Kahn has a marvelous command of the material, showing a fine facility for the elements of the genre.
Red Lights (2004)
Tomatometer
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Reviews Counted:84
Fresh:70
Rotten:14
Average Rating:7.1/10
Consensus: Red Lights is a taut, character-driven thriller, set against the debris-strewn battleground of a failing marriage.
Theatrical Release:Aug 20, 2004 Limited
Box Office: $515,992
Synopsis: Starring French cinema legends Carole Bouquet (THAT OBSCURE OBJECT OF DESIRE) and Jean-Pierre Darroussin (UN AIR DE FAMILLE), director Cedric Kahn's thriller, based on a novel by Georges Simenon,... Starring French cinema legends Carole Bouquet (THAT OBSCURE OBJECT OF DESIRE) and Jean-Pierre Darroussin (UN AIR DE FAMILLE), director Cedric Kahn's thriller, based on a novel by Georges Simenon, features dry humor and Hitchcockian suspense. The relationship between Antoine (Darroussin) and Helene (Bouquet) is deteriorating. Helene spends more time at work, Antoine drinks, and the two act like mere acquaintances, not lovers. When Antoine stops at a bar and Helene threatens to continue without him, a fight erupts between them. Angry and drunk, Antoine insists on staying in the bar, but when he emerges he finds the car empty, save for a note saying that Helene has left for the train. In a drunken stupor, Antoine attempts to follow his wife's trail, joined by a mysterious and dangerous hitchhiker, without realizing that the obvious way to find her has been in front of him the entire time. Bouquet and Darroussin play off each other beautifully. Darroussin convincingly plays a man who has lost himself. And Bouquet is strong as a wife who has placed her husband at the bottom of her priority list. That a tragedy is the one thing that can help them repair their fractured marriage feels palpably realistic. At its heart, RED LIGHTS is an exploration of intimacy, love, and what it takes to build a successful relationship, but the film also provides satisfying humorous chills and nice dose of suspense. [More]
Starring: Jean-Pierre Darroussin, Carole Bouquet, Vincent Deniard, Carline Paul
Starring: Jean-Pierre Darroussin, Carole Bouquet, Vincent Deniard, Carline Paul, Jean-Pierre Gos
Director: Cedric Kahn
Director: Cedric Kahn
Screenwriter: Cedric Kahn, Laurence Ferreira-Barbosa, Gilles Marchand
Story: Georges Simenon
Studio: Wellspring
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Reviews for Red Lights
The novel from which writer-director Cedric Kahn adapted Red Lights was, ironically, set in the United States over an arid Labor day weekend. Kahn's update may be more air-conditioned, but it's just as claustrophobic, creepy and allegorical.
The true mystery, Red Lights' real thrill ride -- and what seems to interest Kahn most, despite his skill at arranging the trappings of suspense -- is marriage.
Take a bickering couple, put them in a car, get the driver drunk, add some terrible traffic and an escaped killer, and you've got "Red Lights," a movie I recommend to no one.
The endless line of glowing red brake lights ahead, the glaring headlights behind and the psychological tension within the capsule of the car combine to create a poisonous atmosphere that gradually seeps out and pervades the entire film.
Austere little thriller that works its way under your skin even before much of anything happens.
Emotion and aesthetics get equal play in this adaptation of a novel by Georges Simenon, creating high-tension entertainment of the highest order.
France has produced dozens of Hitchcock- style films since Cahiers du Cinema elevated Hitch to the pantheon nearly five decades ago, but few lately have been as suspenseful and psychologically insightful as Red Lights.
There is something thoroughly American about its theme of masculinity and rough justice. It's as if Antoine wants to release his inner-Dirty Harry.
It is a chilly study of an uncomfortably common breed of male paranoia.
Strange, scary, and atmospheric, with a delicious Claude Debussy score.
A satisfyingly well-wrought, old-school thriller: Character drives the plot, literally.
Mr. Darroussin and Ms. Bouquet make Antoine and Helene such compelling characters that their lives seem to become precious by their very fragility.
Even normally radiant Bouquet can't save Red Lights from its flawed logic and uneven tone.
From Simenon's taut, breath-catching tale, writer-director Cedric Kahn has made an engrossing film with a great central performance by Jean-Pierre Darroussin.
Red Lights is a gripping and convincing French psychodrama with a tour de force performance by Jean-Pierre Darroussin.
Kahn's direction is aces; he's learned the tricks from the masters of suspense and noir and added a spaced out sensibility of his own.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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