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Movies / On DVD / Quills
Quills

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Quills (2000)

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Reviews Counted:117

Fresh:87

Rotten:30

Average Rating:6.6/10

Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Rated: R [See Full Rating] strong sexual content including dialogue, violence and language

Runtime: 2 hrs 4 mins

Genre: Dramas

Theatrical Release:Nov 22, 2000 Limited

Box Office: $4,284,664

Synopsis: You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human... You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human imagination.

Be forewarned. This is the imagined story of the final days of the Marquis De Sade, the writer, rebel and sensualist who explored the darkest, even criminal, impulses of human passions and was proclaimed at once among the most devilish monsters and the freest spirits the world has known.

Historical biographies tell us that in the Marquis' last decade, the man whose name was synonymous with sadistic lust fell in love, and that the maverick libertine who celebrated expression at all costs was almost silenced. Banished to the Charenton Asylum for the insane, the Marquis De Sade continued to write his blasphemous novels . . . until a new doctor was brought in to "cure" him of his wicked desires.

But where history leaves off, QUILLS sets out on a daring journey into the corridors of Charenton Asylum and deep inside the Marquis De Sade's forbidden cell, in which everything but the very act of creation could be caged. Director PHILIP KAUFMAN ("The Right Stuff," "The Unbearable Lightness of Being") brings to life the Marquis De Sade's seductive, sinister world with a cautionary tale about what happens to the light of Charenton when the doctors attempt to shut out the darkness. The screenplay is by DOUG WRIGHT, based on his award-winning play which was acclaimed by critics not only as a provocative comedic thriller but as a modern metaphor about freedom of expression and civil liberties.

Academy Award winner GEOFFREY RUSH stars as the witty yet wicked Marquis De Sade, who is living in exile in his own posh suite at the Charenton Asylum. Here, he has befriended the progressive young asylum director Abbe Coulmier (JOAQUIN PHOENIX), a man ahead of his times, who believes in treating his patients humanely, providing means for creative expression. In this atmosphere, the Marquis has also found it easy to strike up a friendship with the comely young laundress Madeleine (KATE WINSLET), who helps him to smuggle out his prolific writings for publication ­ and whose innocent affections are equally enjoyed by the conflicted Abbe.

Then Charenton gets a new chief physician, Dr. Royer-Collard (Academy Award winner MICHAEL CAINE), who has been commissioned by Emperor Napoleon himself to cure the Marquis De Sade and stop the flow of his pen forever. Charenton soon erupts not only in a battle between doctor and patient, but between art and censorship, libido and inhibition, morality and brutality, passion and persecution.

For it seems the more the Marquis De Sade is prevented from expression, the more he is provoked . . . [More]

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine, Billie Whitelaw, Patrick Malahide, Amelia Warner, Stephen Moyer

Director: Philip Kaufman

Director: Philip Kaufman
Screenwriter: Doug Wright
Producer: Julia Chasman, Nick Wechsler, Peter Kaufman
Composer: Stephen Warbeck
Studio: Fox Searchlight Pictures

[See More Credits]

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Release:

May 8, 2001

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Reviews for Quills

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1 - 20 (sorted by source)
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Quills valiantly argues that bold ideas can not - and should not - be stopped.

Full Review Source: Aisle Seat | comment Comment
03/19/01
Mike McGranaghan
Mike McGranaghan
Aisle Seat

Click to read the article

Full Review Source: Apollo Guide | comment Comment
02/13/01
Dan Jardine
Dan Jardine
Apollo Guide

The material benefits from a top-rank cast that fleshes out what could seem merely an exercise in philosophy.

comment Comment
12/22/00
Matt Wolf
Matt Wolf
Associated Press

Shrill, pretentious, sophomoric and often just plain dumb.

Full Review Source: Atlanta Journal-Constitution | comment Comment
12/14/00
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
Top Critic Icon Top Critic

Click to read the article

Full Review Source: Austin Chronicle | comment Comment
02/07/01
Marjorie Baumgarten
Marjorie Baumgarten
Austin Chronicle

Click to read the article

Full Review Source: BBC | comment Comment
04/16/01
George Perry
George Perry
BBC

It's dark, tragic and oh so good. See it!

Full Review Source: BeatBoxBetty.com | comment Comment
01/01/00
BeatBoxBetty.com

Click to read the article

Full Review Source: Big Picture Big Sound | comment Comment
07/14/07
Joe Lozito
Joe Lozito
Big Picture Big Sound
N/R

Click to read the article

Full Review Source: Blunt Review | comment Comment
02/07/01
Emily Blunt
Emily Blunt
Blunt Review

A witty yet fiery and, in the best sense, provocative play of ideas about freedom of expression.

comment Comment
01/01/00
Jay Carr
Jay Carr
Boston Globe
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
03/24/02
Boston Phoenix

Rush relishes his role, delivering screenwriter Doug Wright's unexpectedly funny lines with lascivious glee while still bringing a certain gravity to the character.

Full Review Source: Boxoffice Magazine | comment Comment
01/01/00
Annlee Ellingson
Annlee Ellingson
Boxoffice Magazine

It skewers its manufactured hypocrites decisively but unconvincingly, like fish in a barrel.

Full Review Source: Bryant Frazer's Deep Focus | comment Comment
01/01/00
Bryant Frazer
Bryant Frazer
Bryant Frazer's Deep Focus

In the end, all the violence and sexual hijinks begin to pall, like a conversation with an intelligent person who litters his speech with profanities.

comment Comment
12/27/00
Lawrence Toppman
Lawrence Toppman
Charlotte Observer

While it may not have delivered a knock out, Quills certainly does pack a solid punch.

Full Review Source: CheckOut.com | comment Comment
01/01/00
Ed Scharf
Ed Scharf
CheckOut.com
N/R

Click to read the article

Full Review Source: Chicago Reader | comment Comment
02/07/01
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

Kaufman ... finds a tone that remains more entertaining than depressing, more absorbing than alarming.

Full Review Source: Chicago Sun-Times | comment Comment
12/15/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

Gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.

comment Comment
12/14/00
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic
N/R

Click to read the article

Full Review Source: Cincinnati Enquirer | comment Comment
10/15/02
Margaret A. McGurk
Margaret A. McGurk
Cincinnati Enquirer

É uma pena que o Oscar, ao contrário de outras premiações, não possua uma categoria de 'Melhor Elenco'.

Full Review Source: Cinema em Cena | comment Comment
05/31/02
Pablo Villaca
Pablo Villaca
Cinema em Cena
 
 
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