to end.

Full Review Source: Daily Mirror [UK] | comment Comment
07/20/07
Daily Mirror [UK]

This French film based on a play by Scarborough’s finest Sir Alan Ayckbourn is best described as a little bit pedestrian.

Full Review Source: Sun Online | comment Comment
07/20/07
Sun Online
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
12/07/07
Sydney Morning Herald

Something about Resnais' rigorous attention to the tiniest detail, his infinitesimal flourishes of surrealism and the metrical precision of Eric Gautier's camerawork -- not to mention the terrific cast of French cinema veterans -- finally sucked me in.

Full Review Source: Salon.com | comment Comment
04/11/07
Andrew O'Hehir
Andrew O'Hehir
Salon.com
Top Critic Icon Top Critic

At 84, Mr. Resnais has lost none of the fatalistic cutting edge he first displayed almost 60 years ago. His films are never to be missed.

Full Review Source: New York Observer | comment Comment
04/04/07
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

By the evidence of Private Fears in Public Places, age has not dimmed Resnais's sense of design, lighting, and camera movement.

Full Review Source: Los Angeles CityBeat | comment Comment
05/04/07
Andy Klein
Andy Klein
Los Angeles CityBeat

Ayckbourn's play might have made frothy fun of this comedie humaine, on screen this feels a poor, airless thing.

Full Review Source: Independent | comment Comment
07/20/07
Anthony Quinn
Anthony Quinn
Independent

Spring surely follows winter, but there is no sign of a coming thaw in this bleakly melancholic comedy of manners and mortality.

Full Review Source: Channel 4 Film | comment Comment
07/13/07
Anton Bitel
Anton Bitel
Channel 4 Film

Resnais shapes affecting performances from a polished cast. He creates a warm, comic melancholy.

Full Review Source: Chicago Sun-Times | comment Comment
06/08/07
Bill Stamets
Bill Stamets
Chicago Sun-Times
N/R

Click to read the article

Full Review Source: Stylus Magazine | comment Comment
12/01/07
Bill Weber
Bill Weber
Stylus Magazine

Private/Public is both simple and sophisticated, lightly comic and deeply melancholy, stagey yet totally cinematic.

Full Review Source: Los Angeles Daily News | comment Comment
05/04/07
Bob Strauss
Bob Strauss
Los Angeles Daily News

Whether or not uneven character-identification was part of Renais' intention, we leave the theater under the film's delicate spell, anxious to discuss the possibilities with other viewers.

Full Review Source: Reel.com | comment Comment
03/03/07
Bonnie Fazio
Bonnie Fazio
Reel.com

the filmmaker's best work since 1977's Providence

Full Review Source: Filmcritic.com | comment Comment
04/12/07
Chris Cabin
Chris Cabin
Filmcritic.com
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
04/23/09
Chris Fujiwara
Chris Fujiwara
Boston Phoenix

It’s a Parisian romantic roundelay with sundry couples connecting and disconnecting, but it looks and sounds like no sex comedy ever made: It’s transcendentally yummy.

Full Review Source: New York Magazine | comment Comment
04/23/07
David Edelstein
David Edelstein
New York Magazine
Top Critic Icon Top Critic

Unlike most interconnected ensemble pieces, closure never comes. This gambit makes the talky tragicomedy work despite the affectations; a determination to end well without all being well somehow feels like just the right move.

Full Review Source: Time Out New York | comment Comment
04/14/07
David Fear
David Fear
Time Out New York

A feast for the eyes.

Full Review Source: Ozus' World Movie Reviews | comment Comment
09/07/07
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

Private Fears is so fluently made that its edginess only gradually becomes evident. It's both funny and sad, without underlining anything, and the playing is as good as you would expect from Resnais's regulars.

Full Review Source: This is London | comment Comment
07/20/07
Derek Malcolm
Derek Malcolm
This is London

What reaches us, most of all, are the hidden, unmet longings that keep the film's Parisian characters from finding true happiness.

Full Review Source: Washington Post | comment Comment
10/27/07
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

The story is modern in treating the current malaise of loneliness in this era of collapsed traditional bonds of family, church and hierarchy.

Full Review Source: ReelTalk Movie Reviews | comment Comment
04/10/07
Donald J. Levit
Donald J. Levit
ReelTalk Movie Reviews
 
 
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