Grimaldi's elegantly understated film is a Groundhog Day of grief suppressed and life suspended.
Quiet Chaos (2009)
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Reviews Counted:33
Fresh:26
Rotten:7
Average Rating:6.4/10
Consensus: An understated and thoughtful insight into grief and despair, with a stellar turn from Nanni Moretti.
Theatrical Release:Jun 26, 2009 Limited
Synopsis: Nanni Moretti stars in and co-wrote this moving Italian drama about grief. Pietro (Moretti) has just lost his wife, and he is left alone with their young daughter (Blu Yoshimi). He promises the... Nanni Moretti stars in and co-wrote this moving Italian drama about grief. Pietro (Moretti) has just lost his wife, and he is left alone with their young daughter (Blu Yoshimi). He promises the girl that he will wait for her in the car when she returns to school for the first time, but then his temporary offer turns into habit. Now, Pietro spends his days in his car, watching the world around him and grieving in his own way. [More]
Starring: Nanni Moretti, Valeria Golino, Isabella Ferrari, Alessandro Gassman
Starring: Nanni Moretti, Valeria Golino, Isabella Ferrari, Alessandro Gassman, Hippolyte Girardot, Blu Yoshimi, Kasia Smutniak, Denis Podalydes, Charles Berling, Silvio Orlando
Director: Antonello Grimaldi
Director: Antonello Grimaldi
Screenwriter: Nanni Moretti, Laura Paolucci, Francesco Piccolo
Producer: Domenico Procacci, Alessandro Pesci
Composer: Paolo Buonvino
Studio: IFC Films
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Reviews for Quiet Chaos
It's watchable and fluent, but there is something narcissistic and conceited in Moretti's performance.
A thoughtful portrait of the purgatory of grief that prefers small incidences and exchanges over grand gestures of sentiment and revelation. It’s sad – but never cloying.
Some of the plot is implausible, yet the core ideas resonate richly, and the characters' behaviour is psychologically intriguing.
For a far superior meditation on bereavement, better to turn to Moretti's portrayal of a grieving father in 2002's The Son's Room.
This is a slow-burning, very well acted film that contains, almost disconcertingly, a graphic sex scene, a strange star-cameo very late on, and something close to a Hollywood ending.
[Nanni] Moretti makes this 'study' in despair a naggingly neutral, at times borderline coy experience.
It's subtle stuff with an appealing lack of contrivance and there is something very natural about its resolution.
But on balance, they're outweighed by some striking and funny moments, and Moretti's immensely charming, reassuring presence.
Quiet Chaos feels thin and, especially towards the end, increasingly implausible. All the same, Moretti’s simpatico screen persona just about carries it.
Quiet Chaos is an apt description for the emotional state of Nanni Moretti's grieving widower Pietro, in a film whose central theme is grief, but that plays out with a mix of humour and acceptance
Moretti, present in nearly every scene, like an open wound, is ineffably empathetic.
The boldest stroke in Nanni Moretti’s Quiet Chaos is in what it doesn’t do, rather than what it does.
Moretti's performance -- unusually for an actor whose chief trait is sardonic superiority - mines a vein of self-doubt and frail desperation that, together with his tender relationship with his daughter, gives Quiet Chaos a broad human touch.
Grimaldi’s sensitive direction, allied to a subtle score by Paolo Buonvino, sharp script and accomplished acting, helps to turn this into an original and complex study of the unpredictability of human foibles and weaknesses.
Moretti gives his usual excellent performance. But the script throws in too many other elements while it should be concentrating on the father-daughter relationship.
Quiet Chaos has strength and insight about the experiences that cause us to change direction in life.
Unfortunately, Quiet Chaos can’t help but become heated, and a ridiculous climax sabotages much of the emotional weight.
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