The power of suggestion is so strong in Red Lights that, when it ends, you may feel like the whole movie was in your mind.
Red Lights (2004)
Tomatometer
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Reviews Counted:84
Fresh:70
Rotten:14
Average Rating:7.1/10
Consensus: Red Lights is a taut, character-driven thriller, set against the debris-strewn battleground of a failing marriage.
Theatrical Release:Aug 20, 2004 Limited
Box Office: $515,992
Synopsis: Starring French cinema legends Carole Bouquet (THAT OBSCURE OBJECT OF DESIRE) and Jean-Pierre Darroussin (UN AIR DE FAMILLE), director Cedric Kahn's thriller, based on a novel by Georges Simenon,... Starring French cinema legends Carole Bouquet (THAT OBSCURE OBJECT OF DESIRE) and Jean-Pierre Darroussin (UN AIR DE FAMILLE), director Cedric Kahn's thriller, based on a novel by Georges Simenon, features dry humor and Hitchcockian suspense. The relationship between Antoine (Darroussin) and Helene (Bouquet) is deteriorating. Helene spends more time at work, Antoine drinks, and the two act like mere acquaintances, not lovers. When Antoine stops at a bar and Helene threatens to continue without him, a fight erupts between them. Angry and drunk, Antoine insists on staying in the bar, but when he emerges he finds the car empty, save for a note saying that Helene has left for the train. In a drunken stupor, Antoine attempts to follow his wife's trail, joined by a mysterious and dangerous hitchhiker, without realizing that the obvious way to find her has been in front of him the entire time. Bouquet and Darroussin play off each other beautifully. Darroussin convincingly plays a man who has lost himself. And Bouquet is strong as a wife who has placed her husband at the bottom of her priority list. That a tragedy is the one thing that can help them repair their fractured marriage feels palpably realistic. At its heart, RED LIGHTS is an exploration of intimacy, love, and what it takes to build a successful relationship, but the film also provides satisfying humorous chills and nice dose of suspense. [More]
Starring: Jean-Pierre Darroussin, Carole Bouquet, Vincent Deniard, Carline Paul
Starring: Jean-Pierre Darroussin, Carole Bouquet, Vincent Deniard, Carline Paul, Jean-Pierre Gos
Director: Cedric Kahn
Director: Cedric Kahn
Screenwriter: Cedric Kahn, Laurence Ferreira-Barbosa, Gilles Marchand
Story: Georges Simenon
Studio: Wellspring
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Reviews for Red Lights
Thriller/mystery buffs might find the narrative slow; the thriller elements aren't introduced until the movie is nearly half over, and the mystery starts even later. But a dandy payoff will reward those who are patient.
Cedric Kahn is so adept at building Hitchcockian suspense out of the ordinary that the twist is truly chilling rather than silly.
Not since Two for the Road (1967) has a married couple in French transit been slapped so sideways along the byways.
Red Lights seethes with unexpected thrills around almost every corner. Antoine . . . has no clue to what lies ahead. ... Neither do we. That elevates the intrigue.
You get more than a few cheap scares or a rambling parable on domestic contentedness, but a movie with intellectual and psychological oomph
[The plot] is filled with ingenious deceptions and sleight-of-hand trickery.
Noirishly atmospheric, Red Lights proceeds with caution for much of its length, rarely getting up to cruising speed.
Kahn has taken the slight, character-driven piece and invested it with a delicious frisson of quiet, almost everyday menace...stop and watch.
Brings with it everything a movie goer would want in a bracingly adult film.
A chilling study of brink-of-divorce domesticity and wicked Hitchcockian sexual politics.
It has that French feel to it that's hard to describe, but immediately recognizable. If Hollywood made it, you would have the action, but not the tension - Viva la différence.
Subtle and stylish, Red Lights will remind moviegoers not only of Ms. [Flannery] O'Connor but also of Alfred Hitchcock.
But there's a line between suspense and mere annoyance, a line director Kahn is either flagrantly ignoring or just doesn't understand.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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