Less than fresh.
Quitting (2002)
Tomatometer
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Reviews Counted:44
Fresh:34
Rotten:10
Average Rating:6.5/10
Consensus: While Quitting is an honest and intimate look into the world of one man's struggle with drug addiction, the subject matter is better suited for the small screen.
Theatrical Release:Sep 13, 2002 Limited
Synopsis: In the late 80's a new film star, Jia Hongsheng, emerged in China. Labeled "the thug idol," he gained fame playing gangsters and heroes in a series of Chinese B-movies. Jia went on to star in a... In the late 80's a new film star, Jia Hongsheng, emerged in China. Labeled "the thug idol," he gained fame playing gangsters and heroes in a series of Chinese B-movies. Jia went on to star in a stage version of "The Kiss of the Spider Woman" directed by Zhang Yang and soon became the actor of choice for Chinese sixth generation filmmakers such as Wang Xiaoshuai ("Beijing Bicycle") and Lou Ye. He had his first experience with drugs on the set of "The Kiss of the Spiderwoman." Jia's naturally fragile mental/psychological state coupled with his experimentation with drugs gradually led him into a state of despair. He stopped acting and cut himself off entirely from all his friends, locking himself in an apartment listening to tapes of his favorite music over and over again. Jia's parents were members of a small theater troupe in a small town in Northeast China. Overjoyed by their son's success and distraught at his addiction, they left the troupe that they had been members of their whole lives, packed up all their belongings (literally bed, TV, furniture and everything they owned) and traveled to Beijing to be with their son. Every character in "Quitting" is played by a real person who was part of Jia Hongsheng's life. The film seeks to be unflinchingly realistic in its portrayal of its characters and the early 90's as a historical period. "Quitting" explores one man's journey, from the cutting edge of China's artistic movement in the early 90's, through a period of conflict with himself and his parents, to a mental institution and finally to the quest to rediscover himself and his family. -- © Sony Pictures Classics [More]
Starring: Jia Hongsheng, Jia Fengsen, Chai Xiurong, Wang Tong
Starring: Jia Hongsheng, Jia Fengsen, Chai Xiurong, Wang Tong, Shun Xing, An Bin, Li Jie
Director: Zhang Yang
Director: Zhang Yang
Screenwriter: Zhang Yang, Huo Xin
Producer: Peter Loehr
Composer: Zhang Yadong
Studio: Sony Pictures Classics
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Reviews for Quitting
If Quitting isn't worthy of affection exactly, it's worthy of respect, as director Zhang Yang plays with the structural elements of the story as well as notions of fiction and fact.
It further declares its director, Zhang Yang of Shower, as a boldly experimental, contemporary stylist with a bright future.
Unfortunately, the experience of actually watching the movie is less compelling than the circumstances of its making.
Renouncing and reunification --Family and friends go through the emotions twice in ‘Quitting’
That dogged good will of the parents and 'vain' Jia's defoliation of ego, make the film touching despite some doldrums.
Jia's performance is so unsparing and intense -- and the film so compassionate and chaste in its approach to a life lost and recovered -- that Quitting ultimately satisfies.
Quitting delivers a sucker-punch, and its impact is all the greater beause director Zhang's last film, the cuddly Shower, was a non-threatening multi-character piece centered around a public bath house.
Once he starts learning to compromise with reality enough to become comparatively sane and healthy, the film becomes predictably conventional.
It may not be as cutting, as witty or as true as back in the glory days of Weekend and Two or Three Things I Know About Her, but who else engaged in filmmaking today is so cognizant of the cultural and moral issues involved in the process?
Zhang ... has done an amazing job of getting realistic performances from his mainly nonprofessional cast.
If you're not totally weirded- out by the notion of cinema as community-therapy spectacle, Quitting hits home with disorienting force.
If Mr. Zhang's subject matter is, to some degree at least, quintessentially American, his approach to storytelling might be called Iranian.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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