Puccini for Beginners doesn't quite make it as romantic comedy. Most of the elements are in place, but the characters seem too narcissistic to fall in love and too broad-brush to be authentic.
Puccini for Beginners (2007)
Tomatometer
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Reviews Counted:60
Fresh:30
Rotten:30
Average Rating:5.7/10
Consensus: A Woody Allen-ish film that needs more of the caustic wit expected from the best New York rom coms.
Theatrical Release:Feb 2, 2007 Limited
Synopsis: Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment... Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment phobic. Her lesbian lover dumped her because she couldn't settle down and say "I love you." And just as she's drowning her sorrows in a giant slice of Camembert, in walks Philip, a dapper Columbia professor who, against her better judgment, lights her fire. Kicking and screaming, she launches an affair with–heaven forbid–a man! Meanwhile, she falls into bed with irresistibly gorgeous Grace, a recently single, straight woman, of all things. While juggling two romances that are advancing way too quickly for comfort, Allegra lands in hot water that boils over into an explosive, cathartic climax for all. Waltzing beyond the coming-out stories of a decade ago, Maggenti playfully ushers in a new era of lesbian cinema free from an ideological agenda. Here sexuality is fluid and unapologetic, while gender identity and politics are hotly debated–and even poked fun at–rather than narrowly defined. Smart, snappy dialogue and effortlessly charming performances by Elizabeth Reaser, Justin Kirk, and Gretchen Mol make this triangular tale soar. Like an accomplice, a glistening New York City operates as an enchanting cosmopolitan village, where chance meetings alter destinies and anything is possible. --© Sundance Film Festival [More]
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas, Julianne Nicholson
Director: Maria Maggenti
Director: Maria Maggenti
Studio: Strand Releasing
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Reviews for Puccini for Beginners
Fresh Manhattan locations prove as photogenic as the leads, and the supporting actors -- especially Tina Benko as a glacial, impeccably dressed amazon -- don't miss a beat of Maggenti's snappy dialogue.
A number of scenes in the film are charming and engaging, with a genuinely unforced lightheartedness, and that takes more than a little expertise on the part of Ms. Maggenti, as well as her cast and other collaborators.
[Director] Maggenti offers a cute variation on the classic Hollywood 'comedy of remarriage.'
Puccini is the joyously refreshing romancer that it tries so hard to be. Its success has a lot to do with its casting directors who have peopled both the major and minor roles with aplomb. Even off-off-Broadway legend Helen Hanft has a cameo.
It's amiable enough but there's nothing on show to make it stand out from the average rom-com.
If you're willing to veer away from your more traditional romantic comedies, this is worth watching.
I felt at times I was watching a melange of 'Scrubs', 'Sex in the City', and the sensational Ethan Hawke/Julie Delpy tandem of 'Before Sunrise' and 'Before Sunset'.
A spiffy romantic comedy with an appealing and sparkling performance by Elizabeth Reaser.
A mostly agreeable comedy of the screwball sort, enlivened by some good acting, smart dialogue and an impassioned desire to stretch viewers' notions of lesbian love beyond what they see on Desperate Housewives.
This is billed as a comedy and there are some very funny moments. The writing is crisp and believable.
Don't expect anything life-transforming, but simply a gender-bending, screwball sitcom for the more cerebral demographic.
The filmmaker's niftiest trick is in making a group of neurotic, self-involved, overly verbal people so engaging.
Writer-director Maggenti turns in some smart dialogue and keeps things moving swiftly.
[Actress] Reaser is no slouch in the emotionally befuddled whirlwind department. In the end, it's all la dolce vita no matter how you look at it.
This film is a charmer: a genuine screwball comedy, set in springtime New York.
Latest News for Puccini for Beginners
February 01, 2007:
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