A pretty good picture turned into something like a really good picture by virtue of Chiwetel Ejiofor's performance.

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Redbelt (2008)
Tomatometer
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Reviews Counted:134
Fresh:91
Rotten:43
Average Rating:6.3/10
Consensus: Mamet's mixed marital arts morality play weaves between action and intellect but doesn't always hit its target.
Theatrical Release:May 9, 2008 Wide
Box Office: $2,278,707
Synopsis: Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his... Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his own Jiu-jitsu studio in Los Angeles. Terry's business is failing, causing tension between him and his wife, Sondra (Alice Braga). But their lives change drastically when Terry is compelled to come to the aid of an actor, Chet Frank (Tim Allen), during a bar fight. Frank befriends Terry and invites him to come and work as a consultant on a movie he is shooting. Just as Terry's fortunes seem to be changing, he finds himself caught up in a deceitful plan that has been carefully hatched by Frank's devious agent (who is played by Mamet regular Joe Mantegna). With his debts piling up, Terry decides to go against all his instincts and enter the competitive fighting world, where he stands to win a huge cash prize. But the good-natured fighter is in for a shock when he gets a close-up glimpse of the corruption that runs rife throughout the sport. REDBELT is full of the usual plot twists and fine performances that mark any Mamet movie. It's fascinating to watch the director draw on his longstanding passion for Jiu-jitsu to fill out the storyline, and Ejiofor does a convincing job as a man who draws on the discipline of the sport to stay calm during some testing times. As with many Mamet films, a series of cons are liberally sprinkled throughout the script, calling on viewers to remain alert as each strand of the storyline slowly unravels. The bulk of the movie is conversational, shying away from the action sequences that mark most fight movies, and making REDBELT an unusual and invaluable addition to the genre. [More]
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay, Alice Braga, Tim Allen, Ray Mancini, Rebecca Pidgeon, Rodrigo Santoro, John Machado, David Paymer
Director: David Mamet
Director: David Mamet
Screenwriter: David Mamet
Producer: Chrisann Verges
Composer: Stephen Endelman
Studio: Sony Pictures Classics
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Reviews for Redbelt
A David Mamet film to its bones, and that means everything is stripped down as far as it can be, to the point of being casually and unremarkably flawless.
David Mamet combines his famous rat-a-tat dialogue rhythms with a story that he describes as 'American samurai'. This collaboration of Mamet, Chiwetel Ejiofor and the purity of martial arts join forces for a captivating and one-of-a-kind film experience.
It is not Mamet's style to tie up all the loose ends. You have to work at earning the enjoyment of his stories.
It's the great performance from Ejiofor that makes this an interesting take on the martial arts genre.
An unnecessarily confusing and convoluted cross of Rocky and The Karate Kid that's a tad too smart for its own good, given the simple message it is trying to deliver.
It was that kind of a dubious movie, where there is just no escape from its excesses despite its credo being there's always a way to escape.
If you try to piece the story together, the logic won't hold. But trademark Mamet magic happens: requisite razor sharp dialogue, a complicated turn of events, and terrific cast of characters whose performances pop.
What is memorable is the film's portrait of a man of honor in a sleazy world, possibly a metaphor for the struggle of the artist to stay honorable in a world of backbiting, betrayal and hunger for easy money.
The glue that holds it together is Ejiofor's muscular performance as a man whose principles may be about to feel the brass knuckles of reality.
Watching Redbelt is like watching a chess game. As Mamet manipulates his characters, it's involving and occasionally thrilling, but it never makes you feel much.
David Mamet's take on the trendy new world of mixed martial arts is a gem not quite like anything I've seen before — a smart, absorbing, anti-Hollywood, hypermacho look at what it is to be a true martial artist and a man.
It's neither uninteresting nor unentertaining, but the plot is as threadbare as an old carpet and Mamet's narrative contortions will leave many viewers scratching their heads.
Ejiofor, a marvelously focused actor whose range and intensity are given a faintly inscrutable edge here, holds the center of the screen.
Redbelt ranks as one of Mamet's lesser efforts as writer and director.
Redbelt offers front-row tickets to the fixed cage match between currency and purity, and Mamet lets the audience feel every punch.
In Redbelt, David Mamet enters the realm of sports drama and Rocky-underdog clichés and discovers it's a surprisingly good fit.
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