Cerebral as it often may get, Redbelt is the work of a true fan. It's brought out some of the best in him, and he's returned the favor to the genre.

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Redbelt (2008)
Tomatometer
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Reviews Counted:134
Fresh:91
Rotten:43
Average Rating:6.3/10
Consensus: Mamet's mixed marital arts morality play weaves between action and intellect but doesn't always hit its target.
Theatrical Release:May 9, 2008 Wide
Box Office: $2,278,707
Synopsis: Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his... Actor Chiwetel Ejiofor follows his turn in AMERICAN GANGSTER by taking the lead role in this thoughtful fight movie from writer/director David Mamet. Ejiofor plays Mike Terry, a man who runs his own Jiu-jitsu studio in Los Angeles. Terry's business is failing, causing tension between him and his wife, Sondra (Alice Braga). But their lives change drastically when Terry is compelled to come to the aid of an actor, Chet Frank (Tim Allen), during a bar fight. Frank befriends Terry and invites him to come and work as a consultant on a movie he is shooting. Just as Terry's fortunes seem to be changing, he finds himself caught up in a deceitful plan that has been carefully hatched by Frank's devious agent (who is played by Mamet regular Joe Mantegna). With his debts piling up, Terry decides to go against all his instincts and enter the competitive fighting world, where he stands to win a huge cash prize. But the good-natured fighter is in for a shock when he gets a close-up glimpse of the corruption that runs rife throughout the sport. REDBELT is full of the usual plot twists and fine performances that mark any Mamet movie. It's fascinating to watch the director draw on his longstanding passion for Jiu-jitsu to fill out the storyline, and Ejiofor does a convincing job as a man who draws on the discipline of the sport to stay calm during some testing times. As with many Mamet films, a series of cons are liberally sprinkled throughout the script, calling on viewers to remain alert as each strand of the storyline slowly unravels. The bulk of the movie is conversational, shying away from the action sequences that mark most fight movies, and making REDBELT an unusual and invaluable addition to the genre. [More]
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay
Starring: Chjwetel Ejiofor, Joe Mantegna, Emily Mortimer, Ricky Jay, Alice Braga, Tim Allen, Ray Mancini, Rebecca Pidgeon, Rodrigo Santoro, John Machado, David Paymer
Director: David Mamet
Director: David Mamet
Screenwriter: David Mamet
Producer: Chrisann Verges
Composer: Stephen Endelman
Studio: Sony Pictures Classics
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Reviews for Redbelt
Mamet toys with this existential dilemma but his heart -- or fist -- isn't in it.
The movie starts out in muscular, typically Mametian fashion but can’t sustain that punch due to his less-than-firm handling of the storyline.
...entertaining until the ending that lacks crediblity, which mars what came before but epitomizes a Mamet film.
Even minor Mamet can be a source of major satisfaction, especially with an actor as compelling as Ejiofor in the lead.
Only excels when it treads on familiar Mamet territory; ultimately suffers from the ridiculous amount of characters and a convoluted plot.
The digression of the film's setup into an expedited version of The Spanish Prisoner would be less unnerving if what followed didn't turn out to be so irreversibly ridiculous.
[T]he film's intricate plot begins to collapse the moment the lights come up and you begin thinking about the story.
Redbelt strikes amazing notes of drama and character composition that could only come from the labyrinthine, puckered mind of Mamet.
The director knows this world and the actor makes us care about it. Redbelt requires little more to make good on its promises.
Redbelt, is a satisfying, unexpectedly involving B-movie that owes as much to old Hollywood as to Greek tragedy.
A riveting drama where the ethics and rigorous idealism of a gifted Jiu-Jitsu teacher are challenged.
A superior, sophisticated, and unusually gentle character study where the point isn't the twists, so much as watching how one man's belief system holds up through them.
Inspired by his interest in mixed martial arts, Mamet's ode to the samurai spirit quickly bogs down in coincidence-driven plotting that's only partially offset by a colorful cast of supporting characters.
Compels as a story of the struggles and consequences of being a good, honest man in a world that rarely rewards either attribute.
This scores high on the ass-kickery meter, and what could have been another generic fight film is elevated into a thinking-man's Rocky by writer-director David Mamet.
Redbelt fails on nearly every level, from its incoherent story line to its threadbare action sequences.
Ill-conceived morality play set in the world of mixed martial arts is clearly a labor of love for writer-director David Mamet. It's just a labor for the audience.
The final moment, which was probably intended to be poignant, instead feels laughable.
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