Private Peaceful (2012)
Average Rating: 5.3/10
Reviews Counted: 17
Fresh: 11 | Rotten: 6
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Critic Reviews: 1
Fresh: 1 | Rotten: 0
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PRIVATE PEACEFUL is the classic rites of passage story of two brothers and the exuberance and pain of their teenage love for the same girl, the pressures of their feudal family life, the horrors and folly of war and the ultimate price of courage and cowardice. PRIVATE PEACEFUL is set in the fields of Devon and the WW1 battlefields of Flanders, giving us a heart-breaking glimpse of the way we once lived - and still die.
Eagle Rock Entertainment - Official Site
O'Connor shows his old-school expertise in the charming country childhood sequences, where the film feels most individual and alive.
The ending is dynamite and will shock children just as much as The Boy in the Striped Pyjamas.
It's perhaps more TV than cinema, but O'Connor directs with a firm hand, and children will learn valuable lessons from it.
The filmmakers tell this World War I story beautifully, but they never quite bring it to life as a proper movie. By taking a gently simplistic approach, it never feels like anything new as it deals with the usual topics of battlefield camaraderie.
Class conflict, broken hearts, self-sacrifice and the muddy, senseless folly of war are all lightly touched upon in a starchy, old-fashioned drama.
The story is told with a flashback structure which was rather nimbler on the page than it is here, and much of the dialogue grants the characters uncanny powers of foresight.
Essentially conventional in his approach, director Pat O'Connor has delivered a mostly faithful and moving account of Morpurgo's fine book.
Private Peaceful is a clichéd study of two brothers going to war: Rolf Harris's Two Little Boys, minus the music.
Private Peaceful is a small-scale story in essence, which works efficiently on the non-epic scale in which it's presented.
Minor pacing gripes aside, this is a moving tale about humanity's darkest depths.
The lacklustre landscapes are all of a wash with the watercolour performances and pallidly portentous tableaux of war and peace.
If there is something a little old-fashioned and televisual about the film's family-friendly handling of its subject, the filmmakers' restraint ensures that the story remains quietly moving.
Pat O'Connor gives the story a sturdy if rather old-fashioned treatment.
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