Please, Hollywood, no more inspiration, particularly if it feels about as authentic as canned laughter.
Radio (2003)
Tomatometer
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Reviews Counted:112
Fresh:39
Rotten:73
Average Rating:4.9/10
Consensus: The story is heavy on syrupy uplift and turns Radio into a saint/cuddly pet.
Rated: PG [See Full Rating] for mild language and thematic elements
Runtime: 1 hr 49 mins
Genre: Dramas
Theatrical Release:Oct 24, 2003 Wide
Box Office: $52,277,485
Synopsis: Radio is a dramatic and uplifting tale inspired by true events that focus on the mentoring relationship between a high school football coach (Ed Harris) and Radio (Cuba Gooding, Jr.) -- who his... Radio is a dramatic and uplifting tale inspired by true events that focus on the mentoring relationship between a high school football coach (Ed Harris) and Radio (Cuba Gooding, Jr.) -- who his mother describes as "the same as everybody else, just a little slower than most" -- and how their unique friendship ultimately transforms the entrenched attitudes of a small South Carolina town. James Robert Kennedy (Gooding, Jr.) -- nicknamed ‘Radio’ because of his vintage radio collection and his love of music -- is a loner in Anderson, South Carolina, pushing his ever-present grocery cart up and down the streets. He speaks to no one and is rarely spoken to, until one day, Coach Harold Jones (Harris), one of the town’s most respected men, and coach of the popular high school football team, befriends him. Radio is suspicious at first. But Coach Jones is persistent, even enlisting the help of Radio’s mother (S. Epatha Merkerson). Jones’ friends and family are taken aback as well since, until he met Radio, all his energies were poured exclusively into football. Slowly, Coach Jones earns Radio’s trust and opens up a new world to him. He invites Radio to help out at football practice and during games and to sit in on his classes at school, despite the initial misgivings of Principal Daniels (Alfre Woodard). He also champions him to the football players, the students and faculty. Coach Jones’ life is also enriched by Radio, from whom he learns to value friendship and family ties as much as he does coaching football. Still, there are those in town who believe that Coach Jones’ devotion to the young man is distracting him from his duties as head coach of the football team. There are several attempts to have Radio barred from the classroom and, after his mother’s untimely death, remanded to a mental-health facility. Coach Jones valiantly fights off these efforts, but he is finally forced to make a difficult decision, which will impact both his growing friendship with Radio and his career as a football coach. Revolution Studios Presents A Tollin/Robbins Production Radio, a Columbia Pictures release. The film stars Academy Award® winner Cuba Gooding, Jr. as Radio and four-time Academy Award® nominee Ed Harris as Coach Harold Jones. The cast also includes Academy Award® nominee Alfre Woodard as Principal Daniels, S. Epatha Merkerson as Maggie Kennedy, Radio's mother and three-time Academy Award® nominee Debra Winger as Linda Jones, Coach Jones’ wife. The film is directed by Mike Tollin and written by Mike Rich. Mike Tollin, Brian Robbins and Herbert W. Gains are the producers. The executive producers are Todd Garner and Caitlin Scanlon. The director of photography is Don Burgess, ASC. The production designer is Clay A. Griffith. The film is edited by Chris Lebenzon, A.C.E. and Harvey Rosenstock, A.C.E. The casting is by Margery Simkin. The music is by James Horner. The costume designer is Denise Wingate. The music supervision is by Laura Wasserman. Radio has been rated PG for Mild Language and Thematic Elements [More]
Starring: Cuba Gooding, Ed Harris, Debra Winger, S. Epatha Merkerson
Starring: Cuba Gooding, Ed Harris, Debra Winger, S. Epatha Merkerson, Riley Smith, Alfre Woodard, Chris Mulkey
Director: Michael Tollin
Director: Michael Tollin
Screenwriter: Mike Rich
Producer: Michael Tollin, Herb Gains, Brian Robbins
Composer: James Horner
Studio: Columbia Pictures
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Reviews for Radio
I liken the experience to having someone explain to me their screenplay idea that has virtually no hook or substance. I pretty much just sit there and think, “Okay, fine…then what happens?!?”
Purports to be a celebration of the innocence and virtue of a mentally handicapped man, but is actually a congratulatory ode to the goodness of the townspeople who embrace him not unpleasant, just unconvincing.
Phony, pseudo-retro tale about a disabled boy and the football coach who reached out to him is thin, syrupy mush.
It's hard to say what's more offensive about the out-of-tune Radio -- Cuba Gooding Jr. trying to ingratiate himself by mugging up a storm as a mentally challenged man, or the mawkish narrative surrounding him like so much syrup.
With his goofy sweetness, docile uncertainty and indestructible determination to succeed, I found Mr. Gooding as unique and inspiring as Radio himself.
This is a movie that cannot accurately be said to have failed because it doesn't seem to have tried anything. It only aims at getting Pavlovian responses from audiences too sleepy to realize they're being manipulated.
Although it succumbs to overt audience manipulation when the story loses steam, Radio tunes in some solid performances from a skilled cast, led by Cuba Gooding Jr. and Ed Harris.
Rich has brought considerable depth to the roles he has created, which in turn allows Tollin to support Gooding's and Harris' fine portrayals with an array of performances of equally high caliber from a carefully selected cast.
Gooding Jr.'s dexterous avoidance of attention as Radio puts him among today’s most formidable actors, previous bad movie choices be damned.
It's not that the movie's heart isn't in the right place -- it's all over the place, like a boxful of gooey Valentine's Day chocolates splattered against a wall.
For some, the fine performances, combined with upbeat themes, will make Radio worth watching. But as a film, Radio manipulates more than it illuminates.
Gary Smith wrote about Radio in Sports Illustrated. Now Hollywood is up with Mike Rich doing the script and Ed Harris as a composite coach trying to keep the tear-jerking below flood level. They fail.
Shameless inspirational pulp that does everything but hold a gun to your head to get you to stand up and cheer.
Earnest to a fault, Radio tries so hard to be a feel-good movie, you might wind up feeling bad that you don't like it more.
It's To Kill a Mockingbird by way of Remember the Titans, with all the subtlety you'd expect from director Mike Tollin.
This sappy, overlong, three-hankie melodrama featuring Gooding Jr. in full-on Rain Man mode is about as corny as they come.
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