After overblown stories of mass walkouts by critics during its Toronto debut, Rendition proves to have enough substance, momentum and surprise to validate its entertainment value as a politically charged thriller.
Rendition (2007)
Tomatometer
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Reviews Counted:146
Fresh:69
Rotten:77
Average Rating:5.5/10
Consensus: The impressive cast cannot rescue Rendition, which explores complex issues in woefully simplified terms.
Theatrical Release:Oct 19, 2007 Wide
Box Office: $9,664,316
Synopsis: Reese Witherspoon and Jake Gyllenhaal star in this nail-biting political thriller from director Gavin Hood (TSOTSI). Showing the price and behind-the-scenes drama of post 9/11 anti-terrorist... Reese Witherspoon and Jake Gyllenhaal star in this nail-biting political thriller from director Gavin Hood (TSOTSI). Showing the price and behind-the-scenes drama of post 9/11 anti-terrorist security policies, the film focuses on the controversial U.S. practice of transporting suspected terrorists to locations outside the U.S. for intense interrogation and, as the film suggests, torture. Here, it is Egyptian-born Anwar El-Ibrahimi (Omar Metwally), an engineer and family man, who becomes a CIA target. On his way home to Chicago from business in South Africa, Anwar disappears at the Washington, D.C., airport. The records show he boarded the plane, but he never returns to his pregnant wife, Isabella (Witherspoon), and small son. As Anwar is taken to an undisclosed location for questioning, several other plotlines are introduced. After his partner is killed by a suicide bomber, Douglas Freeman (Gyllenhaal), a young and relatively inexperienced CIA analyst, must step in to observe the brutal torture and interrogation of Anwar at the hands of the brutish Abasi Fawal (Igal Naor), whose own daughter has run away with the brother of a potential terrorist. RENDITION tackles serious issues with an all-star cast that also includes a typically flawless Meryl Streep as a steely government official responsible for approving Anwar's kidnapping, and Peter Sarsgaard as old friend of Isabella who uses his political position to help her. RENDITION never delves too deeply into any one character, focusing instead on the important ways in which multiple storylines intersect and the personal stakes that each character has in the case. Clever editing and solid writing contribute to the film's success by encouraging the audience to view events from multiple points of view and by never becoming preachy or one-sided. [More]
Starring: Jake Gyllenhaal, Reese Witherspoon, Alan Arkin, Meryl Streep
Starring: Jake Gyllenhaal, Reese Witherspoon, Alan Arkin, Meryl Streep, Peter Sarsgaard, Omar Metwally, J.K. Simmons
Director: Gavin Hood
Director: Gavin Hood
Screenwriter: Kelley Sane
Producer: Steve Golin, Marcus Viscidi
Composer: Paul Hepker, Mark Kilian
Studio: New Line Cinema
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Reviews for Rendition
Hot off the headlines, this is one timely thriller that delivers its message with a huge punch and no heavy speechifying.
Hot off the headlines and onto the screen, this is a rarity -- a political film that delivers its timely message with a cinematic punch and no undue speechifying.
An issue that springs from collective fear and the baser instincts it engenders deserves a better, more intelligent, and more perceptive treatment than the trite platitudes Rendition offers.
Even Witherspoon, normally the most spirited of performers who can inject even limited characters and blah scripts with her own spark, can do little but mope around and search for different ways to look worried.
As soon as the hood comes out, start talking. Rendition leaves the question of guilt or innocence to each viewer.
Hood becomes a Hollywood player with a powerful, politically challenging film that pulls no punches. An impressive cast at the top of their game, plus a killer twist that’s anything but a flashy gimmick.
Rendition’s beef with the injustices of the US Patriot Act would have had a lot more power a couple of years ago.
Its clumsy efforts are toward an honest and difficult goal, which is to use the resources of mainstream movie-making to get viewers thinking about a moral crisis that many of us would prefer to ignore.
While Rendition is timely and invigoratingly noble, it doesn't really have any perspective. It's to torture what Amistad was to slavery. It's a $30 million AP brief.
But Rendition, in the end, is a Lifetime movie with pretensions toward being a political thriller. (They could even call it YOU HAVE MY HUSBAND! since Witherspoon shrieks that at Streep in a ludicrous scene.)
Disappointingly dull given the explosive subject matter, this at least attempts to get a message into the mainstream. An extra star for effort rather than execution.
As it goes about hitting its predictable marks, including a reassuring burst of moral outrage, Rendition suffers, finally, from not being extraordinary enough.
It's easy to get outraged over an innocent man being tortured, but shouldn't we be outraged by the very idea of torture?
Rendition is the result of such pompous over-pronouncements. It's a well-intentioned screed undone by its desire to make all sides of its conflict saintly simplistic.
In trying to respect every character's point of view, Hood doesn't reveal enough about any of them to make us truly care.
Thanks to the current administration, Hollywood now has mroe villains than in the Cold War era.
The film exists in a gray zone that acknowledges the existence and relevance of both sides.
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October 18, 2007:
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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