So bold, ambitious and forceful that it practically has a right to be a good movie. It's not, but it may be the year's most memorable bad one.
Quills (2000)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:117
Fresh:87
Rotten:30
Average Rating:6.6/10
Consensus: Though hard to watch, this film's disturbing exploration of freedom of expression is both seductive and thought-provoking.
Rated: R [See Full Rating] strong sexual content including dialogue, violence and language
Runtime: 2 hrs 4 mins
Genre: Dramas
Theatrical Release:Nov 22, 2000 Limited
Box Office: $4,284,664
Synopsis:
You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human...
You are about to embark on a gothic tale of virtue and vice, of comedy and terror, of love and shocking erotica, of brutal censorship and, ultimately, the uncrushable spirit of the human imagination.
Be forewarned. This is the imagined story of the final days of the Marquis De Sade, the writer, rebel and sensualist who explored the darkest, even criminal, impulses of human passions and was proclaimed at once among the most devilish monsters and the freest spirits the world has known.
Historical biographies tell us that in the Marquis' last decade, the man whose name was synonymous with sadistic lust fell in love, and that the maverick libertine who celebrated expression at all costs was almost silenced. Banished to the Charenton Asylum for the insane, the Marquis De Sade continued to write his blasphemous novels . . . until a new doctor was brought in to "cure" him of his wicked desires.
But where history leaves off, QUILLS sets out on a daring journey into the corridors of Charenton Asylum and deep inside the Marquis De Sade's forbidden cell, in which everything but the very act of creation could be caged. Director PHILIP KAUFMAN ("The Right Stuff," "The Unbearable Lightness of Being") brings to life the Marquis De Sade's seductive, sinister world with a cautionary tale about what happens to the light of Charenton when the doctors attempt to shut out the darkness. The screenplay is by DOUG WRIGHT, based on his award-winning play which was acclaimed by critics not only as a provocative comedic thriller but as a modern metaphor about freedom of expression and civil liberties.
Academy Award winner GEOFFREY RUSH stars as the witty yet wicked Marquis De Sade, who is living in exile in his own posh suite at the Charenton Asylum. Here, he has befriended the progressive young asylum director Abbe Coulmier (JOAQUIN PHOENIX), a man ahead of his times, who believes in treating his patients humanely, providing means for creative expression. In this atmosphere, the Marquis has also found it easy to strike up a friendship with the comely young laundress Madeleine (KATE WINSLET), who helps him to smuggle out his prolific writings for publication and whose innocent affections are equally enjoyed by the conflicted Abbe.
Then Charenton gets a new chief physician, Dr. Royer-Collard (Academy Award winner MICHAEL CAINE), who has been commissioned by Emperor Napoleon himself to cure the Marquis De Sade and stop the flow of his pen forever. Charenton soon erupts not only in a battle between doctor and patient, but between art and censorship, libido and inhibition, morality and brutality, passion and persecution.
For it seems the more the Marquis De Sade is prevented from expression, the more he is provoked . . .
Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine
Starring: Geoffrey Rush, Kate Winslet, Joaquin Phoenix, Michael Caine, Billie Whitelaw, Patrick Malahide, Amelia Warner, Stephen Moyer
Director: Philip Kaufman
Director: Philip Kaufman
Screenwriter: Doug Wright
Producer: Julia Chasman, Nick Wechsler, Peter Kaufman
Composer: Stephen Warbeck
Studio: Fox Searchlight Pictures
Get This Movie
Reviews for Quills
A rare Hollywood movie that is about the nature of eroticism without being afraid of its own power to arouse.
For those looking for a well-made and mostly captivating experience, this might be the film for you.
It breathes, it twirls, it prances right up into your face. It swirls over the top sometimes, but there never is any doubt you're watching a movie about something.
Kaufman ... finds a tone that remains more entertaining than depressing, more absorbing than alarming.
It argues its case fairly, acknowledging the implicit dangers in its position, and dramatizing the price that inevitably will be paid for its cherished goal of untrammeled personal expression.
Engages our intellect before our lust. It’s tantamount to staging a rock concert with one finger on the mute button.
The Gothic tale grabs the eyeballs and keeps them transfixed to the screen.
Gives us an anatomy of fear, images both silken swift and molten hot, scenes that disrupt and inflame the imagination.
The demonized Marquis de Sade and the questions he posed concerning legislation of speech or thought remain relevant.
There's so much gusto thrown into the performances and attention to period detail that Quills plays out as enjoyably lavish.
Philip Kaufman ... knows how to push the write buttons and leave all participants, well, satisfied.
Latest News for Quills
September 21, 2008:
PlanetHollywood: The Kate Winslet Quills Interview ![]()
More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



