I'm amazed at some of the negative comments by users regarding Prometheus i.e. poor writing, stupid characters, confusing, unanswered questions, unrealistic, etc. We all seem to think that we non-filmakers can do a better job. I can understand some of the negative comments but why can't people take it for what it is. It's a sic-fi movie and these types of movies are never realistic. Not many movies are. I liked the fact that it was mysterious and also the fact that there may be unanswered questions. It opens it up for discussion. Besides with discussion many of these issues could conjure up some "answers". I enjoyed it and I found it better the second time. And my favourite scene was the "caesarian section" scene as unrealistic as it might have been. ;-)
Devin Parker
I do think the visuals were impressive and well-designed, but it's tragic that so much work went into propping up such a lousy script. Science fiction, lest we forget, begins with the word "science" - it is meant to be a plausible extension of what we currently know. It also does no good to say that because it's science fiction, it doesn't have to make sense. Every story must be internally consistent; we as an audience need at least a minimal degree of versimilitude to suspend our disbelief. "Prometheus" beggars our imaginations in that regard.
As Turkichiki pointed out, this team of supposed scientists behaved like anything but; like children racing to see who could stick their fork in the electrical outlet the fastest. If I were a super-wealthy CEO assembling a first-in science team that I was also going to be entrusting my life to, I would have at least chosen candidates with suitable psychological profiles, people who would be able to work together and get along with each other in tight confines over a period of months or years. Why did these people agree to be part of a mission that would put their lives in danger and take at least eight years of their lives in cold-sleep alone, without knowing what the mission's objectives were?
Shaw is a naive dreamer with an infantile mischaracterization of religion ("It's what I choose to believe") as a philosophy that she applies to all areas of life, including science; Holloway is a disaster waiting to happen, blissfully ignorant or uncaring of the most basic rules of survival as well as being carelessly rash especially for an archaeologist, and furthermore makes himself unlikeable by taking delight in antagonizing the ship's android without cause; Janek seems less like a ship's commander and more like a hobo who conned his way into becoming captain of the Prometheus because he sort of knew how to play a concertina (seriously, his lack of concern about the rest of the crew is comedic); Millburn establishes himself as the worst biologist ever by deciding it's a good idea to stick his hand out to an alien creature that's plainly displaying cobra-like intimidation behaviors; Fifield is ridiculously antisocial right off the bat; and Chance and Ravel have no personalities to speak of beyond "vague concern", finding no joy in anything until Janek tells them they're going to kill themselves, at the prospect of which they seem positively thrilled. I can't say much about Ford except I would have imagined she might have complaint about the fact that the medical bed was only outfitted to treat male patients; strangely sexist for future technology. Vickers just seems wasted; cold and distant for most of the film, giving a token show of sibling rivalry with David and dying stupidly because she refused to run two feet to her left. Guy Pearce in old-man makeup comes across as ridiculous when there's never any scene in which he's young (why not just use an older actor?). Michael Fassbender is really the only reason to watch this film aside from the visuals - he's fantastic as David, though I would recommend to future engineers that creating androids who experience jealousy and callous lack of respect for life is probably not a good idea when the majority of humans are going to treat them as second-class citizens. Just a thought.
Everything that happened in the story hinged on every character carrying the Idiot Ball through the entire film. This story could have been thoughtfully told with the same amount of tension had the characters behaved more like a science team than the cast of a Coen Brothers film. Instead, a potentially thought-provoking and dread-laced science fiction horror story became a lite-popcorn special effects show with some insulting generalizations about things the scriptwriter apparently knew nothing about and all the philosophical sophistication of a teenager who's just discovered Nietzsche.
May 4 - 03:01 PM