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Movies / On DVD / Private Fears in Public Places
Private Fears in Public Places

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Private Fears in Public Places (2007)

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Reviews Counted:20

Fresh:14

Rotten:6

Average Rating:6.9/10

Consensus: The premise isn't anything new, but director Alain Resnais' attention to detail and smooth camerawork gives this movie a delicate edge.

Rated: Not Rated

Runtime: 2 hrs 1 min

Genre: Foreign Films

Theatrical Release:Apr 13, 2007 Limited

Synopsis: Nominated for eight César awards in its native France, PRIVATE FEARS IN PUBLIC PLACES is an intelligent, adult look at loneliness in the twenty-first century. Directed by French master Alain... Nominated for eight César awards in its native France, PRIVATE FEARS IN PUBLIC PLACES is an intelligent, adult look at loneliness in the twenty-first century. Directed by French master Alain Resnais (LAST YEAR AT MARIENBAD, HIROSHIMA, MON AMOUR), the film examines the interrelated lives of six main characters who are trying desperately but failing at making real, long-lasting connections. Charlotte (a bewitching Sabine Azéma) is a Bible-reading real estate agent who takes care of Lionel's (Pierre Arditi) vile, ailing father at night. Thierry (André Dussollier), a coworker of Charlotte's, is showing apartments to Nicole (Laura Morante) and Dan (Lambert Wilson), an engaged couple who can't agree on anything. And Gaëlle (Isabelle Carré), who lives with Thierry, her older brother, is looking for love through the personal ads but instead keeps coming home alone. Based on the play by Alan Ayckbourn, PRIVATE FEARS IN PUBLIC PLACES is beautifully shot by Eric Gautier, particularly the scenes in the colorful bar where Lionel works and Dan drinks away his frustrations. Scenes are linked together by falling snow, adding a chilling cold to the pervasive loneliness. The acting is uniformly excellent, with especially good turns from Azéma, Arditi, and Morante, who won the Francesco Pasinetti Best Actress award at the 2006 Venice Film Festival, which also awarded octogenarian Resnais the Silver Lion as Best Director. Resnais eschews modern technology in this carefully stylized world; the characters don't spend their time endlessly on computers and cell phones, and Charlotte even gives Thierry a videotape to watch, one that has been taped over many times yet still retains some of its previous recordings, as if parts of the past can never be erased. [More]

Starring: Sabine Azema, Lambert Wilson, André Dussollier, Pierre Arditi

Starring: Sabine Azema, Lambert Wilson, André Dussollier, Pierre Arditi, Laura Morante, Isabelle Carré, Claude Rich

Director: Alain Resnais

Director: Alain Resnais
Screenwriter: Jean-Michel Ribes
Producer: Bruno Pesery
Composer: Mark Snow
Studio: IFC Films

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Release:

May 22, 2007

[DVD Details]
 
 

DVD Features:

  • Region [unknown]
 
 
 
 

Reviews for Private Fears in Public Places

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1 - 20 (sorted by date)
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What reaches us, most of all, are the hidden, unmet longings that keep the film's Parisian characters from finding true happiness.

Full Review Source: Washington Post | comment Comment
10/27/07
Desson Thomson
Desson Thomson
Washington Post
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Click to read the article

Full Review Source: Philadelphia Inquirer | comment Comment
08/04/07
Steven Rea
Steven Rea
Philadelphia Inquirer
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Private Fears suffers from [director Alain] Resnais' inability to open it up and give it the look and pulse of a film.

Full Review Source: San Francisco Chronicle | comment Comment
06/15/07
Ruthe Stein
Ruthe Stein
San Francisco Chronicle
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Resnais shapes affecting performances from a polished cast. He creates a warm, comic melancholy.

Full Review Source: Chicago Sun-Times | comment Comment
06/08/07
Bill Stamets
Bill Stamets
Chicago Sun-Times
Top Critic Icon Top Critic

Resnais has always been an expressionist, using his settings and compositions to evoke the inner states of his characters. Here, tying expressionism to social critique, he becomes an improbable but unmistakable blood brother of Carl Dreyer.

