A respectable and always watchable film about bereavement, well acted and well made.
Quiet Chaos (2009)
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Reviews Counted:33
Fresh:26
Rotten:7
Average Rating:6.4/10
Consensus: An understated and thoughtful insight into grief and despair, with a stellar turn from Nanni Moretti.
Theatrical Release:Jun 26, 2009 Limited
Synopsis: Nanni Moretti stars in and co-wrote this moving Italian drama about grief. Pietro (Moretti) has just lost his wife, and he is left alone with their young daughter (Blu Yoshimi). He promises the... Nanni Moretti stars in and co-wrote this moving Italian drama about grief. Pietro (Moretti) has just lost his wife, and he is left alone with their young daughter (Blu Yoshimi). He promises the girl that he will wait for her in the car when she returns to school for the first time, but then his temporary offer turns into habit. Now, Pietro spends his days in his car, watching the world around him and grieving in his own way. [More]
Starring: Nanni Moretti, Valeria Golino, Isabella Ferrari, Alessandro Gassman
Starring: Nanni Moretti, Valeria Golino, Isabella Ferrari, Alessandro Gassman, Hippolyte Girardot, Blu Yoshimi, Kasia Smutniak, Denis Podalydes, Charles Berling, Silvio Orlando
Director: Antonello Grimaldi
Director: Antonello Grimaldi
Screenwriter: Nanni Moretti, Laura Paolucci, Francesco Piccolo
Producer: Domenico Procacci, Alessandro Pesci
Composer: Paolo Buonvino
Studio: IFC Films
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Reviews for Quiet Chaos
Grimaldi’s sensitive direction, allied to a subtle score by Paolo Buonvino, sharp script and accomplished acting, helps to turn this into an original and complex study of the unpredictability of human foibles and weaknesses.
Grimaldi's elegantly understated film is a Groundhog Day of grief suppressed and life suspended.
Don’t expect anything too profound from this middleweight fare - but it’ll still be better than the inevitable remake.
Don’t expect anything too profound from this middleweight fare -- but it’ll still be better than the inevitable remake.
[Nanni] Moretti makes this 'study' in despair a naggingly neutral, at times borderline coy experience.
Grimaldi, Moretti and their co-screenwriters have cunningly opened up the narrative cinematically.
Quiet Chaos jerkily shifts tones, from oddly comic ... to blunt. And by blunt I mean an indiscreet, in-your-face sex scene that turns the viewer from observer to pervy voyeur.
Some of the plot is implausible, yet the core ideas resonate richly, and the characters' behaviour is psychologically intriguing.
This is a slow-burning, very well acted film that contains, almost disconcertingly, a graphic sex scene, a strange star-cameo very late on, and something close to a Hollywood ending.
It's watchable and fluent, but there is something narcissistic and conceited in Moretti's performance.
Nanni Moretti superbly carries family tragedy, infusing it with depth and humor.
But on balance, they're outweighed by some striking and funny moments, and Moretti's immensely charming, reassuring presence.
Quiet Chaos has strength and insight about the experiences that cause us to change direction in life.
Moretti gives his usual excellent performance. But the script throws in too many other elements while it should be concentrating on the father-daughter relationship.
The film, while uneven -- sometimes too on the nose, sometimes anecdotal and diffuse -- is generally absorbing, thanks mostly to the quality of the acting.
Moretti's performance -- unusually for an actor whose chief trait is sardonic superiority - mines a vein of self-doubt and frail desperation that, together with his tender relationship with his daughter, gives Quiet Chaos a broad human touch.
For a far superior meditation on bereavement, better to turn to Moretti's portrayal of a grieving father in 2002's The Son's Room.
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