Real Women Have Curves is nowhere near a great film, but it is the most distinctive and appealing of entertainments.
Real Women Have Curves (2002)
Tomatometer
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Reviews Counted:82
Fresh:68
Rotten:14
Average Rating:6.8/10
Consensus: Even though Real Women is another coming-of-age tale, it's a real charmer.
Theatrical Release:Oct 18, 2002 Limited
Box Office: $5,677,043
Synopsis: Ana (America Ferrera) is a beautiful Mexican-American girl who has just completed high school. Living in East L.A. with a hardworking blue collar family, Ana's graduation from an upscale school in... Ana (America Ferrera) is a beautiful Mexican-American girl who has just completed high school. Living in East L.A. with a hardworking blue collar family, Ana's graduation from an upscale school in Beverly Hills is heralded as a huge accomplishment. At least, that's the way her English teacher and mentor, Mr. Guzman (George Lopez) sees it. He would like Ana to apply to college as he feels that she is a smart and talented student. But Ana's deeply traditional mother, Carmen (Lupe Ontiveros), insists that she stay at home and help her sister working in a dressmaking factory. Ana is strong-willed and sometimes defiant, but she accepts her mother's instructions and works at the factory, simultaneously applying to Columbia University. The sweatshop that her sister operates opens Ana's eyes to the injustices of business. She sees how her sister is mistreated and underpaid by the Bloomingdale's executives who have contracted her to make their dresses. Dresses that cost the factory $18 to make are sold at Bloomie's for $600, and Ana questions where all that money goes. She also awakens her mother, sister, and coworkers to the idea that they are more than just pretty pictures or wives or mothers--they are real people with a lot to offer and they shouldn't be mislead by the body image promoted by stores like Bloomingdales that mass-produce clothing in small sizes for thin women. In the end, Ana learns a lot about herself, her family, and even romance, on her way to seeing herself as a woman. This beautifully filmed, sweet film is directed by Colombian-born Patricia Cardoso, and highlights the superb talent of 17-year-old Ferrera in the role of Ana. This film was included in the 31st New Directors/New Films 2002 series presented by The Film Society of Lincoln Center and The Department of Film and Media of The Museum of Modern Art in New York City. [More]
Starring: America Ferrera, Lupe Ontiveros, Ingrid Oliu, George Lopez
Starring: America Ferrera, Lupe Ontiveros, Ingrid Oliu, George Lopez, Brian Sites, Soledad St. Hilaire, Lourdes Perez, Jorge Cervera, Felipe de Alba
Director: Patricia Cardoso
Director: Patricia Cardoso
Screenwriter: Josefina Lopez
Producer: George LaVoo, Effie T. Brown
Studio: HBO Films/Newmarket Films
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Reviews for Real Women Have Curves
The film feels more suited as one of those old and educational after school TV specials than as a full-length feature.
Not only does [Ferrera] have curves, but she also has big talent. Real Women is really great.
Mature and self-confident, Ana rejects such traditional notions of a woman's worth.
What's most refreshing about Real Women Have Curves is its unforced comedy-drama and its relaxed, natural-seeming actors.
It's anchored by splendid performances from an honored screen veteran and a sparkling newcomer who instantly transform themselves into a believable mother/daughter pair.
It's so filled with cliches and stiff acting that it becomes hard to find anything notable except for its subject matter.
[Ferrera] has the charisma of a young woman who knows how to hold the screen.
Given its winning story line and a terrific performance by newcomer America Ferrera in the lead, Real Women Have Curves could become the next My Big Fat Greek Wedding.
[Ferrera and Ontiveros] are the best things about a film that relies upon our suspension of disbelief over incongruous plot points and formulaic story.
A real movie, about real people, that gives us a rare glimpse into a culture most of us don't know.
Filled with vividly etched scenes of the Latina garment workers toiling away, underpaid for the overpriced Bloomingdales bound dresses they could never afford nor fit into.
I’m not led down any new trails but I enjoyed the walk with “Real Women Have Curves,” anyway.
It's a coming-of-age story we've all seen bits of in other films -- but it's rarely been told with such affecting grace and cultural specificity.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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