Real, sweet and often really sweet.
Raising Victor Vargas (2003)
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Reviews Counted:104
Fresh:100
Rotten:4
Average Rating:7.9/10
Consensus: A coming-of-age tale marked by its authenticity.
Theatrical Release:Mar 28, 2003 Limited
Box Office: $1,965,981
Synopsis:
Manhattan's gritty, majestic Lower East Side is the sweltering romantic playground for Victor Vargas (VICTOR RASUK), a self-styled teenaged Casanova who, despite his adolescent hubris, has a lot to...
Manhattan's gritty, majestic Lower East Side is the sweltering romantic playground for Victor Vargas (VICTOR RASUK), a self-styled teenaged Casanova who, despite his adolescent hubris, has a lot to learn about love.
Eager to protect his street-cred after his friends discover he's been sleeping with upstairs neighbour "Fat Donna" (DONNA MALDONADO), Victor sets out to nab a new girl. Much to her annoyance, popular "Juicy Judy" Ramirez (JUDY MARTE) finds herself the object of Victor's relentless attention. After a humiliating series of public rejections, Victor strikes a bargain with Judy's younger brother Carlos (WILFREE VASQUEZ). In exchange for a date with Victor's younger sister, Vicky, Carlos will help Victor win Judy's affections. His plan proves successful and Judy agrees to tolerate him as "her new man," securing Victor's place high atop the neighbourhood's social pecking order.
Unfortunately, his hilariously cantankerous old-school grandmother (ALTAGRACIA GUZMAN), with whom he and his siblings live, is convinced that Victor's teen-age sexual antics make him a bad kid. Caught between regaining his grandmother's trust and helping his kid brother and sister negotiate the oft-baffling ways of the world, Victor discover that there's a difference between acting like a man and becoming one. As he and Judy slowly start to trust and be trusted, Victor learns that a lot of love has been put into RAISING VICTOR VARGAS.
Peter Sollett's feature debut is a stunning piece of filmmaking that carefully explores the stumbling blocks of growing up, capturing adolescence at its most tender, funny and genuine. His script was developed through the Sundance Screenwriters Lab, a prestigious program which offers emerging artists the opportunity to work intensively on their feature film scripts with the support of established screenwriters. Sollett also extensively workshopped the film with the support of La Cinéfondation in Paris. -- © Samuel Goldwyn Films
Starring: Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzman
Starring: Victor Rasuk, Judy Marte, Melonie Diaz, Altagracia Guzman, Silvestre Rasuk, Krystal Rodriguez, Kevin Rivera
Director: Peter Sollett
Director: Peter Sollett
Screenwriter: Peter Sollett
Producer: Alain De La Mata, Robin O'Hara, Peter Sollett, Scott Macaulay
Studio: Samuel Goldwyn Films
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Reviews for Raising Victor Vargas
ultimately, it lacks the backbone, the thematic heft, to be anything beyond a sweet redemption story
A satisfying motion picture that wins its audience over because the characters are allowed to be themselves.
An exceptionally strong debut film that rings true and honest about teenagers and their emotions.
A beguiling coming-of-age story set in New York during one sweltering summer when teenagers are seesawing between bravado and timid vulnerability in the face of sex's mysteries.
The R rating is understandable, but absurd. This is a family film in the most complicated and, ultimately, most cheering sense.
These teens are not off-putting nor rude and crude, as so many movies like to make teens out to be. They are human ... the movie gives much respect to the intelligence they have inside.
Raising Victor Vargas has landed exactly the right actors for a script that already gets points for respecting its teenage characters.
["Raising Victor Vargas"] is such a well crafted, good hearted teen romance I hope it gets deserved life in the after market.
Sollett's writing is strong, achieving his goal of innocence regained by the purity of first love and the hilariously misguided efforts of a well-meaning, immigrant grandmother.
The realistic characters and dialogue make this a superior example of a New York indie style film, because these people are just so true!
There is a raw tenderness at the heart of the film that actually catches us off guard at the end.
Despite some questionable plot decisions, Sollet shows how awkward, crazy, and redeeming being in love can be.
His film may be something of a beautiful lie, but what's true about Sollett's characters is that their dreams, their grace and their struggles are as real as it gets.
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|---|---|
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