A movie that's never bad but too easy to forget by the time you move on to the next book on your list of cinematic adaptations.
The Reader (2008)
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Reviews Counted:180
Fresh:111
Rotten:69
Average Rating:6.4/10
Consensus: Despite Kate Winslet's superb portrayal, The Reader suggests an emotionally distant, Oscar-baiting historical drama.
Rated: R [See Full Rating] for some scenes of sexuality and nudity.
Runtime: 2 hrs 4 mins
Genre: Dramas
Theatrical Release:Dec 10, 2008 Limited
Box Office: $34,111,418
Synopsis: Though THE READER may boast the typical pedigree of a Holocaust film--acclaimed actors, a literary source, and an Oscar-baiting end-of-the-year release date--this drama has a significant... Though THE READER may boast the typical pedigree of a Holocaust film--acclaimed actors, a literary source, and an Oscar-baiting end-of-the-year release date--this drama has a significant difference: it focuses on a perpetrator, rather than the victims. Kate Winslet takes on the hefty supporting role of Hanna Schmitz, a woman who has an affair with Michael Berg (German actor David Kross), a 15-year-old boy in 1950s Germany. They spend their brief romance alternately making love and focusing on literature, with Michael reading everything from Chekov to Homer to his lover. Soon, Hanna abruptly disappears, and Michael returns to his normal life. Almost a decade later, Michael is studying law, when he sees Hanna again; she is on trial for her crimes as an S.S. guard during the war. Michael is torn between a desire for justice and his knowledge of a secret that may save Hanna. THE READER makes full use of hindsight and historical perspective. Based on the bestselling novel by Bernhard Schlink, the story is framed by an older Michael (Ralph Fiennes) who deals with both his personal history and the collective past--and guilt--of the German people. This is a complex film that doesn't give the audience any easy answers; Hanna is undoubtedly guilty of horrific crimes, but she is a multilayered character who is always fascinating and always human, thanks to the terrific performance of Winslet, who plays Hanna over four decades. Director Stephen Daldry earned an Oscar nomination for his work on another literary adaptation, THE HOURS, and he deserves more praise for this polished film. [More]
Starring: Kate Winslet, Ralph Fiennes, David Kross, Anthony Minghella
Starring: Kate Winslet, Ralph Fiennes, David Kross, Anthony Minghella, Lena Olin, Bruno Ganz, Jeanette Hain, Susanne Lothar, Matthias Habich
Director: Stephen Daldry
Director: Stephen Daldry
Screenwriter: David Hare
Producer: Anthony Minghella, Sydney Pollack, Donna Gigliotti, Redmond Morris
Composer: Nico Muhly
Studio: Weinstein Company
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Release:
Apr 14, 2009
DVD Features:
- O-Sleeve
- Widescreen
Audio:
- Dolby Digital - English
- Subtitles - Spanish
Additional Release Material:
- Deleted Scenes
- Trailers
- Making Of: A Masterpiece: The Making of THE READER
Featurette:
- 1. A Conversation with David Kross & Stephen Daldry, Kate Winslet on the Art of Aging Hanna Schmitz
- 2. A New Voice: A Look at Composer Nico Muhly
- 3. Coming to Grips with the Past: Production Design Brigitte Broch
Reviews for The Reader
If the first half of The Reader is erotic and sensual, with naked bodies in various states of repose and impassioned lovemaking, the second half becomes increasingly antiseptic, an exercise in philosophy and morality and guilt.
There is a sense of ambiguity at the core of The Reader that makes it all the more brutal, all the more honest in its deflowering of love and what one imagines love ought to be instead of what it too often is.
Surrounding the Holocaust morality play is another story that’s more modestly scaled and, in this age of unashamed romance between older women and younger men, more contemporary.
A film that features an admittedly extraordinary performance from Kate Winslet surrounded by a lot of other stuff that doesn't work nearly as well as it should have.
Best evidence of what a magnetic presence Kate Winslet is: When her role diminishes in the second half of The Reader, the movie disintegrates.
With this film Daldry proves himself the screen's reigning master at showing passion thwarted or repressed, this time to a propulsive Philip Glass-lite score from Nico Muhly.
Winslet's been justly praised for her work here, but her contribution is mostly confined to the first half of The Reader.
At times The Reader is an interesting exploration of both the needs of man and the limits of law. But there are so many dead spots in the film after it gets rolling that the rolling too often comes to a stop.
I believe the movie may be demonstrating a fact of human nature: Most people, most of the time, all over the world, choose to go along. We vote with the tribe.
After a sensuous introductory act, The Reader descends into a series of dismaying contradictions regarding the moral toxins of the Holocaust -- which still pollute postwar Germany.
Winslet is outstanding, particularly given that Hanna is such an unsympathetic character. We never quite feel sympathy toward her, and it's testament to Winslet's skill and confidence that she never really asks us to.
Told, coolly...the novel was hugely popular as well as controversial worldwide and an Oprah's Book Club selection besides. I'm afraid it needed a different set of interpreters to make any emotional sense of it onscreen.
Moviegoers may find themselves unable to dismiss the film outright, but also unable to put a finger on what the movie is really about, or how it should have been about it.
The Reader, distant though it can be, touches and provokes a mulling over of the Holocaust like few films on the subject in recent memory.
Intelligent and impeccably crafted but...also rather remote and chilly, the kind of film in which craft trumps heart...ultimately fails to do emotional justice to the subject it tackles.
[The Reader] is positively goyish in its glassy eyed treatment of Jew killing, not that it aims to be anything more than an exercise in moral insurrection.
Literature as aphrodisiac - merits the attention of discerning audiences who will also want to see it for Winslet's nuanced, sensual performance.
Whatever legitimacy the story once had must have been lost in translation, because what appears on the screen is a cold, artless lump.
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April 13, 2009:
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February 17, 2009:
RT Interview: Reading The Reader with Stephen Daldry
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February 13, 2009:
Debating the Merits of The Reader
When you read the list of Best Picture nominations for this year's Academy Awards and saw "The Reader" nestled in between "Slumdog Millionare" and "Milk," were you surprised?... More...
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