A spiffy romantic comedy with an appealing and sparkling performance by Elizabeth Reaser.
Puccini for Beginners (2007)
Tomatometer
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Reviews Counted:60
Fresh:30
Rotten:30
Average Rating:5.7/10
Consensus: A Woody Allen-ish film that needs more of the caustic wit expected from the best New York rom coms.
Theatrical Release:Feb 2, 2007 Limited
Synopsis: Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment... Everyone is love-crazed in Maria Maggenti's delightfully quick-witted screwball comedy, Puccini for Beginners; but Allegra Castiglione–our dashing, adorable heroine–is by far the most commitment phobic. Her lesbian lover dumped her because she couldn't settle down and say "I love you." And just as she's drowning her sorrows in a giant slice of Camembert, in walks Philip, a dapper Columbia professor who, against her better judgment, lights her fire. Kicking and screaming, she launches an affair with–heaven forbid–a man! Meanwhile, she falls into bed with irresistibly gorgeous Grace, a recently single, straight woman, of all things. While juggling two romances that are advancing way too quickly for comfort, Allegra lands in hot water that boils over into an explosive, cathartic climax for all. Waltzing beyond the coming-out stories of a decade ago, Maggenti playfully ushers in a new era of lesbian cinema free from an ideological agenda. Here sexuality is fluid and unapologetic, while gender identity and politics are hotly debated–and even poked fun at–rather than narrowly defined. Smart, snappy dialogue and effortlessly charming performances by Elizabeth Reaser, Justin Kirk, and Gretchen Mol make this triangular tale soar. Like an accomplice, a glistening New York City operates as an enchanting cosmopolitan village, where chance meetings alter destinies and anything is possible. --© Sundance Film Festival [More]
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas
Starring: Elizabeth Reaser, Gretchen Mol, Justin Kirk, Jennifer Dundas, Julianne Nicholson
Director: Maria Maggenti
Director: Maria Maggenti
Studio: Strand Releasing
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Reviews for Puccini for Beginners
Reflectively transparent, inconsequential and slightly contrived in the same-sex love entanglement sweepstakes. Sadly, Maggenti's tepid romantic comedy gets lost in the perfunctory shuffle.
[Director] Maggenti is getting better at building characters with distinctive quirks and nuance, but when they open their mouths, they still talk like they're in a movie.
[Director] Maggenti uses too many devices borrowed from movies like Annie Hall and Manhattan to feel remotely fresh.
So it's not a laugh riot; it is diverting enough. And it's fun to watch these performers -- particularly Mol and Kirk -- go through their paces.
Writer-director Maggenti turns in some smart dialogue and keeps things moving swiftly.
Perhaps more problematic than the film's derivative nature -- with plot points and dialogue borrowing somewhat from Sex and the City and rather heavily from Woody Allen -- is the fact that the film is just not funny.
Snappy repartee with the ring of real conversation is sustained through enough of Puccini for Beginners to make it a rarity.
Granted, there aresome amusing moments, but I can see someone making a drinking game of the DVD -- every time Allegra says "I'm a lesbian" take a swig. Oops! You'll be in an alcohol-induced coma fairly quickly.
A hardworking screwball comedy that plays like a warmed-over Woody Allen fluffernutter.
Don't expect anything life-transforming, but simply a gender-bending, screwball sitcom for the more cerebral demographic.
A Woody Allen devotee, writer-director Maria Maggenti hawks an insular view of New York City where poverty doesn't exist to illuminate the grotesque solipsism of her characters.
Yearns to be a bisexual screwball comedy but turns out to be only a simplistic sitcom stretched to feature length.
This film is a charmer: a genuine screwball comedy, set in springtime New York.
More of an extended sitcom than a film, featuring character actors who know the best way to milk a laugh from a line of dialogue or a facial expression.
Light and fluffy but inconsequential, Maggenti's second feature in a decade is a pale imitation of Woody Allen's romantic comedies, except that the lead is a lesbian, no bi-sexual, no just confused (whatever, choose one).
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