That devilish idea machine Lars von Trier reached into his bag of tricks and came up with the Advance Party project.
Red Road (2007)
Tomatometer
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Reviews Counted:82
Fresh:72
Rotten:10
Average Rating:7.3/10
Consensus: Red Road director Andrea Arnold skillfully parses out just enough plot details at a time to keep the audience engrossed in this seductive thriller.
Theatrical Release:Apr 13, 2007 Limited
Synopsis:
Developed at the Sundance Screenwriters Lab and winner of a Special Jury Prize at the Cannes International Film Festival, Red Road is a bristling, atmospheric thriller that rumbles with...
Developed at the Sundance Screenwriters Lab and winner of a Special Jury Prize at the Cannes International Film Festival, Red Road is a bristling, atmospheric thriller that rumbles with intensity.
In the squalor of urban Glasgow, Jackie (Katie Dickie) works at a video-surveillance firm that is in charge of protecting people who live on a single block of Red Road. One day a man appears on her monitor, a man she thought she would never see again. That man is an ex-con named Clyde (Tony Curran). Clearly shocked to see him free from prison, Jackie begins stalking Clyde, compelled to confront him for his crimes. What mysterious history do they share, and why is Jackie so determined to punish this man? Filmmaker Andrea Arnold keeps the audience guessing and the tension building as Red Road crescendos to an explosive finale.
After three acclaimed shorts, including Wasp, which won the Sundance Jury Prize in Short Filmmaking and the Academy Award, Red Road marks Arnold's highly anticipated feature debut. It was constructed within the framework of Lars von Trier's experimental Advance Party project, the first of three films set in Scotland, by three different directors, using the same nine characters. Masterfully crafted, Red Road gets the project off to a stirring start.
--© Sundance Film Festival
Starring: Kate Dickie, Tony Curran, Martin Compston, Natalie Press
Starring: Kate Dickie, Tony Curran, Martin Compston, Natalie Press, Paul Higgins, Andrew Armour
Director: Andrea Arnold
Director: Andrea Arnold
Screenwriter: Andrea Arnold
Producer: Carrie Comerford
Studio: Tartan Films
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Reviews for Red Road
The queasy mixture of sympathy and curiosity that Red Road evokes is evidence of a talented, risk-taking filmmaker discovering her power.
It's dynamite, the kind of sexy, paranoid, creepily atmospheric picture that invades all your senses at once.
Andrea Arnold’s Red Road, from her own screenplay, is the director’s remarkable feature-film debut after three internationally well-received shorts, Milk (1998), Dog (2001) and Wasp (2003).
A slow-burning but enticing thriller, it captures its working class Glaswegian setting in absorbing detail.
some may find the denouement a tad sentimental, but it is a long, dark and twisted journey that takes us there, scrutinising the shadier contours of human loss and guilt like a grainy face on a screen.
Red Road is a knockout first feature from Andrea Arnold... Her intimate thriller raises moral questions as it ponders guilt, revenge and redemption.
A strange sort of map of the city [is] spread across these fragmented cubes of visual information. And there's also the metaphorical map of the characters' lives, where they're coming from and where they're going.
A detailed character study that yanks us into the emotions of someone we might not glance at twice if we saw her on the street.
A hypnotically absorbing suspense story in the Patricia Highsmith mold, Red Road draws us in with doom-laden images of high-tech voyeurism before pummeling us with shock twists.
Jackie's story extends beyond her control, no matter what she sees, thinks she sees, or tries to see.
What this debut feature delivers in terms of storytelling and style, however, isn’t just the promise of potential; it’s the sign of someone hitting her stride straight out of the gate.
If you survive the first hour without nodding off, you may find, as I did, that 'Red Road' is a thought-provoking story of revenge, heartbreak and forgiveness.
Sets a chilling downer mood that gets under your skin like few films ever do.
With assured performers, handheld cameras and natural lighting -- the ABCs of the Dogme method -- [Andrea] Arnold has given this ambitious undertaking a provocative start.
This flawed but arresting film boasts an 'atmospheric and intense thriller' air and intentionally leaves minor points open to stimulate discussion.
Latest News for Red Road
September 09, 2009:
Andrea Arnold talks Fish Tank - RT Interview
Having bagged an Oscar for her short film Wasp and a Cannes Jury Prize for her debut feature Red Road, Andrea Arnold concretes her status as one of Britain's hottest new... More...
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The 62nd Cannes Film Festival has officially wrapped, with most commentators agreeing that this year's selection was a cut above. There were some disappointments, but plenty of... More...
May 24, 2009:
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May 15, 2009:
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