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Quills

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Quills (2000)

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Reviews Counted:117

Fresh:87

Rotten:30

Average Rating:6.6/10

Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Rated: R [See Full Rating] strong sexual content including dialogue, violence and language

Runtime: 2 hrs 4 mins

Genre: Dramas

Theatrical Release:Nov 22, 2000 Limited

Box Office: $4,284,664

Synopsis: You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human... You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human imagination.

Be forewarned. This is the imagined story of the final days of the Marquis De Sade, the writer, rebel and sensualist who explored the darkest, even criminal, impulses of human passions and was proclaimed at once among the most devilish monsters and the freest spirits the world has known.

Historical biographies tell us that in the Marquis' last decade, the man whose name was synonymous with sadistic lust fell in love, and that the maverick libertine who celebrated expression at all costs was almost silenced. Banished to the Charenton Asylum for the insane, the Marquis De Sade continued to write his blasphemous novels . . . until a new doctor was brought in to "cure" him of his wicked desires.

But where history leaves off, QUILLS sets out on a daring journey into the corridors of Charenton Asylum and deep inside the Marquis De Sade's forbidden cell, in which everything but the very act of creation could be caged. Director PHILIP KAUFMAN ("The Right Stuff," "The Unbearable Lightness of Being") brings to life the Marquis De Sade's seductive, sinister world with a cautionary tale about what happens to the light of Charenton when the doctors attempt to shut out the darkness. The screenplay is by DOUG WRIGHT, based on his award-winning play which was acclaimed by critics not only as a provocative comedic thriller but as a modern metaphor about freedom of expression and civil liberties.

Academy Award winner GEOFFREY RUSH stars as the witty yet wicked Marquis De Sade, who is living in exile in his own posh suite at the Charenton Asylum. Here, he has befriended the progressive young asylum director Abbe Coulmier (JOAQUIN PHOENIX), a man ahead of his times, who believes in treating his patients humanely, providing means for creative expression. In this atmosphere, the Marquis has also found it easy to strike up a friendship with the comely young laundress Madeleine (KATE WINSLET), who helps him to smuggle out his prolific writings for publication ­ and whose innocent affections are equally enjoyed by the conflicted Abbe.

Then Charenton gets a new chief physician, Dr. Royer-Collard (Academy Award winner MICHAEL CAINE), who has been commissioned by Emperor Napoleon himself to cure the Marquis De Sade and stop the flow of his pen forever. Charenton soon erupts not only in a battle between doctor and patient, but between art and censorship, libido and inhibition, morality and brutality, passion and persecution.

For it seems the more the Marquis De Sade is prevented from expression, the more he is provoked . . . [More]

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine, Billie Whitelaw, Patrick Malahide, Amelia Warner, Stephen Moyer

Director: Philip Kaufman

Director: Philip Kaufman
Screenwriter: Doug Wright
Producer: Julia Chasman, Nick Wechsler, Peter Kaufman
Composer: Stephen Warbeck
Studio: Fox Searchlight Pictures

[See More Credits]

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Release:

May 8, 2001

No Details Exist
 
 

Reviews for Quills

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61 - 80 (sorted by date)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
Arrange By:Fresh | Rotten | Comments | Name | Source | Date
 
 

Gleaming, erotic and unsettling.

Full Review Source: Talking Pictures (U.S.) | comment Comment
02/02/01
Tony Toscano
Tony Toscano
Talking Pictures (U.S.)

Watch this one for the performances, but bring a pillow.

Full Review Source: Matt's Movie Reviews | comment Comment
01/26/01
Matt Easterbrook
Matt Easterbrook
Matt's Movie Reviews

Click to read the article

Full Review Source: Laramie Movie Scope | comment Comment
01/01/01
Robert Roten
Robert Roten
Laramie Movie Scope

A deep blue sea of great acting, directing, and writing. It is quite illuminating, for those of you who are not afraid to take the plunge into its murky waters.

Full Review Source: Norman Transcript | comment Comment
12/28/00
Jim Chastain
Jim Chastain
Norman Transcript

In the end, all the violence and sexual hijinks begin to pall, like a conversation with an intelligent person who litters his speech with profanities.

comment Comment
12/27/00
Lawrence Toppman
Lawrence Toppman
Charlotte Observer

Aside from the performances, it's a depraved, lurid flick about a depraved, lurid man and all the depraved, lurid things his stories inspire others to do.

Full Review Source: EricDSnider.com | comment Comment
12/27/00
Eric D. Snider
Eric D. Snider
EricDSnider.com

The most entertaining and appallingly funny anti-censorship movie since Milos Foreman's The People Vs. Larry Flynt.

Full Review Source: Sacramento Bee | comment Comment
12/26/00
Joe Baltake
Joe Baltake
Sacramento Bee

As film, it feels as cramped as de Sade's cell. As metaphor, it is ham-fisted.

comment Comment
12/24/00
Duane Dudek
Duane Dudek
Milwaukee Journal Sentinel

Director Philip Kaufman makes a defense of art, but he doesn't put a petticoat on it. He chooses a subject who represents art at its worst, and plunges bravely on.

comment Comment
12/22/00
Gary Thompson
Gary Thompson
Philadelphia Daily News

More heavy-handed than memorable.

comment Comment
12/22/00
Desmond Ryan
Desmond Ryan
Philadelphia Inquirer

Made with intelligence and care.

comment Comment
12/22/00
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

A marvelous, saucy romp.

comment Comment
12/22/00
Rene Rodriguez
Rene Rodriguez
Miami Herald

The material benefits from a top-rank cast that fleshes out what could seem merely an exercise in philosophy.

comment Comment
12/22/00
Matt Wolf
Matt Wolf
Associated Press

Taut pacing, delicate, unobtrusive foreshadowing and a series of impeccable performances, unforgettable for their passion.

comment Comment
12/22/00
Mary F. Pols
Mary F. Pols
Contra Costa Times

Geoffrey Rush unleashes a tour-de-force performance.

Full Review Source: Jam! Movies | comment Comment
12/22/00
Bruce Kirkland
Bruce Kirkland
Jam! Movies

Geoffrey Rush unleashes a tour-de-force performance.

Full Review Source: Jam! Movies | comment Comment
12/22/00
Bruce Kirkland
Bruce Kirkland
Jam! Movies

Kaufman is one of the great, underappreciated maestros of the movies, and his work here is indeed masterly.

Full Review Source: Orlando Sentinel | comment Comment
12/22/00
Jay Boyar
Jay Boyar
Orlando Sentinel

As frustrating as it is intriguing.

Full Review Source: Orlando Weekly | comment Comment
12/21/00
Philip Booth
Philip Booth
Orlando Weekly

A decent period piece livened up by two hours of pretty disturbing material.

Full Review Source: Planet Sick-Boy | comment Comment
12/20/00
Jon Popick
Jon Popick
Planet Sick-Boy

Succeeds in creating a portrait of Sade as a man who must fulfill his desperate -- involuntary -- need to write in order to affirm his own existence.

Full Review Source: Cinephiles | comment Comment
12/15/00
Yazmin Ghonaim
Yazmin Ghonaim
Cinephiles
 
 
61 - 80 (sorted by date)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
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