Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera.
Reservation Road (2007)
Tomatometer
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Reviews Counted:106
Fresh:39
Rotten:67
Average Rating:5.2/10
Consensus: While the performances are fine, Reservation Road quickly adopts an excessively maudlin tone along with highly improbable plot turns.
Rated: R [See Full Rating] for language and some disturbing images.
Runtime: 1 hr 43 mins
Genre: Dramas
Theatrical Release:Oct 19, 2007 Limited
Synopsis: A wrenching drama based on the novel by John Burhnam Schwartz, RESERVATION ROAD is the story of two men whose lives are torn apart by a tragic accident. Ethan Learner (Joaquin Phoenix) and his wife... A wrenching drama based on the novel by John Burhnam Schwartz, RESERVATION ROAD is the story of two men whose lives are torn apart by a tragic accident. Ethan Learner (Joaquin Phoenix) and his wife Emma (Jennifer Connelly) are consumed with grief after their son Josh (Sean Curley) is struck by a hit and run driver. The man behind the wheel was Dwight Arno (Mark Ruffalo), a divorcee who was racing to get his own son back in time in accordance with a custody agreement. A lawyer himself, Dwight is all too familiar with the consequences of his actions. Unsure of what to do, he panics, then conceals his car in his garage. Lucky for him, the police can't find any leads, and the case quickly turns cold. Time passes, and Emma wants her family to heal and get on with their lives, but Ethan has become consumed with finding his son's killer. In a bizarre coincidence, he shows up at Dwight's office seeking legal advice about how to catch and prosecute the perpetrator. The guilt is eating away at Dwight, and he makes a plan to turn himself in, but not before he has a proper goodbye with his own son. When an image suddenly jars Ethan's memory of the accident, he begins to piece things together, causing him to quickly seek his retaliation, which results in a gripping and emotional stand-off. Joaquin Phoenix and Jennifer Connelly are excellent as the grieving parents, both offering a painfully realistic portrait of grief. Mark Ruffalo is equally impressive as the tormented and conflicted Dwight. While the film works nicely as both thriller and family drama, it at times has an emotional intensity that can be almost difficult to watch. Yet, all tear-jerking elements aside, director Terry George has crafted a smart and complex tale of loss, and the long, difficult road to healing. [More]
Starring: Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino
Starring: Joaquin Phoenix, Mark Ruffalo, Jennifer Connelly, Mira Sorvino, Elle Fanning
Director: Terry George
Director: Terry George
Screenwriter: John Burnham Schwartz, Terry George
Producer: Nick Wechsler, A. Kitman Ho
Composer: Mark Isham
Studio: Focus Features
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Reviews for Reservation Road
It's a relentlessly downbeat, well-acted melodrama that's easy to admire, but intentionally impossible to enjoy.
But nuanced performances and an understated screenplay make it clear that these connections are here to underscore the way that that all of the relationships that define us are just a small part of the larger patterns that contain and sustain us all.
The film demands to be taken as a prestigious Oscar hopeful, but the material just doesn't have that level of potency; it's more akin to a slick but forgettable made-for-TV effort.
[Mark] Ruffalo ... is the only thing that saves Reservation Road from being utterly forgettable.
Reservation Road is one of those movies where the characters suffer early and often.
Something's missing, and it's the question of whether any prison sentence can ever be as painful as living with guilt, its own form of inescapable punishment.
An arduous melodrama set in a high-tax-bracket corner of Connecticut.
All performances are first-rate, particularly those of Ruffalo and Phoenix.
Undoubtedly a sincere film, but...feels like a movie that's escaped from the Lifetime Network.
If the road to hell is indeed paved with good intentions, there must be a special circle for directors who’d milk a child’s death for cheap manipulation.
The best efforts of the performers cannot authenticate a plot that no longer feels inevitable. It feels contrived. And the audience stays at a remove instead of entering someone else’s nightmare.
Reservation Road leads audiences on an hour and forty minute ride to nowhere special.
Extremely well acted, admirably evenhanded, and wholly respectful of a subject that could easily devolve into Lifetime-channel schmaltz. It just fails to make much of an impression.
This movie probes your inner conscience without losing sight of its breathless entertainment value.
Bad things happen and terrible choices are made in the very sad, very nerve-racking, very good melodrama Reservation Road.
Reservation Road is in the familiar suburban terror genre but Joaquin Pheonix and Mark Ruffalo give it emotionally credible nuances.
A flawed presentation of compelling material and intriguing characters.
. A long overdue showdown between the distraught father and his son's killer set the climax, leaving the movie an overlong and threadbare exercise in stagnate motivations of should, would and can't.
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October 18, 2007:
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