The script is melodramatic, and Rai's lead performance is thin stuff.
Provoked (2007)
Tomatometer
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Reviews Counted:34
Fresh:10
Rotten:24
Average Rating:4.5/10
Consensus: Provoked's story is worth telling, but the hammy dialogue and heavy-handed direction doesn't give it the refined treatment it deserves.
Theatrical Release:May 11, 2007 Limited
Synopsis: "Provoked" is the true story of a battered wife who fought back, first against her husband and then against the system. Full of optimism and affection, newlywed Kiranjit Ahluwalia (Aishwarya... "Provoked" is the true story of a battered wife who fought back, first against her husband and then against the system. Full of optimism and affection, newlywed Kiranjit Ahluwalia (Aishwarya Rai) arrives at the doorstep of her new home and life with husband Deepak (Naveen Andrews). She would continue her law studies as her family had promised and the couple would start a family. The future offered only pain.The drunken Deepak beats her for the first time and shows remorse. He beats her again. It gets easier. After 10 years of violence, a dazed Kiranjit can take no more. She resorts to a desperate act that kills Deepak. She is convicted of murder and sentenced to life in prison. Incarceration tests the outwardly meek Kiranjit’s toughness at every turn, but the mother of two has suffered worse at home. She develops an ally in the mischievous Ronnie (Miranda Richardson), who also doled out the ultimate retribution to her abusive spouse. While Kiranjit acclimates to life behind bars, Radha (Nandita Das), an activist with the Southall Black Sisters, glimpses a tabloid headline about her case and springs into action. A barrister (Rebecca Pidgeon) with limited resources cannot make any headway, igniting greater determination in Radha, who rallies public opinion. Ronnie is denied parole but she has a secret weapon on the outside to help Kiranjit: Ronnie’s estranged brother-in-law Lord Foster (Robbie Coltrane), an influential legal eagle. Kiranjit’s appeal gains momentum when Radha persuades a cop to change his knowingly false testimony that Kiranjit was in her right mind the night of the killing. Arguing passionately before the high court, Lord Foster moves the judge to change the fate of many battered women forever. --© Official site [More]
Starring: Aishwarya Rai, Naveen Andrews, Miranda Richardson, Rebecca Pidgeon
Starring: Aishwarya Rai, Naveen Andrews, Miranda Richardson, Rebecca Pidgeon, Robbie Coltrane, Nicholas Irons, Nandita Das
Director: Jag Mundhra
Director: Jag Mundhra
Screenwriter: Jag Mundhra
Producer: Sunanda Murali Mahohar
Composer: A.R. Rahman
Studio: Eros Entertainment
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Reviews for Provoked
[Director] Mundhra can't control the expansiveness of the melodrama or focus on the terseness of realism. Every character in Provoked, from victims to tyrants, Indian to English, loud to quiet, ends up as a grossly exaggerated comic creation.
Jag Mundhra’s melodrama is pitched at an almost deafening level, drowning out any tiny notes of nuance in a tale of tears of triumph.
What should have turned out as a terrific movie about the crime of spousal abuse has instead received the equivalent of a ham-handed molestation by director Mundhra.
Account of a legal campaign launched by women to expose the brutality of domestic violence and male chauvinism.
In keeping its inflammatory subject matter at arm’s length, Provoked does exactly the same to its audience.
Director Jag Mundhra expends so much energy and screen time to sway us to take Kiranjit's side -- really, we're on her side, we're on her side -- that he doesn't have much left over for anything else.
Holy Burning Bed! If Britain had its own equivalent of the Lifetime channel, "Provoked" would be tailor made for it.
There are some tremendous lessons of courage and justice to be taken from Provoked, however the drama is often so forced that there are times when the film is hard to watch.
For viewers prepared to go with the flow, it works at a gut, movie-movie level.
For all the gushy feelings, the plight of women like Kiranjit, bound not only by domineering, often physically abusive husbands but by racism and oppressive cultural traditions as well, is poignantly portrayed.
By offsetting Women in Cages-style throw-downs with Malcolm X-like uplift, it is simultaneously strange and familiar, inspiring and annoying.
Unfortunately, Provoked possesses the tinny production values and schmaltzy music of a prime-time special, despite its ensemble of terrific actors.
[T]his conventional but deftly handled movie lays it bare, plays it straight, and eschews all the soppy melodrama we've come to expect from such solemn displays of aggressive, mad-as-hell feminism.
Rai's acting is frustratingly passive in Provoked, and the script is laced with prison and courtroom clichés. But the movie gets most of the facts straight and the flashbacks to the wife's abuse are harrowing.
Unfortunately, syrupy music, reductive characterizations and bland cinematography turn her case into an earnest feminist fable that plays like an afterschool special for grown-ups. (Call it the anti-Longford.)
What is exemplary about Provoked, is how these women survive and prevail simply but unequivocably through the resilient emotional fortitude they impart to one another.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
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