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Punch-Drunk Love (2002)
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Reviews Counted:180
Fresh:142
Rotten:38
Average Rating:7.4/10
Consensus: Punch-Drunk Love is weird and delightfully funny, even though Sandler essentially plays the same character he has always played in all his movies.
Rated: R [See Full Rating] for strong language including a scene of sexual dialogue
Runtime: 1 hr 35 mins
Genre: Dramas
Theatrical Release:Oct 11, 2002 Limited
Box Office: $17,791,031
Synopsis: Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an... Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level. [More]
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman
Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Mary Lynn Rajskub
Director: Paul Thomas Anderson
Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Joanne Sellar, Daniel Lupi
Composer: Jon Brion
Studio: Sony Pictures Entertainment
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Reviews for Punch-Drunk Love
Shots, such as when Sandler and Watson kiss in silhouette, are truly memorable -- but Punch-Drunk Love is never more than this: a series of chocolate-box moments, PT-style.
A crooked nose character comedy full of idiosyncrasies, yet I’m not sure if P.T. Anderson’s methods always align with his intent. The result lurches and drags.
While I have some problems with this movie, Sandler's performance is not one of them.
The kind of brain fart a young and creatively impotent hothead thinks up when what he really wants to do isn’t coming to him.
[I]t’s no secret that... certain films [are] critic’s darlings... leav[ing] moviegoers vowing never to trust a critic again. This season [it's] Punch-Drunk Love.
Self-indulgent, pointless, and hard to watch for more than a few minutes at a time.
The film looks good and has its funny moments, but too often one senses Anderson straining to impress...
Anderson has this uncanny ability to take good ideas that shouldn't take more than twenty minutes of screen time and stretching them out
A sustained fest of self-congratulation between actor and director that leaves scant place for the viewer.
[Director Paul Thomas] Anderson seems more concerned about pushing the limits of weirdness than actual storytelling.
Rather slight, with a sweet-and-sour mood that doesn't quite gel...a comparatively lightweight piece that dissipates as soon as the final credits roll.
For all the incidental pleasures and anxious romanticism, Punch-Drunk Love still feels skimpy, if not hollow.
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