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Movies / On DVD / Quills
Quills

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Quills (2000)

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Reviews Counted:117

Fresh:87

Rotten:30

Average Rating:6.6/10

Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.

Rated: R [See Full Rating] strong sexual content including dialogue, violence and language

Runtime: 2 hrs 4 mins

Genre: Dramas

Theatrical Release:Nov 22, 2000 Limited

Box Office: $4,284,664

Synopsis: You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human... You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human imagination.

Be forewarned. This is the imagined story of the final days of the Marquis De Sade, the writer, rebel and sensualist who explored the darkest, even criminal, impulses of human passions and was proclaimed at once among the most devilish monsters and the freest spirits the world has known.

Historical biographies tell us that in the Marquis' last decade, the man whose name was synonymous with sadistic lust fell in love, and that the maverick libertine who celebrated expression at all costs was almost silenced. Banished to the Charenton Asylum for the insane, the Marquis De Sade continued to write his blasphemous novels . . . until a new doctor was brought in to "cure" him of his wicked desires.

But where history leaves off, QUILLS sets out on a daring journey into the corridors of Charenton Asylum and deep inside the Marquis De Sade's forbidden cell, in which everything but the very act of creation could be caged. Director PHILIP KAUFMAN ("The Right Stuff," "The Unbearable Lightness of Being") brings to life the Marquis De Sade's seductive, sinister world with a cautionary tale about what happens to the light of Charenton when the doctors attempt to shut out the darkness. The screenplay is by DOUG WRIGHT, based on his award-winning play which was acclaimed by critics not only as a provocative comedic thriller but as a modern metaphor about freedom of expression and civil liberties.

Academy Award winner GEOFFREY RUSH stars as the witty yet wicked Marquis De Sade, who is living in exile in his own posh suite at the Charenton Asylum. Here, he has befriended the progressive young asylum director Abbe Coulmier (JOAQUIN PHOENIX), a man ahead of his times, who believes in treating his patients humanely, providing means for creative expression. In this atmosphere, the Marquis has also found it easy to strike up a friendship with the comely young laundress Madeleine (KATE WINSLET), who helps him to smuggle out his prolific writings for publication ­ and whose innocent affections are equally enjoyed by the conflicted Abbe.

Then Charenton gets a new chief physician, Dr. Royer-Collard (Academy Award winner MICHAEL CAINE), who has been commissioned by Emperor Napoleon himself to cure the Marquis De Sade and stop the flow of his pen forever. Charenton soon erupts not only in a battle between doctor and patient, but between art and censorship, libido and inhibition, morality and brutality, passion and persecution.

For it seems the more the Marquis De Sade is prevented from expression, the more he is provoked . . . [More]

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine

Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine, Billie Whitelaw, Patrick Malahide, Amelia Warner, Stephen Moyer

Director: Philip Kaufman

Director: Philip Kaufman
Screenwriter: Doug Wright
Producer: Julia Chasman, Nick Wechsler, Peter Kaufman
Composer: Stephen Warbeck
Studio: Fox Searchlight Pictures

[See More Credits]

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Release:

May 8, 2001

No Details Exist
 
 

Reviews for Quills

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81 - 100 (sorted by date)
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So bold, ambitious and forceful that it practically has a right to be a good movie. It's not, but it may be the year's most memorable bad one.

Full Review Source: Newhouse News Service | comment Comment
12/15/00
Bob Campbell
Bob Campbell
Newhouse News Service

A rare Hollywood movie that is about the nature of eroticism without being afraid of its own power to arouse.

Full Review Source: Denver Post | comment Comment
12/15/00
Steven Rosen
Steven Rosen
Denver Post
Top Critic Icon Top Critic

For those looking for a well-made and mostly captivating experience, this might be the film for you.

Full Review Source: Screen It! | comment Comment
12/15/00
Jim Judy
Jim Judy
Screen It!

It breathes, it twirls, it prances right up into your face. It swirls over the top sometimes, but there never is any doubt you're watching a movie about something.

Full Review Source: Houston Chronicle | comment Comment
12/15/00
Eric Harrison
Eric Harrison
Houston Chronicle
Top Critic Icon Top Critic

Kaufman ... finds a tone that remains more entertaining than depressing, more absorbing than alarming.

Full Review Source: Chicago Sun-Times | comment Comment
12/15/00
Roger Ebert
Roger Ebert
Chicago Sun-Times
Top Critic Icon Top Critic

We get little insight as Rush strips and rants and rots.

Full Review Source: San Diego Union-Tribune | comment Comment
12/15/00
David Elliott
David Elliott
San Diego Union-Tribune

Geoffrey Rush plays this rascal to the magnificent hilt.

Full Review Source: Washington Post | comment Comment
12/15/00
Desson Thomson
Desson Thomson
Washington Post
Top Critic Icon Top Critic

It argues its case fairly, acknowledging the implicit dangers in its position, and dramatizing the price that inevitably will be paid for its cherished goal of untrammeled personal expression.

Full Review Source: Washington Post | comment Comment
12/15/00
Stephen Hunter
Stephen Hunter
Washington Post
Top Critic Icon Top Critic

All the major performances in Quills are Oscar-worthy.

Full Review Source: eFilmCritic.com | comment Comment
12/15/00
Erik Childress
Erik Childress
eFilmCritic.com

Engages our intellect before our lust. It’s tantamount to staging a rock concert with one finger on the mute button.

Full Review Source: South Florida Sun-Sentinel | comment Comment
12/14/00
Todd Anthony
Todd Anthony
South Florida Sun-Sentinel

The Gothic tale grabs the eyeballs and keeps them transfixed to the screen.

Full Review Source: Dallas Morning News | comment Comment
12/14/00
Jane Sumner
Jane Sumner
Dallas Morning News
Top Critic Icon Top Critic

Gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.

comment Comment
12/14/00
Michael Wilmington
Michael Wilmington
Chicago Tribune
Top Critic Icon Top Critic

Shrill, pretentious, sophomoric and often just plain dumb.

Full Review Source: Atlanta Journal-Constitution | comment Comment
12/14/00
Eleanor Ringel Gillespie
Eleanor Ringel Gillespie
Atlanta Journal-Constitution
Top Critic Icon Top Critic

The demonized Marquis de Sade and the questions he posed concerning legislation of speech or thought remain relevant.

Full Review Source: PopMatters | comment Comment
12/14/00
Tobias Peterson
Tobias Peterson
PopMatters

An intriguing movie, it leaves you with a lot to ponder.

Full Review Source: Internet Reviews | comment Comment
12/08/00
Steve Rhodes
Steve Rhodes
Internet Reviews

There's so much gusto thrown into the performances and attention to period detail that Quills plays out as enjoyably lavish.

Full Review Source: Filmcritic.com | comment Comment
12/08/00
Jeremiah Kipp
Jeremiah Kipp
Filmcritic.com
N/R

Click to read the article

Full Review Source: Ebert & Roeper | comment Comment
01/01/00
Ebert & Roeper

Philip Kaufman ... knows how to push the write buttons and leave all participants, well, satisfied.

Full Review Source: E! Online | comment Comment
01/01/00
E! Online

It's dark, tragic and oh so good. See it!

Full Review Source: BeatBoxBetty.com | comment Comment
01/01/00
BeatBoxBetty.com

It's funny, exciting, and intriguing.

comment Comment
01/01/00
Andy Klein
Andy Klein
TNT's Rough Cut
 
 
81 - 100 (sorted by date)
Text View | |< << 1 2 3 4 5 6 7 8 >> >|
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