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Movies / On DVD / Punch-Drunk Love
Punch-Drunk Love

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Punch-Drunk Love (2002)

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Reviews Counted:180

Fresh:142

Rotten:38

Average Rating:7.4/10

Consensus: Punch-Drunk Love is weird and delightfully funny, even though Sandler essentially plays the same character he has always played in all his movies.

Rated: R [See Full Rating] for strong language including a scene of sexual dialogue

Runtime: 1 hr 35 mins

Genre: Dramas

Theatrical Release:Oct 11, 2002 Limited

Box Office: $17,791,031

Synopsis: Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an... Paul Thomas Anderson follows 1999's MAGNOLIA with the intensely compelling character study PUNCH-DRUNK LOVE. Barry Egan (Adam Sandler) is a quiet, shy, socially awkward man with an office in an out-of-the-way warehouse. He is dedicated to his job as a wholesale toilet plunger salesman, he keeps a nice apartment, and he is obsessed with special offers on grocery store products. Barry's latest fixation is on frequent flier miles included with the purchase of Healthy Choice foods. Barry wears a bright blue suit, though he doesn't know why. With seven outspoken sisters, Barry is constantly being nagged, questioned, and berated. He is challenged to explain the reasons for his actions, and it eventually becomes clear that Barry cannot control his often-violent impulses, a trait which is increasingly problematic. When a beautiful woman, Lena Leonard (Emily Watson), walks into his life with an instinctive attraction to him, a nonjudgmental attitude, and unconditional love, Barry undergoes a powerful transformation. Anderson's film is a tour-de-force for which he garnered the Best Director award at Cannes 2002. Set primarily in Los Angeles and Utah, he shoots either bleak deserted spaces (apartment building hallways) or lush, exotic paradises (Hawaii). Aiming for a Technicolor look, the blue of Barry's suit in contrast with Lena's solid pinks, reds, and whites, pops off of the screen. Colorful interludes designed by visual artist Jeremy Blake offer hallucinogenic lapses from the action of the film, while the rapid percussive score by Jon Brion keeps the suspense and the emotional exasperation of the film on a constantly high level. [More]

Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman

Starring: Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Mary Lynn Rajskub

Director: Paul Thomas Anderson

Director: Paul Thomas Anderson
Screenwriter: Paul Thomas Anderson
Producer: Joanne Sellar, Daniel Lupi
Composer: Jon Brion
Studio: Sony Pictures Entertainment

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Release:

Nov 7, 2009

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Reviews for Punch-Drunk Love

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61 - 80 (sorted by date)
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It's not that the star is bringing anything new to the table, it's more he's refining all his previous skills into one uber-Sandler role.

Full Review Source: Lawrence Journal-World | comment Comment
11/01/02
Jon Niccum
Jon Niccum
Lawrence Journal-World

A movie joyfully alive with possibility, from a filmmaker willing to take big gambles and force them to pay off, and with a star who has the courage to redefine his image.

Full Review Source: Film Blather | comment Comment
10/31/02
Eugene Novikov
Eugene Novikov
Film Blather

...one of the best surprises this year.

Full Review Source: Talking Pictures (U.S.) | comment Comment
10/31/02
Tony Toscano
Tony Toscano
Talking Pictures (U.S.)

...a visual song of vulnerability, with a rhythm vaulting from discord to harmony and back again in vibrating organic-colored tones, as if the whole film were breathing on its own.

Full Review Source: Metro Times (Detroit, MI) | comment Comment
10/30/02
Anita Schmaltz
Anita Schmaltz
Metro Times (Detroit, MI)

...an angry, raw, shockingly beautiful romantic comedy that tests the limits of our every expectation.

Full Review Source: Flipside Movie Emporium | comment Comment
10/29/02
Rob Vaux
Rob Vaux
Flipside Movie Emporium

PT Anderson successfuly uses his unlikely star to make the romantic comedy archtype into a horror film.

Full Review Source: Film Snobs | comment Comment
10/28/02
Jimmy O
Jimmy O
Film Snobs

The film is too quirky and self-conscious for its own good, and never as clever as it seems to think it is.

Full Review Source: Sacramento News & Review | comment Comment
10/28/02
Jim Lane
Jim Lane
Sacramento News & Review

I admire the film on many levels, particularly one: the performance of its leading man (of all people), Adam Sandler.

Full Review Source: Mark Reviews Movies | comment Comment
10/28/02
Mark Dujsik
Mark Dujsik
Mark Reviews Movies

Both Sandler and Anderson are, it turns out, acutely attuned to the infinite, painful costs of consumer culture.

Full Review Source: PopMatters | comment Comment
10/27/02
Cynthia Fuchs
Cynthia Fuchs
PopMatters

[A] strange and wonderful synthesis of two radically different styles.

Full Review Source: Goatdog's Movies | comment Comment
10/27/02
Michael W. Phillips, Jr.
Michael W. Phillips, Jr.
Goatdog's Movies

Adam SANDLER! In an ART FILM!

Full Review Source: Quad City Times (Davenport, IA) | comment Comment
10/27/02
Linda Cook
Linda Cook
Quad City Times (Davenport, IA)
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
10/26/02
St. Louis Post-Dispatch

The journey toward redemption feels more like a cinematic experiment than a full-blown movie.

Full Review Source: Denver Rocky Mountain News | comment Comment
10/26/02
Robert Denerstein
Robert Denerstein
Denver Rocky Mountain News
Top Critic Icon Top Critic

Despite its title, Punch-Drunk Love is never heavy-handed. The jabs it employs are short, carefully placed and dead-center.

Full Review Source: USA Today | comment Comment
10/25/02
Mike Clark
Mike Clark
USA Today
Top Critic Icon Top Critic

Anderson's film beautifully captures the joy and tentativeness of new love.

Full Review Source: St. Paul Pioneer Press | comment Comment
10/25/02
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

Punch-Drunk Love mostly feints and jabs; by Anderson's standards it's strictly lightweight. But Sandler delivers the kind of knockout performance that even his staunchest defenders probably didn't realize he had in him.

Full Review Source: South Florida Sun-Sentinel | comment Comment
10/25/02
Todd Anthony
Todd Anthony
South Florida Sun-Sentinel

[A] flukey mistake.

Full Review Source: San Diego Union-Tribune | comment Comment
10/25/02
David Elliott
David Elliott
San Diego Union-Tribune

In the end, Punch-Drunk Love is one of those films that I wanted to like much more than I actually did. Sometimes, that's enough.

Full Review Source: Sacramento Bee | comment Comment
10/25/02
Joe Baltake
Joe Baltake
Sacramento Bee

Compared to the full-course meals that are Boogie Nights and Magnolia, Punch-Drunk Love is just an hors d'oeuvre. For Sandler, though, it's a Thanksgiving dinner.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
10/25/02
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

Punch-Drunk Love is little more than a string of intermittently amusing peccadilloes passed off as a story.

Full Review Source: Orlando Weekly | comment Comment
10/25/02
Steve Schneider
Steve Schneider
Orlando Weekly
 
 
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