The animation is gorgeous but makes the characters feel cold, and the plot is perhaps too labyrinthine even for this twisty genre. An interesting and gloriously designed effort rather than a must-see.
Renaissance (2006)
Tomatometer
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Reviews Counted:66
Fresh:29
Rotten:37
Average Rating:5.5/10
Consensus: Renaissance attempts to blend sci-fi wonder with stark noir animation, but is often more fun to look at than to watch.
Rated: R [See Full Rating] for some violent images, sexuality, nudity and language
Runtime: 1 hr 45 mins
Genre: Action/Adventure
Theatrical Release:Sep 22, 2006 Limited
Synopsis: In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil... In the near future in a Paris, France, made of Plexiglas, aerodynamic steel beams, and rainslicked surfaces, a sinister plot unfolds: it's one honest cop (voiced by Daniel Craig) against an evil corporatocracy, corrupt scientists, and the mob, as he uses his wits and grit to rescue a brilliant, beautiful female geneticist who has been kidnapped. What he learns on his rescue mission challenges his most hard-boiled preconceptions about who's really running things. Christian Volckman's first feature film is rendered in astonishing black-and-white "motion capture" animation that continually yields inventive and subtle visual surprises--car chases take on cosmic proportions, cigarette smoke engulfs an entire room like a lovely wraith, and the already beautiful Parisian skyline becomes a dizzying, jeweled spectacle. A descendent of classic science-fiction tech-noir like BLADERUNNER, Volckman's film envisions the near future as a cold and heartless place where corporations are supreme and surface beauty is everything; whole scenes are constructed from reflections in nighttime windows, mirrors, and other shiny expanses, and false (but pretty) facades are created to confuse and imprison characters. This constant emphasis on empty, backwards images supports Volckman's seeming disgust with society's preoccupation with youthful beauty (and the multibillion-dollar cosmetic industries that keep us hooked), although his own film is relentlessly gorgeous. [More]
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai
Starring: Daniel Craig, Patrick Floersheim, Catherine McCormack, Romola Garai, Ian Holm, Jonathan Pryce
Director: Christian Volckman
Director: Christian Volckman
Screenwriter: Mathieu Delaport, Alexandre de la Patelliere
Producer: Jean-Bernard Marinot, Aton Soumache, Roch Lener, Alexis Vonarb
Studio: Miramax Films
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Reviews for Renaissance
Certainly one of the year’s more luscious releases, offering not just the sleekest car chase but the most romantic of rainstorms.
There are no grey shadings in the film's visual palette to match the characters' more equivocal moralities, and the result is a dark, dark world occasionally exposed to the most harsh and unforgiving of lights.
For its retro-futurist look alone, this outdated thriller set in 2054 Paris is worth seeing.
Its dark images echo in the mind's eye. And for that alone, it's worth seeing.
Renaissance is a victory of style over substance and technology over art, but to score a real win, the filmmakers need to strike a better balance between the two.
Less interesting for its story than for its look, with a camera that does things live-action movies can't.
A pic of true craftsmanship that dazzles until it wears out its welcome and becomes a drag.
[Director] Volckman's vision, however unrelentingly monochromatic, does just enough with 'motion capture' to persuade you that it could tell substantive, even provocative grown-up stories.
It might be hyperbole to call Renaissance unique, but it is very different from most films that open in theaters, and it's worth going a few extra miles to seek out, especially if this is a genre that holds appeal.
It is more Sin City (the graphic novel) than Sin City (the movie)! Or at least on a purely visual level . . .
The voicework and the story try hard enough to get by, but Renaissance is really about its look. That part of the film is simply marvelous.
Good enough to sit there and watch without paying any attention to the story.
Novelty doesn't compensate for obscurity in the storytelling but I fully appreciated it for its audacity and intrigue.
Renaissance is a dark joy to inhabit once you jettison the idea of a satisfying narrative.
The picture's most fascinating aspect is its startling graphic detail. Despite their severely limited tonal palette, the filmmakers pull off some remarkably delicate effects. ... It's a full, living world.
Latest News for Renaissance
September 25, 2006:
Box Office Wrapup: "Jackass" #1, "Little Miss Sunshine" Crosses $50M
Young men returned to theaters in droves and powered the crude new stunts sequel Jackass: Number Two to the number one spot with the biggest opening weekend of any film in the... More...
September 22, 2006:
RT Talks to the "Renaissance" Man
RT's own Jen Yamato sat down with "Renaissance" director Christian Volckman, who discussed laying the groundwork for his innovative project, including the painstaking... More...
September 21, 2006:
Box Office Guru Preview: Jackass Crashes into Theaters
Four new films open wide, but they may not be enough to stop the North American box office from suffering its third consecutive down weekend. More...
September 21, 2006:
Critical Consensus: "Jackass" Kicks; "King" Is Dethroned; "Fearless" Is Action-Packed; "Flyboys" Is Grounded
This week at the movies, we've got antisocial behavior ("Jackass: Number Two," with Johnny Knoxville and the gang), hell-raising politicos ("All The King's... More...
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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