Solid acting by star Kate Winslet but not by co-star Fiennes; the movie is complete in some areas but lacking in others
The Reader (2008)
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Reviews Counted:179
Fresh:111
Rotten:68
Average Rating:6.4/10
Consensus: Despite Kate Winslet's superb portrayal, The Reader suggests an emotionally distant, Oscar-baiting historical drama.
Rated: R [See Full Rating] for some scenes of sexuality and nudity.
Runtime: 2 hrs 4 mins
Genre: Dramas
Theatrical Release:Dec 10, 2008 Limited
Box Office: $34,111,418
Synopsis: Though THE READER may boast the typical pedigree of a Holocaust film--acclaimed actors, a literary source, and an Oscar-baiting end-of-the-year release date--this drama has a significant... Though THE READER may boast the typical pedigree of a Holocaust film--acclaimed actors, a literary source, and an Oscar-baiting end-of-the-year release date--this drama has a significant difference: it focuses on a perpetrator, rather than the victims. Kate Winslet takes on the hefty supporting role of Hanna Schmitz, a woman who has an affair with Michael Berg (German actor David Kross), a 15-year-old boy in 1950s Germany. They spend their brief romance alternately making love and focusing on literature, with Michael reading everything from Chekov to Homer to his lover. Soon, Hanna abruptly disappears, and Michael returns to his normal life. Almost a decade later, Michael is studying law, when he sees Hanna again; she is on trial for her crimes as an S.S. guard during the war. Michael is torn between a desire for justice and his knowledge of a secret that may save Hanna. THE READER makes full use of hindsight and historical perspective. Based on the bestselling novel by Bernhard Schlink, the story is framed by an older Michael (Ralph Fiennes) who deals with both his personal history and the collective past--and guilt--of the German people. This is a complex film that doesn't give the audience any easy answers; Hanna is undoubtedly guilty of horrific crimes, but she is a multilayered character who is always fascinating and always human, thanks to the terrific performance of Winslet, who plays Hanna over four decades. Director Stephen Daldry earned an Oscar nomination for his work on another literary adaptation, THE HOURS, and he deserves more praise for this polished film. [More]
Starring: Kate Winslet, Ralph Fiennes, David Kross, Anthony Minghella
Starring: Kate Winslet, Ralph Fiennes, David Kross, Anthony Minghella, Lena Olin, Bruno Ganz, Jeanette Hain, Susanne Lothar, Matthias Habich
Director: Stephen Daldry
Director: Stephen Daldry
Screenwriter: David Hare
Producer: Anthony Minghella, Sydney Pollack, Donna Gigliotti, Redmond Morris
Composer: Nico Muhly
Studio: Weinstein Company
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Release:
Apr 14, 2009
DVD Features:
- O-Sleeve
- Widescreen
Audio:
- Dolby Digital - English
- Subtitles - Spanish
Additional Release Material:
- Deleted Scenes
- Trailers
- Making Of: A Masterpiece: The Making of THE READER
Featurette:
- 1. A Conversation with David Kross & Stephen Daldry, Kate Winslet on the Art of Aging Hanna Schmitz
- 2. A New Voice: A Look at Composer Nico Muhly
- 3. Coming to Grips with the Past: Production Design Brigitte Broch
Reviews for The Reader
Outstanding performances define "The Reader," but all pale in comparison with Kate Winslet's Hanna.
Director Stephen Daldry and screenwriter David Hare adapt Bernhard Schlink’s novel into a shuffling, episodic entertainment that’s undermined by inconsistent casting.
Despite a quietly heartbreaking performance from Kate Winslet and a talented director and screenwriter, The Reader feels more like a thumb sucker than a piece of vital moviemaking.
Since more time is spent exposing the milky white breasts of Kate Winslet than exposing the horrors of the Holocaust, viewers might be forgiven for thinking they stumbled into a big-budget remake of Ilsa, She Wolf of the SS.
'The Reader' suggests -- what? That Nazis might have been nicer if they'd spent more time reading instead of burning books?
The epitome of middle-brow ‘quality’ drama — admirable within its limitations, but Bernard Schlink’s Oprah Winfrey Book Club-approved book wasn’t exactly literature, as this isn’t exactly cinema.
Its issues are infinite and moveable. It’s a bold and challenging work.
A superbly crafted yet oddly unmoving film that's easier to admire than to genuinely like.
Winslet duly earns her Golden Globe (and inevitable Oscar) nomination.
Under the gloss of high production value, under the sheen of hardback good taste, there is something naive and glib and meretricious. It left a very strange taste in my mouth.
The revelation of evil not only confounds the characters here; it numbs the film, stifles whatever wayward life it once had in it.
The Reader suffers from Weinstein syndrome, in which an interesting novel is filleted to its bare skeleton by overpowering producer Harvey Weinstein, and made safe, easy to digest, and oh-so award friendly.
Pleasingly adult material powered by elegant, muscular performances. A strong adaptation of a slippery novel.
Kate Winslet is the reason to see the sombre, understated, literary The Reader, which has touching moments but never delivers on its early promise.
The Reader is a thoughtful and absorbing film, which is packed with delicately-structured twists and punctuated with truly impressive performances.
It is the kind of movie that will have you questioning your reactions and is a skilful piece of emotional manipulation from Billy Elliot director Stephen Daldry. But what really makes The Reader a must-see are the performances of Winslet and Kross.
The still, sad music of humanity – surely that should have been The Reader’s score. We hear it in Winslet’s performance at least, at once contained and tremendous, at once filigree in touch and fully wrought in thought and being.
Can a single performance redeem a whole movie? Heaven knows Kate Winslet does her damnedest to wrestle with the contradictions of The Reader.
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February 13, 2009:
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