Events never transpire as one would expect from a more conventional thriller.
Red Lights (2004)
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Reviews Counted:84
Fresh:70
Rotten:14
Average Rating:7.1/10
Consensus: Red Lights is a taut, character-driven thriller, set against the debris-strewn battleground of a failing marriage.
Theatrical Release:Aug 20, 2004 Limited
Box Office: $515,992
Synopsis: Starring French cinema legends Carole Bouquet (THAT OBSCURE OBJECT OF DESIRE) and Jean-Pierre Darroussin (UN AIR DE FAMILLE), director Cedric Kahn's thriller, based on a novel by Georges Simenon,... Starring French cinema legends Carole Bouquet (THAT OBSCURE OBJECT OF DESIRE) and Jean-Pierre Darroussin (UN AIR DE FAMILLE), director Cedric Kahn's thriller, based on a novel by Georges Simenon, features dry humor and Hitchcockian suspense. The relationship between Antoine (Darroussin) and Helene (Bouquet) is deteriorating. Helene spends more time at work, Antoine drinks, and the two act like mere acquaintances, not lovers. When Antoine stops at a bar and Helene threatens to continue without him, a fight erupts between them. Angry and drunk, Antoine insists on staying in the bar, but when he emerges he finds the car empty, save for a note saying that Helene has left for the train. In a drunken stupor, Antoine attempts to follow his wife's trail, joined by a mysterious and dangerous hitchhiker, without realizing that the obvious way to find her has been in front of him the entire time. Bouquet and Darroussin play off each other beautifully. Darroussin convincingly plays a man who has lost himself. And Bouquet is strong as a wife who has placed her husband at the bottom of her priority list. That a tragedy is the one thing that can help them repair their fractured marriage feels palpably realistic. At its heart, RED LIGHTS is an exploration of intimacy, love, and what it takes to build a successful relationship, but the film also provides satisfying humorous chills and nice dose of suspense. [More]
Starring: Jean-Pierre Darroussin, Carole Bouquet, Vincent Deniard, Carline Paul
Starring: Jean-Pierre Darroussin, Carole Bouquet, Vincent Deniard, Carline Paul, Jean-Pierre Gos
Director: Cedric Kahn
Director: Cedric Kahn
Screenwriter: Cedric Kahn, Laurence Ferreira-Barbosa, Gilles Marchand
Story: Georges Simenon
Studio: Wellspring
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Reviews for Red Lights
Its pace is altogether too measured, but ultimately pays off in broad Hitchcockian strokes
Brings with it everything a movie goer would want in a bracingly adult film.
A compelling addition to the long tradition of artful French film adaptations of works of mystery and suspense literature.
One of the best thrillers I have seen this year: tight, taut, and unpredictable.
Red Lights blends the blind tension of Hitchcock with a French sense of inevitability, leading us back and forth between action and surrender before ending just where it should.
An exercise in intrigue and tension, and the slow, constant build-up of dread has a certain Hitchcock flair.
Red Lights is a gripping and convincing French psychodrama with a tour de force performance by Jean-Pierre Darroussin.
Red Lights bristles with subcutaneous fear at signals which Hollywood thrillers routinely run.
Works as both a detailed examination of urban marriage and a creepy road movie.
You get more than a few cheap scares or a rambling parable on domestic contentedness, but a movie with intellectual and psychological oomph
It has that French feel to it that's hard to describe, but immediately recognizable. If Hollywood made it, you would have the action, but not the tension - Viva la différence.
Kahn's amazing ability to sustain a mood of impending dread makes this film a boderline classic.
Noirishly atmospheric, Red Lights proceeds with caution for much of its length, rarely getting up to cruising speed.
Psychologically dense and often unnerving, Red Lights takes you into the most dangerous territory of all -- the twisted mind of a man, whose facade crumbles over the course of an evening.
| Tomatometer Percentage | Movie |
|---|---|
| 14% 14% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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