Full Review Source: Chicago Reader | comment Comment
06/08/07
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
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A film about love and blunders done from the perspective of age, crafted by writer Alan Ayckbourn, 68, and director Alain Resnais, 85. Our younger directors and screenwriters should show this much brilliance and feeling.

Full Review Source: Chicago Tribune | comment Comment
06/08/07
Michael Wilmington
Michael Wilmington
Chicago Tribune
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Few filmmakers portray emotional detachment so achingly well.

Full Review Source: Boston Globe | comment Comment
05/25/07
Ty Burr
Ty Burr
Boston Globe
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Private Fears in Public Places, a masterpiece by any measure, is fresh, immediate and contemporary, but its wintry yet warm perspective is suffused with the wisdom and experience of a great filmmaker who turns 85 on June 2.

Full Review Source: Los Angeles Times | comment Comment
05/04/07
Kevin Thomas
Kevin Thomas
Los Angeles Times
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It’s a Parisian romantic roundelay with sundry couples connecting and disconnecting, but it looks and sounds like no sex comedy ever made: It’s transcendentally yummy.

Full Review Source: New York Magazine | comment Comment
04/23/07
David Edelstein
David Edelstein
New York Magazine
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French art films aren't generally known for their feel-good endings, but a total lack of resolution can be just as cloying as happily ever after.

Full Review Source: Newark Star-Ledger | comment Comment
04/16/07
Lisa Rose
Lisa Rose
Newark Star-Ledger
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At an age when most people are reduced to waiting for the Grim Reaper, Resnais is challenging life as if he were half a century younger.

Full Review Source: New York Post | comment Comment
04/13/07
V.A. Musetto
V.A. Musetto
New York Post
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The film is beautifully shot and edited, but these emotional snapshots won't stay long in the memory.

Full Review Source: New York Daily News | comment Comment
04/13/07
Jack Mathews
Jack Mathews
New York Daily News
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Private Fears in Public Places is far from difficult and that, it is also worth noting, is not a criticism. The film is accessible, pleasant, dreamy, a touch goofy and melancholic.

comment Comment
04/13/07
Manohla Dargis
Manohla Dargis
New York Times
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Alain Resnais turns this multi-character tale of misspent love into pure cinema, transforming the physical world into a symbolic statement about divisions, distances and separation anxiety.

Full Review Source: Newsday | comment Comment
04/12/07
John Anderson
John Anderson
Newsday
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Something about Resnais' rigorous attention to the tiniest detail, his infinitesimal flourishes of surrealism and the metrical precision of Eric Gautier's camerawork -- not to mention the terrific cast of French cinema veterans -- finally sucked me in.

Full Review Source: Salon.com | comment Comment
04/11/07
Andrew O'Hehir
Andrew O'Hehir
Salon.com
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[A] mature adaptation of a dramatic daisy chain by veteran British playwright Alan Ayckbourn.

Full Review Source: Entertainment Weekly | comment Comment
04/11/07
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
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Lowbrow plus highbrow does not equal middlebrow, and the breezy accessibility of Private Fears in Public Places does not make it any less a work of art than Resnais's more difficult early successes.

Full Review Source: Village Voice | comment Comment
04/10/07
Jim Ridley
Jim Ridley
Village Voice
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At 84, Mr. Resnais has lost none of the fatalistic cutting edge he first displayed almost 60 years ago. His films are never to be missed.

Full Review Source: New York Observer | comment Comment
04/04/07
Andrew Sarris
Andrew Sarris
New York Observer
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Despite a perfect cast of Resnais regulars plus the master's own impeccable crafting, the characters fail to grip, and with approximately 50 short scenes, development comes in fits and starts.

Full Review Source: Variety | comment Comment
09/23/06
Jay Weissberg
Jay Weissberg
Variety
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Exceedingly slight and melancholy comedy from French auteur Alain Resnais.

Full Review Source: Hollywood Reporter | comment Comment
09/15/06
Kirk Honeycutt
Kirk Honeycutt
Hollywood Reporter
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